Andy Warhol Birth of Venus For Sale
Andy Warhol: Birth of Venus Series
Market Performance & Investment Context
The Birth of Venus portfolio stands as one of Warhol's most intellectually ambitious late-period series, commanding increasingly competitive prices at major auction houses. In October 2025, Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316) achieved $666,750 at auction, demonstrating robust collector appetite for this art-historical crossover series. The same work had traded at £247,650 in September 2024, reflecting strong transatlantic demand and notable price appreciation within a twelve-month window.
Trial proofs from this series have established their own distinct market tier. Birth Of Venus Trial Proof TP 1/36 realized $325,000 in October 2021, with subsequent examples from the trial proof edition appearing at £247,650 in 2024 auctions. These figures position the Birth of Venus series as a serious collecting category within Warhol's extensive print oeuvre.
Guy Hepner brings unmatched expertise to this market segment, having facilitated 478 Warhol transactions totaling over $51 million across 292 collectors from our New York headquarters. Warhol's broader market authority remains unassailable—Shot Sage Blue Marilyn achieved $195,040,000 at Christie's in May 2022, establishing the highest price ever recorded for a 20th-century artwork at auction. This series offers collectors entry into Warhol's conceptual dialogue with Western art history at acquisition levels substantially below his iconic portraiture.
Technical & Historical Context
Warhol executed the Details Of Renaissance Paintings series in 1984, turning his appropriation methodology toward canonical European masterworks. The Birth of Venus portfolio comprises four screen prints on Arches Aquarelle Cold Pressed paper, each measuring 32 x 44 1/8 inches. By isolating Venus's face from Botticelli's fifteenth-century original and subjecting it to his signature color transformations, Warhol collapsed five centuries of art history into a single Pop gesture.
The series functions as both homage and critique—Warhol recognized that Renaissance masterpieces had themselves become mass-reproduced images, their aura already compromised by ubiquitous reproduction. His intervention made this condition explicit while simultaneously generating new aesthetic experiences through chromatic variation. The Arches Aquarelle substrate, a heavyweight cotton paper designed for watercolor, gives these prints exceptional surface quality and archival stability that collectors increasingly value.
Ronald Feldman Fine Arts published the edition, maintaining Warhol's exacting production standards during this prolific final decade of the artist's career.
Individual Works & Collector Preferences
The complete portfolio (F. & S. II.316-319) represents the most desirable acquisition format, offering collectors the full chromatic sequence Warhol envisioned. Each of the four prints presents Venus through different color palettes—ranging from naturalistic flesh tones to synthetic pinks, electric blues, and acidic yellows. Assembled as a suite, the works create visual dialogue that single sheets cannot replicate.
From our transaction history, we observe particular collector interest in the more dramatically transformed colorways—those departing furthest from Botticelli's original palette tend to attract the most competitive bidding. F. & S. II.316 and II.319 have historically commanded premium positioning within the series.
Trial proofs numbered from the edition of 36 offer collectors documented production variants and rarity premiums over the standard edition. These working proofs frequently exhibit subtle differences in ink density or registration that appeal to connoisseurs seeking production-process insight. TP 1/36 and TP 24/36 have both demonstrated strong secondary market performance, suggesting trial proofs from this series have established independent collector constituencies.
Individual sheets from the standard edition provide accessible entry points for collectors building Warhol holdings or those with specific chromatic preferences.
Authentication & Condition Considerations
Authentication of Birth of Venus prints follows established Warhol Foundation protocols. Collectors should verify presence in the Andy Warhol Catalogue Raisonné, with series entries catalogued as Feldman & Schellmann II.316 through II.319. Standard edition prints carry Warhol's signature in pencil, typically on the verso or lower margin, alongside edition numbering.
Trial proofs bear "TP" designation with their specific number within the 36-proof edition. Foundation stamps and publisher blindstamps provide additional authentication markers. Guy Hepner supplies comprehensive provenance documentation and authentication verification with every transaction.
Condition assessment for this series prioritizes paper integrity, given the substantial sheet size. The Arches Aquarelle substrate, while archival, requires proper storage to prevent undulation or cockling along sheet edges. Examine margins for handling marks, and assess color saturation against known exemplars—fading in certain pigments, particularly magentas and oranges, can diminish both visual impact and market value. Works maintaining crisp registration across all color passes command appropriate premiums.
Investment Analysis & 2026 Acquisition Strategy
The Birth of Venus series occupies a distinctive position within Warhol's market structure. Unlike Marilyn, Mao, or Flowers—series where top examples now trade in the multi-million-dollar range—this portfolio remains attainable for collectors seeking museum-quality Warhol at six-figure acquisition levels. Recent Mao prints (F.S. II.96 and II.97) each achieved $4,648,000 at Christie's in May 2025, while Flowers examples realized $4,076,000 and $3,832,000 at Sotheby's that same month.
This pricing disparity represents opportunity. The Birth of Venus series shares technical excellence and conceptual sophistication with Warhol's most celebrated print portfolios, yet trades at a fraction of those prices. As collector attention increasingly focuses on Warhol's engagement with art history—a thread running through his work from early Rauschenberg influences through the Reversal and Retrospective series—these Renaissance appropriations stand to benefit.
For 2026 acquisition, we recommend prioritizing complete portfolios when available, or securing multiple individual sheets to build toward complete representation. Trial proofs warrant serious consideration given documented appreciation.
Acquire Birth of Venus Through Guy Hepner
Contact our New York team to discuss current availability across the Birth of Venus series. We offer acquisition guidance calibrated to your collecting objectives, whether building comprehensive Warhol holdings or securing individual masterworks from this distinguished late-period series.


Andy Warhol
Birth of Venus F.S. II 316 - 319
1984

Andy Warhol
Birth Of Venus Trial Proof TP 1/36
1984

Andy Warhol
Birth Of Venus Trial Proof TP 10/36
1984

Andy Warhol
Birth Of Venus Trial Proof TP 17/36
1984

Andy Warhol
Birth Of Venus Trial Proof TP 20/36
1984

Andy Warhol
Birth Of Venus Trial Proof TP 24/36
1984

Andy Warhol
Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.316)
1984

Andy Warhol
Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.317)
1984

Andy Warhol
Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.318)
1984

Andy Warhol
Details Of Renaissance Paintings (Sandro Botticelli, Birth Of Venus, 1482) (F. & S. II.319)
1984
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