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Details of Renaissance Paintings (Leonardo da Vinci, the Annunciation, 1472) (F.S. II 320), 1984
Screen print on Arches Aquarelle Cold Pressed paper
32 x 44 in 81.3 x 111.8 cm
Andy Warhol’s Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472), (FS. II 320) is part of a bold series in which Warhol reinterpreted celebrated Renaissance masterworks through the lens of Pop Art. Created in the 1980s, this portfolio reflects his fascination with the intersection of art history, media culture, and reproduction.Warhol’s interest in Renaissance imagery was sparked in 1963, when Leonardo’s Mona Lisa made its first appearance in New York, drawing massive crowds and a media frenzy. Amused by the overwhelming attention given to a single historical artwork, Warhol responded by creating his own piece that same year: Thirty Are Better Than One. In it, he reproduced the iconic face of the Mona Lisa thirty times, transforming a unique cultural treasure into a repeated, mass-produced image. This idea—that repetition could both elevate and democratize an artwork—became foundational to Warhol’s practice and resurfaced in full force two decades later in his Details of Renaissance Paintings series.In his 1984 screenprint based on The Annunciation, Warhol reimagines Leonardo da Vinci’s 1472 depiction of the biblical moment when the angel Gabriel tells the Virgin Mary she will conceive Jesus. The original Renaissance painting features a serene, balanced composition: Gabriel kneels on the left, Mary sits reading on the right, and behind them stretches a dreamlike landscape.But rather than reproduce the entire composition, Warhol zooms in, isolating a specific detail at the center of the scene. In his version, we see only Gabriel’s outstretched hand from the lower left and Mary’s hand lightly touching the Bible in the lower right. This cropped moment, which might seem minor in the original, is transformed into the focal point—imbuing it with new emotional and symbolic weight.Warhol enhances this fragment with vivid, saturated colors—electric reds, deep blues, and hot pinks—replacing the original’s muted tones with his signature Pop palette. The result is an image that feels both reverent and irreverent, classical and contemporary. Warhol’s reinterpretation abstracts the subject, pushing it closer to modern design and away from traditional religious art, yet still retaining the gravity of the moment being depicted.As with the rest of the series, Warhol’s Annunciation explores the tension between uniqueness and reproducibility, sacred and commercial. By applying silkscreen techniques to a revered historical painting, he transforms it into a consumable object—echoing the way media and consumer culture commodify even the most hallowed symbols. The print becomes both a tribute to and a critique of the way society treats cultural icons.This approach aligns closely with Warhol’s broader body of work. Just as he turned celebrities like Marilyn Monroe or political figures like Mao Zedong into endlessly repeated symbols, here he gives the same treatment to Renaissance religious imagery. In doing so, he elevates these paintings into the realm of Pop—while also questioning how images gain and lose meaning through repetition.Ultimately, Details of Renaissance Paintings (The Annunciation) captures Warhol’s ability to blend historical reverence with modern commentary. The cropped composition draws attention to gesture and interaction, while the bold colors and screenprinting technique strip away the painting’s historical distance, placing it firmly in the contemporary visual world.Both captivating and thought-provoking, the work demonstrates Warhol’s mastery in recontextualizing iconic imagery. Through his unique lens, even a centuries-old religious scene becomes fresh, accessible, and unmistakably Warhol.For more information on Andy Warhol’s Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472) (FS. II 320) for sale or to buy Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472) (FS.II 320), contact our galleries using the form below.


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Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.