
25 Cats Named Sam
20 works

Mick Jagger F.S. II 145, 1975
Screen print on Arches Aquarelle (Rough) paper
43 1/2 x 29 in110.5 x 73.7 cm
Edition of 250 plus 50 AP, 3 PP
Andy Warhol’s Mick Jagger FS. II 145 is one of ten screenprints in the artist’s celebrated Mick Jagger portfolio, created in 1975. Each portrait offers a unique perspective on the legendary Rolling Stones frontman, blending Warhol’s Pop sensibility with bold abstraction. In Mick Jagger FS. II 145, Warhol emphasizes the singer’s most iconic features—his pronounced lips, exposed torso, and elongated neck—through a dynamic composition of color blocks and gestural linework.Warhol and Jagger first met in 1964 at a party in New York City during the Stones’ inaugural U.S. tour. At the time, both were just beginning their ascent into cultural stardom. Their relationship soon blossomed into a creative friendship, culminating in several notable collaborations. One of the most iconic came in 1971, when Jagger commissioned Warhol to design the album cover for Sticky Fingers. In a letter, Jagger granted Warhol complete creative freedom, only cautioning against anything that might delay the album’s release. True to form, Warhol ignored the latter request and delivered a provocative close-up of a man’s crotch in tight jeans—with a working zipper. The subject was actor and Warhol protégé Joe Dallesandro, and the image would go on to become one of the most memorable album covers in rock history.Mick Jagger FS. II 145 captures this same sensual energy. Warhol’s treatment of Jagger in this series explores themes of androgyny, celebrity, and eroticism. He once described Jagger as “androgynous enough for almost anyone,” a comment that reflects both Warhol’s admiration and his fascination with the rock star’s magnetic, boundary-blurring persona. The portraits are based on Polaroids taken by Warhol himself at his home in Montauk, Long Island, where Jagger and his wife Bianca were vacationing. Bianca became a close friend of Warhol’s, and the artist even gave painting lessons to their daughter, Jade.Unlike his earlier series—such as Marilyn Monroe or Mao—which were based on a single image repeated across variations, the Mick Jagger portfolio marks a significant departure. Each of the ten works is based on a different photograph, reflecting Warhol’s growing reliance on his own photography. This shift came in part as a response to a legal dispute following his Flowers series, in which photographer Patricia Caulfield sued Warhol for using her image without permission. Afterward, Warhol became increasingly cautious about copyright and began documenting his world with a Polaroid camera, which he often referred to as his "date" at parties.The visual language of Mick Jagger FS. II 145 embodies the stylistic transformation of Warhol’s work during the 1970s. While undeniably rooted in Pop Art, the piece embraces a more abstract, collage-like sensibility. Flat planes of vibrant color collide with expressive pencil marks, lending the portrait a fragmented, layered aesthetic. This stylistic evolution would continue into the 1980s, influencing later portfolios like Reigning Queens and Ten Portraits of Jews of the Twentieth Century.During this period, Warhol distanced himself from the chaos of the 1960s Factory era. The 1970s marked a more introspective and entrepreneurial chapter in his life, one focused on commissioned portraits, photography, and publishing ventures. He founded Interview magazine in 1969 with longtime collaborator Gerard Malanga and captured a diverse array of public figures—from Diana Ross and Muhammad Ali to Man Ray and Jean-Michel Basquiat.Andy Warhol’s Mick Jagger 145 stands as a compelling intersection of art and celebrity, intimacy and spectacle. It reflects Warhol’s deep understanding of image-making and identity while capturing the charisma of one of rock music’s most enduring icons. More than a portrait, it is a vibrant expression of how Pop Art can both document and define cultural mythology.For more information on Mick Jagger FS. II 145 or to buy Mick Jagger FS. II 145 contact our galleries using the form below.
Price on Application

Mick Jagger · Andy Warhol · Sotheby's · 2022-10 · $1,925,500

Mick Jagger · Andy Warhol · Christie's · 2014-04 · $461,000

Mick Jagger · Andy Warhol · Sotheby's · 2011-10 · $362,500

Mick Jagger, from 'Mick Jagger Portfolio' · Andy Warhol · Bonhams · 2024-03 · $258,024

Mick Jagger (F. & S. II.143) · Andy Warhol · Sotheby's · 2021-10 · $252,000


Andy Warhol
Mick Jagger F.S. II 138
1975

Andy Warhol
Mick Jagger F.S. II 138-147
1975

Andy Warhol
Mick Jagger F.S. II 139
1975

Andy Warhol
Mick Jagger F.S. II 140
1975

Andy Warhol
Mick Jagger F.S. II 140 (Trial Proof)
1975

Andy Warhol
Mick Jagger F.S. II 141
1975

Andy Warhol
Mick Jagger F.S. II 142
1975

Andy Warhol
Mick Jagger F.S. II 143
1975

Andy Warhol
Mick Jagger F.S. II 144
1975

Andy Warhol
Mick Jagger F.S. II 146
1975

Andy Warhol
Mick Jagger F.S. II 147
1975

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Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.