
25 Cats Named Sam
20 works

Kimiko F.S. II 237, 1981
Screen print on Stonehenge paper
36 x 36 in 91.4 x 91.4 cm
Edition of 250 , 50 AP
Following his notoriety as a celebrity portrait painter, Warhol soon began receiving commissions from wealthy patrons, including Kimiko Powers. John and Kimiko Powers had a large collection of Pop Art and in 1972 John commissioned Warhol to make a portrait of his wife. Warhol visited their apartment to take some polaroids of Kimiko from which to work, an episode she remembered vividly and recalled in a 2001 interview: “And he said to me ‘turn your face up. Turn your face to the side. Oh, it’s beautiful… oh gee that’s great.’ He took Polaroids, one after another. Afterwards when we were finished, he put them all over the floor and asked, ‘Which one do you like?’ I said, ‘You’re an artist, you decide.’” This marked the beginning of a long friendship between the artist and model, whom he would paint again.By accepting commissions such as these Warhol was indulging his belief that everybody deserves their 15 minutes of fame. Dressed in an elegant kimono with her hair arranged in a Japanese style, Kimiko Powers is portrayed as a classic beauty. The traditional elements of the portrait are subverted however by the bright tones Warhol has used to turn Kimiko into an icon of Pop Art. Her face is flooded with magenta while her robe is made blue to blend in with the background except for a green stripe on the collar. Her lips are also tinged with blue, recalling earlier portraits of Marilyn and Elizabeth Taylor.Though the original portrait was commissioned in 1972, the edition of 250 screen prints was only published in 1981, to raise funds for a visual arts programme sponsoring artists and exhibitions to which John Powers was affiliated. With this work Warhol demonstrates once again his mastery of screen printing as a medium. Traditionally associated with commercial printing, serigraphy – as the method is also known – was appealing to Warhol for its flatness and potential for large edition sizes. Though he had experimented with lithography and monoprinting before he soon found that screen printing offered the most attractive results, not least for its irregularity and what he described as its “quick and chancy” qualities. By overlaying colours and messing with the registration he produced a range of effects that soon became the hallmark of his work and Pop Art as a wider movement. Soon he was producing large numbers of prints, realising that “repetition adds up to reputation” and ensuring that his art was accessible to a wide audience, echoing the mass media from which he gathered most of his source material from in the first place. With this practice of repetition and appropriation Warhol soon became as famous as his subjects, turning himself into an icon of 20th century art.
Price on Application

Kimiko (Feldmann & Schellman II. 237), 1981 · Andy Warhol · PIASA · 2026-05 · $54,617

Kimiko · Andy Warhol · Heritage Auctions · 2017-04 · $32,500
Kimiko · Andy Warhol · Sotheby's · 2019-04 · $27,071

Kimiko · Andy Warhol · Christie's · 2017-04 · $22,500

Kimiko · Andy Warhol · Sotheby's · 2015-03 · $20,311


Andy Warhol
After The Party F.S. II 183
1979

Andy Warhol
Alfred Hitchcock F.S. III B. 14
1983

Andy Warhol
Brooklyn Bridge F.S. II 290
1983

Andy Warhol
Cantaloupes I F.S. II 201 , Watermelon F.S. II 199 , Apples F.S. II 200 , Peaches F.S. II 202 , from Space Fruit : Still Lifes
1978-79

Andy Warhol
Fiesta Pig F.S. II 184
1979

Andy Warhol
Fish III.A 39
1983

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Georgia O'Keeffe F.S. IIIA . 11
1979

Andy Warhol
Goethe F.S. II 270
1982

Andy Warhol
Goethe F.S. II 271
1982

Andy Warhol
Goethe F.S. II 272
1982

Andy Warhol
Goethe F.S. II 273
1982

Andy Warhol
Grace Kelly F.S. II 305
1984

Andy Warhol
Grapes
1978-79

Andy Warhol
Jane Fonda F.S. II 268
1982

Andy Warhol
Jimmy Carter I F.S. II 150
1976

Andy Warhol
Jimmy Carter II F.S. II 151
1977

Andy Warhol
John Wayne F.S. II 377
1986

Andy Warhol
Karen Kain F.S. II 236
1980

Andy Warhol
Ladies and Gentlemen F.S. II 127
1975

Andy Warhol
Liz F.S. II 7
1964

Andy Warhol
Marilyn Monroe (Marilyn) F.S. II 22-31
1967

Andy Warhol
Marilyn Monroe Invitation
1981

Andy Warhol
Mildred Scheel F.S. II 238
1980

Andy Warhol
Neuschwanstein F.S. II 372
1987

Andy Warhol
Pete Rose F.S. II 360B
1985

Andy Warhol
Portrait of the Artists F.S. II 17
1967

Andy Warhol
Queen Elizabeth II F.S. II 334
1985

Andy Warhol
Queen Elizabeth II F.S. II 334a
1985

Andy Warhol
Queen Margrethe II Of Denmark F.S. II 340 (Royal Edition)
1985

Andy Warhol
Queen Margrethe II of Denmark F.S. II 342 (Royal Edition)
1985

Andy Warhol
Queen Margrethe II of Denmark F.S. II 343 (Royal Edition)
1985

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Queen Ntombi Twala of Swaziland
1985

Andy Warhol
Saint Apollonia F.S. II 330
1984

Andy Warhol
Saint Apollonia F.S. II 330 - 333 (Complete Portfolio)
1984

Andy Warhol
Saint Apollonia F.S. II 331
1984

Andy Warhol
Saint Apollonia F.S. II 332
1984

Andy Warhol
Saint Apollonia F.S. II 333
1984

Andy Warhol
Shadows V
1979

Andy Warhol
Shadows V (Red and Blue) `
1979

Andy Warhol
Vesuvius F.S. II 365
1985

Andy Warhol
Vote McGovern F.S. II 84
1972

Andy Warhol
Watercolor Paint Kit With Brushes F.S. II 288
1982
Andy Warhol's print output spans five decades, hundreds of series, and a price range of $2,000 to over $200,000 per work—making it the most accessible and simultaneously most complex segment of the Warhol market. From early screenprints of the 1960s through the Ads, Camouflage, and Last Supper series of the 1980s, Warhol's prints constitute the broadest collector entry point into his work. Auction volume is consistently high; dealer inventory is deep; and the combination of iconic imagery with genuine edition discipline creates conditions for long-term value retention across virtually every price tier.
Warhol embraced screenprinting not as a reproductive shortcut but as a philosophical position: the elimination of the artist's hand, the embrace of mechanical process, the equation of art-making with manufacturing. His print practice evolved significantly across his career:
The Factory Additions, Castelli Graphics, and Feldman Fine Arts publishing relationships produced the most institutionally significant editions; collector preference for lifetime impressions over posthumous publications remains strong.
The Warhol print market rewards specificity. Collectors focused on long-term value concentrate on:
Entry-level collectors frequently begin with 1980s commercial series (Ads, Endangered Species) before moving to 1960s–70s canonical works as confidence and budget develop.
The breadth of Warhol's print output makes authentication a nuanced discipline. Core considerations:
For transactions above $10,000, independent specialist authentication is standard practice.
The Warhol print market in 2026 presents tiered opportunities across every collector budget:
The overarching thesis: Warhol prints are among the most liquid non-fungible assets in the contemporary art market. Global name recognition, broad institutional holding, and consistent auction presence create a depth of secondary market unmatched by virtually any other print artist. Acquiring selectively in current market conditions—with attention to subject hierarchy, publisher credibility, and condition—positions collectors well against continued appreciation.
Guy Hepner Gallery has completed 477 Warhol transactions totaling over $51 million. To acquire Warhol prints, contact us at 177 10th Avenue, New York, NY 10001 or visit guyhepner.com.

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.