
25 Cats Named Sam
20 works

Flowers F.S. II 71, 1970
Screen print
36 x 36 in 91.4 x 91.4 cm
Edition of 250 plus 26 lettered AP
Flowers FS. II 71 by Andy Warhol is a screen print included in his super famous Flowers series from 1970. Warhol originally painted the flowers in 1964, and published the portfolio six years later. Among the complete portfolio, Flowers 71 displays Andy Warhol’s appreciation for beauty, both natural, yet stylistically synthetic. The original source image for the hibiscus flowers was found in the June 1964 issue of Modern Photography. However, the use of the copyrighted photo resulted in legal trouble for Warhol. Photographer Patricia Caulfield sued him in 1966 for appropriating her photographs for the series. Using images from external sources was not new to Warhol, and had brought him great success. But, the threat of the lawsuit nudged Warhol to begin experimenting with his own photography as source material for his silkscreen prints, albeit out of necessity. After suffering a gunshot wound from Valeria Solanas in 1968, Warhol acquired a new perspective toward his surroundings. The shock of his near-death experience had a dissociative effect on him. “Before I was shot, I always thought that I was more half-there than all-there—I always suspected that I was watching TV instead of living life… Right when I was being shot and ever since, I knew that I was watching television. The channels switch, but it’s all television.” The flower was a perfect subject to return to. It counteracted the violence he experienced, as well as the morbid imagery from his Death and Disaster works. The publication of the Flowers portfolio in 1971 would be the beginning of a shift toward less controversial prints in Warhol’s catalogue.Portfolios such as Electric Chair and Skulls evoke death, and suggest Warhol’s ruminating on the human condition. At the same time, prints that depict lively themes began to proliferate through Warhol’s catalogue in the 70’s. Flowers seems to focus on a universal symbol of beauty, happiness, and peace. The essence of beauty derived from—and then altered from—nature is a common theme in Warhol’s works. Examples of these alluring alterations can be seen in portfolios such as Space Fruit, Sunset, and Grapes. In Flowers FS. II 71, the juxtaposition of colors breaks the beautiful monotony of the hibiscus. Isolating different colors in this way allows for distinguished features to emerge. For example, the idea of the isolated beauty in The Philosophy of Andy Warhol, goes as such: “Sometimes something can look beautiful just because it’s different in some way from the other things around it. One red petunia in a window box will look very beautiful if all the rest of them are white, and vice-versa.” In Flowers 71, the two top flowers oppose the yellow hibiscus duo, giving them prominence in the print.Flowers FS. II 71 doesn’t seem to be liable to decay, yet attains a hauntingly fragile glow. The permanence of the print’s saturating hue remains imprinted in the eye of the viewer. The same can be said about the coloration of works such as Flowers 68, Liz Taylor, and Mao 98. The timeless beauty encapsulated in the Flowers portfolio is guaranteed to never lose its aura.For more information on Andy Warhol's Flowers FS. II 71 or to buy Flowers FS. II 71, contact our galleries using the form below.
Price on Application

Flowers · Andy Warhol · Van Ham · 2021-06 · $2,576,350

Flowers · Andy Warhol · Christie's · 2023-04 · $2,349,000

Flowers (10 Blatt) · Andy Warhol · Ketterer · 2024-06 · $2,011,109

Flowers · Andy Warhol · Sotheby's · 2024-09 · $1,570,901

Flowers (F. & S. 64-73) · Andy Warhol · Phillips · 2022-04 · $1,482,000


Andy Warhol
Flower Trial Proof
1970

Andy Warhol
Flowers Complete Portfolio (FS II.64-73)
1970

Andy Warhol
Flowers F.S. II 64
1970

Andy Warhol
Flowers F.S. II 65
1970

Andy Warhol
Flowers F.S. II 66
1970

Andy Warhol
Flowers F.S. II 67
1970

Andy Warhol
Flowers F.S. II 68
1970

Andy Warhol
Flowers F.S. II 69
1970

Andy Warhol
Flowers F.S. II 70
1970

Andy Warhol
Flowers F.S. II 72
1970

Andy Warhol
Flowers F.S. II 73
1970

Andy Warhol
Flowers F.S. II. 6
1964
{"type":"doc","content":[{"type":"heading","attrs":{"level":1},"content":[{"text":"Andy Warhol: Flowers 1970 | Guy Hepner","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Series Performance Opening","type":"text"}]},{"type":"paragraph","content":[{"text":"The Flowers 1970 portfolio stands as one of the most actively traded and consistently appreciating series in Andy Warhol's print market. May 2025 auction results at Sotheby's confirm sustained institutional demand: Flowers F.S. II 66 achieved $4,076,000 and $3,832,000 across two separate lots, while F.S. II 69 and F.S. II 71 recorded identical price brackets within the same sales cycle. These figures position the series firmly within Warhol's upper secondary market tier, commanding prices that rival his political portraiture while offering broader accessibility than singular iconic subjects.","type":"text"}]},{"type":"paragraph","content":[{"text":"Guy Hepner has facilitated 478 Warhol transactions totaling over $51 million across 292 collectors, establishing deep market intelligence on this precise series. Our transaction data indicates the Flowers portfolio attracts a distinctive collector profile: buyers seeking museum-quality Warhol exposure without the eight-figure entry point demanded by unique works or the Marilyn series. The Shot Sage Blue Marilyn's $195,040,000 result at Christie's in May 2022—the highest price ever recorded for a 20th-century artwork at auction—established Warhol as the definitive blue-chip standard. The Flowers series benefits directly from this market positioning, functioning as a gateway acquisition for collectors building toward comprehensive Warhol holdings.","type":"text"}]},{"type":"paragraph","content":[{"text":"Current pricing reflects strong fundamentals rather than speculative heat, a characteristic our advisory team views favorably for 2025-2026 acquisitions.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Technical & Historical Context","type":"text"}]},{"type":"paragraph","content":[{"text":"Published by Factory Additions, New York, the Flowers portfolio comprises ten screen prints executed in 1970, each measuring 36 x 36 inches. The edition size of 250 plus 26 artist's proofs established sufficient market liquidity while maintaining collectible scarcity—a balance Warhol calibrated deliberately for his major print projects.","type":"text"}]},{"type":"paragraph","content":[{"text":"The source imagery derives from a photograph by Patricia Caulfield, published in Modern Photography magazine, which Warhol appropriated and transformed through his signature flattening technique. This act of visual repurposing sparked copyright litigation that became inseparable from the series' conceptual framework, anticipating debates around appropriation art that would dominate critical discourse for decades.","type":"text"}]},{"type":"paragraph","content":[{"text":"Warhol's color separations reduce botanical complexity to graphic immediacy: four hibiscus blooms rendered in saturated, artificial hues against dark foliage. The tension between organic subject matter and industrial production methodology remains central to the portfolio's art-historical significance. Each colorway—ranging from acidic yellows and pinks to cooler blues and magentas—demonstrates Warhol's understanding of how chromatic variation could generate distinct aesthetic experiences within a unified conceptual framework.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Individual Works","type":"text"}]},{"type":"paragraph","content":[{"text":"Within the ten-print portfolio, certain colorways consistently outperform others at auction and in private transactions. F.S. II 64, featuring blue flowers against a green and black ground, and F.S. II 73, with its striking orange and pink palette, generate the strongest collector response based on Guy Hepner transaction history. These works balance visual impact with interior versatility—a practical consideration serious collectors acknowledge when building holdings intended for long-term display.","type":"text"}]},{"type":"paragraph","content":[{"text":"F.S. II 66 and F.S. II 69 have demonstrated particular auction strength in 2025, each recording multiple sales above $3.8 million. This pricing consistency across lots suggests stable institutional demand rather than outlier bidding behavior.","type":"text"}]},{"type":"paragraph","content":[{"text":"The complete Flowers portfolio (F.S. II.64-73) represents a distinct acquisition category. Full sets rarely surface, and when they do, pricing reflects the premium collectors assign to comprehensiveness. From a dealer perspective, complete portfolios appeal to collectors establishing legacy holdings or those with architectural contexts suited to sequential display.","type":"text"}]},{"type":"paragraph","content":[{"text":"F.S. II 67 and F.S. II 65 attract collectors favoring subtler chromatic relationships, while F.S. II 71 delivers the saturated visual punch that reads effectively in contemporary interiors. Each colorway has its constituency; none should be dismissed as secondary within the portfolio structure.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Authentication & Condition","type":"text"}]},{"type":"paragraph","content":[{"text":"Authentication for the Flowers 1970 series requires verification against the Feldman and Schellmann catalogue raisonné, the definitive scholarly reference for Warhol's prints. Legitimate impressions bear the Factory Additions blindstamp and are numbered and signed in pencil on the verso. Unsigned examples exist but trade at significant discounts and should be approached with appropriate documentation scrutiny.","type":"text"}]},{"type":"paragraph","content":[{"text":"Condition assessment focuses on several series-specific factors. The saturated inks Warhol employed are susceptible to light fading, particularly in the yellow and pink colorways. Collectors should request detailed condition reports noting any color shift, particularly along sheet edges where light exposure typically manifests first. Surface abrasions, handling creases, and foxing affect value materially—differences between fine and excellent condition can represent six-figure price differentials at this market level.","type":"text"}]},{"type":"paragraph","content":[{"text":"The Andy Warhol Foundation for the Visual Arts maintains authentication protocols that have evolved significantly since the Authentication Board's dissolution in 2011. Provenance documentation tracing ownership history remains the most reliable authentication pathway for secondary market acquisitions. Guy Hepner maintains rigorous verification standards, and our condition reports reflect physical examination by specialists with extensive Warhol print expertise.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Investment Analysis","type":"text"}]},{"type":"paragraph","content":[{"text":"The Flowers series has demonstrated more consistent appreciation than Warhol's celebrity portraits outside the Marilyn category. While Mao prints (F.S. II.96 and II.97) achieved $4,648,000 each at Christie's in May 2025, the Flowers series matches or approaches these figures with greater transaction volume—indicating deeper market liquidity and reduced exit risk.","type":"text"}]},{"type":"paragraph","content":[{"text":"Compared to Warhol's Self-Portrait, which realized $18,144,000 at Sotheby's in November 2023, Flowers offers a more accessible entry point while participating in the same overall market trajectory. The Art Basel & UBS Global Art Market Report consistently identifies Warhol as among the most liquid artists at auction, and Flowers contributes meaningfully to this transaction volume.","type":"text"}]},{"type":"paragraph","content":[{"text":"For 2026 acquisitions, Guy Hepner recommends prioritizing excellent-condition examples with unbroken provenance chains. The current market rewards quality differentiation—the spread between average and exceptional impressions is widening. Collectors positioned to acquire top-tier examples now will benefit as the middle market compresses and premium examples become increasingly scarce.","type":"text"}]},{"type":"horizontalRule"},{"type":"paragraph","content":[{"text":"Contact Guy Hepner in New York to discuss available Flowers 1970 works, acquisition strategy, or portfolio valuation. Our Warhol specialists offer private consultation for collectors at every stage of market engagement.","type":"text"}]}]}
Andy Warhol's Flowers 1970 series is actively collected on the secondary market. Guy Hepner Gallery offers authenticated works from this series with full provenance documentation. Enquire about Flowers 1970 prints for sale →

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.