
25 Cats Named Sam
20 works

Waterzoie F.S. IV 131A, from Wild Raspberries, 1959
Offset lithograph on paper with hand coloring
11 x 17 1/8 in 27.9 x 43.5 cm
This offset lithograph depicts a whimsical recipe illustration from Warhol's collaborative artist book with socialite Suzie Frankfurt. The work presents Waterzoie, a traditional Belgian fish stew, rendered in Warhol's characteristic blotted line technique with delicate hand coloring applied to the print. The composition features flowing, lyrical linework that transforms the culinary subject into an elegant decorative motif, demonstrating Warhol's early commercial art prowess before his transition to Pop Art icon. Wild Raspberries represents a fascinating early chapter in Warhol's career, created during his highly successful period as a commercial illustrator in New York. These witty recipe prints showcase the sophisticated draftsmanship and playful sensibility that would later define his revolutionary approach to art. The hand-colored elements make each impression unique, offering collectors an accessible entry point into Warhol's oeuvre while representing a crucial bridge between his commercial and fine art practices. Available for purchase — enquire for price and availability.
Price on Application

Waterzoie, from Wild Raspberries (F. & S. IV.131) · Andy Warhol · Phillips · 2026-02 · $1,806


Andy Warhol
A + P . Surprise F.S. IV 127A, from Wild Raspberries
1959

Andy Warhol
Baked Hawaii F.S. IV 126A, from Wild Raspberries
1959

Andy Warhol
Baked Hawaii F.S. IV 137A, from Wild Raspberries
1959

Andy Warhol
Calves Head Giant and Stewed Cepes F.S. IV 129A, From Wild Raspberries
1959

Andy Warhol
Chocolate Balls A La Chambord F.S. IV 128A, from Wild Raspberries
1959

Andy Warhol
Cover Page, from Wild Raspberries, A Title Page
1959

Andy Warhol
Dorothy Killgallens Gateau Of Marzipan F.S. IV 139A, from Wild Raspberries
1959

Andy Warhol
Gardoons A La Mousseline F.S. IV 140A, from Wild Raspberries
1959

Andy Warhol
Gefulte Of Fighting Fish and Oysters A La Harriman F.S. IV 132A, from Wild Raspberries
1959

Andy Warhol
Greengauges a la Warhol F.S. IV 143A, from Wild Raspberries
1959

Andy Warhol
Greengauges a la Warhol F.S. IV 143A, from Wild Raspberries
1959

Andy Warhol
Hard Boiled Eggs F.S. IV 138A, from Wild Raspberries
1959

Andy Warhol
Omelet Greta Garbo F.S. IV 133A, from Wild Raspberries
1959

Andy Warhol
Omelet Greta Garbo F.S. IV 133A, from Wild Raspberries
1959

Andy Warhol
Piglet F.S. IV 134A, from Wild Raspberries
1959

Andy Warhol
Roast Iguana Adulusion F.S. IV 136A, from Wild Raspberries
1959

Andy Warhol
Salade De Alf Landon F.S. IV 126A, from Wild Raspberries
1959

Andy Warhol
Sheep's Trotter Poulette, Stuffed Morels, Gullis Of Hazel Hen F.S. IV 142A, from Wild Raspberries
1959

Andy Warhol
Torte A La Dobosch F.S. IV 130A, from Wild Raspberries
1959

Andy Warhol
Vine Leaf Marinade F.S. IV 141A, from Wild Raspberries
1959
{"type":"doc","content":[{"type":"heading","attrs":{"level":1},"content":[{"text":"Andy Warhol: Wild Raspberries","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Series Performance & Market Position","type":"text"}]},{"type":"paragraph","content":[{"text":"Wild Raspberries occupies a distinctive position within the Warhol market as the artist's earliest collaborative print project and a genuine rarity in dealer inventories. Produced in 1959, four years before the iconic soup cans and celebrity portraits that would define Pop Art, these offset lithographs with hand coloring represent Warhol during his transition from successful commercial illustrator to the most consequential artist of the twentieth century.","type":"text"}]},{"type":"paragraph","content":[{"text":"Auction records from Guy Hepner tracking show measured but consistent secondary market activity. Salade De Alf Landon F.S. IV 126A achieved $38,400 in February 2007, while Dorothy Killgallens Gateau Of Marzipan F.S. IV 139A realized $18,750 in April 2008. More modestly scaled works have traded between $8,000 and $12,000, with Chocolate Balls A La Chambord F.S. IV 128A selling for GBP 12,000 in October 2006 and USD 10,000 in April 2008.","type":"text"}]},{"type":"paragraph","content":[{"text":"These figures gain context against Warhol's broader market dominance. Shot Sage Blue Marilyn (1964) commanded $195,040,000 at Christie's in May 2022—the highest price ever achieved for a twentieth-century artwork at auction. Major screen prints continue performing exceptionally: Mao F.S. II.96 and II.97 each reached $4,648,000 at Christie's in May 2025, while Flowers examples sold for $4,076,000 and $3,832,000 at Sotheby's that same month. Within this context, Wild Raspberries offers entry into museum-quality Warhol at a fraction of later print series pricing.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Technical & Historical Context","type":"text"}]},{"type":"paragraph","content":[{"text":"Wild Raspberries emerged from Warhol's collaboration with interior designer Suzie Frankfurt in 1959. Frankfurt contributed the intentionally absurdist recipes—none actually functional—while Warhol created the illustrations and his mother, Julia Warhola, provided the distinctive handwritten text in her idiosyncratic script. The project was self-published in an edition of approximately 34 complete portfolios, making surviving individual sheets genuinely scarce.","type":"text"}]},{"type":"paragraph","content":[{"text":"Each work measures approximately 11 x 17 1/8 inches (with Calves Head Giant and Stewed Cepes at the larger 17 1/8 x 21 1/2 inches) and was produced as offset lithographs on paper with hand coloring applied by Warhol and assistants. This technique—mechanical reproduction enhanced by unique hand intervention—directly anticipates the Factory production methods Warhol would systematize in the following decade.","type":"text"}]},{"type":"paragraph","content":[{"text":"The portfolio's title parodies Ingmar Bergman's 1957 film Wild Strawberries, positioning the project within the sophisticated cultural milieu Warhol inhabited before achieving mainstream recognition.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Individual Works & Collector Preferences","type":"text"}]},{"type":"paragraph","content":[{"text":"The series comprises nineteen plates, each depicting fantastical dishes with deliberately illegible recipe text. Guy Hepner currently offers eight works from this portfolio, each demonstrating Warhol's fluid draftsmanship and camp sensibility.","type":"text"}]},{"type":"paragraph","content":[{"text":"Salade De Alf Landon F.S. IV 126A has historically commanded premium pricing among collectors, likely due to its political reference (Landon was the Republican presidential candidate who lost to Roosevelt in 1936) and strong compositional presence. Collectors drawn to Warhol's later political works—the Mao series, Vote McGovern—often find this piece particularly compelling.","type":"text"}]},{"type":"paragraph","content":[{"text":"Dorothy Killgallens Gateau Of Marzipan F.S. IV 139A references the famous gossip columnist, connecting to Warhol's lifelong fascination with celebrity and media culture. This sheet appeals to collectors building thematic holdings around Warhol's portraiture and celebrity subjects.","type":"text"}]},{"type":"paragraph","content":[{"text":"Chocolate Balls A La Chambord F.S. IV 128A and Hard Boiled Eggs F.S. IV 138A represent more accessible entry points, having traded in the $10,000-$12,000 range. For collectors beginning a Warhol holding or seeking works with strong decorative presence, these pieces deliver authentic early Warhol at approachable price points.","type":"text"}]},{"type":"paragraph","content":[{"text":"Sheep's Trotter Poulette, Stuffed Morels, Gullis Of Hazel Hen F.S. IV 142A and Waterzoie F.S. IV 131A appeal to collectors interested in Warhol's commercial illustration roots, showcasing the elegant line work that made him one of Madison Avenue's most sought-after talents throughout the 1950s.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Authentication & Condition Considerations","type":"text"}]},{"type":"paragraph","content":[{"text":"Wild Raspberries authentication requires specialist expertise given the works' age and the limited documentation surrounding their original production. Each sheet should be examined for paper consistency, printing characteristics, and hand-coloring application typical of the 1959 production.","type":"text"}]},{"type":"paragraph","content":[{"text":"Feldman and Schellmann catalogue numbers (F.S. IV) provide the standard reference framework, though these early works predate the more rigorous documentation systems established for later print series. Provenance tracing proves particularly important—sheets from dispersed original portfolios or early private collections carry stronger market confidence.","type":"text"}]},{"type":"paragraph","content":[{"text":"Condition sensitivity runs high with works on paper from this period. Collectors should expect and accept minor age toning consistent with sixty-five-year-old stock, while avoiding sheets with significant foxing, tears, or fading to hand-colored passages. The hand coloring itself varies between impressions; this variation represents authentic production characteristics rather than condition defects.","type":"text"}]},{"type":"paragraph","content":[{"text":"Guy Hepner provides comprehensive condition reporting and authentication verification on all Wild Raspberries works, drawing on our experience across 478 Warhol transactions totaling over $51 million with 292 collectors.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Investment Analysis & 2026 Acquisition Strategy","type":"text"}]},{"type":"paragraph","content":[{"text":"Wild Raspberries presents a fundamentally different value proposition than Warhol's iconic Pop series. Rather than competing for heavily traded Marilyns or Flowers—where seven-figure prices have become standard—collectors acquire genuinely rare pre-Pop works that remain undervalued relative to their art historical significance.","type":"text"}]},{"type":"paragraph","content":[{"text":"The series documents Warhol at a pivotal moment: still working within commercial illustration conventions yet already demonstrating the serial production methods, celebrity fascination, and camp sensibility that would define his mature practice. For institutional collectors and serious private holdings, these works provide scholarly depth impossible to achieve through later prints alone.","type":"text"}]},{"type":"paragraph","content":[{"text":"Current pricing between $10,000 and $40,000 per sheet represents compelling value against both the broader Warhol market and comparable works by emerging contemporary artists. As the market increasingly recognizes pre-Pop Warhol's importance—a trend already visible in museum exhibition programming—Wild Raspberries stands positioned for reappraisal.","type":"text"}]},{"type":"paragraph","content":[{"text":"We advise collectors to prioritize condition and pursue sheets with stronger auction history when available. Building a group of three to five complementary works creates collection depth while remaining at price points below single examples from major later series.","type":"text"}]},{"type":"horizontalRule"},{"type":"paragraph","content":[{"text":"Acquire Wild Raspberries","type":"text"}]},{"type":"paragraph","content":[{"text":"Guy Hepner maintains active inventory in this series with works available for immediate acquisition. Contact our New York team for current availability, detailed condition reports, and pricing on individual sheets or curated groupings.","type":"text"}]}]}
Andy Warhol's Wild Raspberries series is actively collected on the secondary market. Guy Hepner Gallery offers authenticated works from this series with full provenance documentation. Enquire about Wild Raspberries prints for sale →

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.