
25 Cats Named Sam
20 works

Flowers (Hand Colored) F.S. II.111, 1974
Screenprint hand-colored with Dr. Martin’s aniline watercolor dyes on Arches paper and J. Green paper. Signed, numbered, and Dated ’74 in pencil on verso, initialled in pencil lower right.
40 x 27 in 101.6 x 68.6 cm
Edition of 250, 50 AP
Andy Warhol’s 1974 screen print Flowers (Hand-colored) (F & S II.111) captures his thoughtful exploration of organic form through refined simplicity and precision. Softly rendered in delicate hues, the composition showcases Warhol’s ability to distill the essence of a flower using minimal yet expressive lines. Each gesture is intentional, reducing the subject to its purest form while preserving a graceful sense of movement and structure.In contrast to the bold, saturated colors of his iconic screenprints, this work presents a quieter, more contemplative side of Warhol. The linear drawing, marked by open, unfilled spaces, lends the piece a gentle, introspective quality—evoking a sense of intimacy and craftsmanship rarely associated with his larger-than-life pop persona.Flowers (Hand-colored) (F & S II.111) stands as a powerful reminder of Warhol’s artistic range, effortlessly balancing restraint and sophistication. It reveals a nuanced approach to form and beauty, offering collectors a rare glimpse into the more delicate, personal dimensions of his work. This print is a timeless testament to Warhol’s versatility and a refined addition to any collection that appreciates the subtler facets of his legacy.For more information on Warhol’s Flowers (Hand-colored) (F & S II.111) or to buy Flowers (Hand-colored) (F & S II.111), contact our galleries using the form below.
Guide Price: $1,482,000 – $2,576,350
See full auction history, price trends, and comparable sales for this work.
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Andy Warhol
Flowers (Hand Colored) F.S. II.110
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.110 - 119 Complete Portfolio
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.111
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.112
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.113
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.114
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.115
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.116
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.117
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.118
1974

Andy Warhol
Flowers (Hand Colored) F.S. II.119
1974

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The Hand-Colored Flowers occupy a distinctive position within Andy Warhol's print market—works that bridge the mechanical reproducibility central to his practice with the irreducible presence of the artist's hand. This tension drives serious collector interest and creates notable price differentiation across the series.
Warhol's broader market continues to demonstrate exceptional strength at the highest levels. Shot Sage Blue Marilyn set the benchmark for any twentieth-century artwork at $195,040,000 (Christie's, May 2022). Mao F.S. II.96 and II.97 each reach $4,648,000, while Sotheby's moved Flowers prints at $4,076,000 and $3,832,000 the same month. These figures confirm sustained institutional and private appetite for Warhol's iconic imagery. The Hand-Colored Flowers offer collectors access to unique characteristics within an established series—a proposition that resonates with those building focused Warhol holdings.
Created in 1974 and published by Factory Additions, New York, the Hand-Colored Flowers series comprises screenprints on Arches paper and J. Green paper, each measuring 40 x 27 inches. What distinguishes these works is Warhol's application of Dr. Martin's aniline watercolor dyes—a deliberate intervention that transforms each impression into something approaching a unique work.
The source imagery derives from a photograph by Patricia Caulfield, which Warhol appropriated for his 1964 Flowers paintings and subsequent print editions. By 1974, Warhol had revisited the motif multiple times, but the hand-coloring introduced here marked a departure: the mechanical becomes personal, the edition becomes individuated. Each impression bears different color applications, densities, and gestural choices, making direct comparison between works in the series essential when acquiring.
The use of Dr. Martin's dyes—a commercial product favored by illustrators—maintains Warhol's conceptual framework of incorporating industrial materials while simultaneously introducing variability that collectors prize.
These prints, with each catalogue number presenting distinct compositional arrangements and color palettes in the underlying screenprint, are further diversified by Warhol's hand-coloring.
This work commands the strongest auction history within the series, reflecting collector preference for its particular color balance and the quality of surviving impressions. The $10,245,000 result from 2014 established this work as the market leader, though subsequent sales demonstrate the critical importance of individual impression quality.
This work has traded more modestly—$70,600 in October 2007—but represents an acquisition opportunity for collectors focused on building comprehensive Flowers holdings. The dramatic price differential between works in this series reflects condition variance and the specific characteristics of each hand-colored application rather than inherent compositional hierarchy.
This work shows auction activity at $11,970 (October 2022) and $5,625 (October 2014), positioning it within reach for collectors entering the Warhol print market who want the unique-work characteristics these hand-colored variants provide.
Collectors building significant Warhol positions increasingly seek these hand-colored works specifically because they cannot be duplicated—even within the same catalogue number, no two impressions match.
Proper documentation should include provenance tracing to Factory Additions and, where available, exhibition history.
Condition assessment for the Hand-Colored Flowers requires specialized attention beyond standard screenprint evaluation. Dr. Martin's aniline dyes exhibit particular light sensitivity—prolonged UV exposure produces fading that materially impacts both aesthetic quality and market value. Collectors should verify display and storage history; works maintained under museum-standard conditions command premiums that justify thorough due diligence.
Paper condition presents another critical factor. The Arches and J. Green substrates used for this series maintain structural integrity well, but handling damage, toning, and foxing all affect desirability. Any restoration to the hand-colored areas requires disclosure and typically diminishes value regardless of execution quality.
Guy Hepner provides comprehensive condition reporting on all Hand-Colored Flowers inventory, including detailed photography of the hand-colored applications specific to each impression we handle.
Guy Hepner maintains active inventory of Andy Warhol's Hand-Colored Flowers series from our New York operations. To discuss available works, pricing, and acquisition strategy for the Hand-Colored Flowers, contact our team directly.
This series belongs to the vast and varied body of print and painted work Warhol produced across five decades, during which he moved fluidly between celebrity portraiture, consumer product imagery, historical appropriation, and personal or commissioned subject matter — all filtered through the same signature screenprint process that flattened the distinction between mechanical reproduction and fine art. Warhol's insistence on treating commercial printing techniques as a primary artistic medium, rather than a secondary reproductive tool, remains one of the most influential positions in postwar American art.
Warhol's work is held in the permanent collections of major museums worldwide, including the Museum of Modern Art, the Whitney Museum of American Art, Tate Modern, and the Andy Warhol Museum in Pittsburgh, which maintains the most complete public archive of his output across all periods and subjects.

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.