
25 Cats Named Sam
20 works

Lillian Carter (FS II.153), 1977
Screen print on Strathmore Bristol paper Signed and numbered in pencil lower center.
39 1/4 x 29 1/2 in 99.7 x 74.9 cm
Edition of 50, 20 AP,
Lillian Carter, the mother of U.S. President Jimmy Carter, became an unlikely subject of Pop Art in Andy Warhol’s Lillian Carter FS. II 153. This screenprint is among the rarest in Warhol’s body of work, distinguished by the fact that it is the only known impression signed by both Warhol and Lillian Carter herself. The print came from the personal collection of Fred Hughes, Warhol’s longtime business manager and the executor of his estate, and it holds particular historical significance as it was originally published to help raise funds for Jimmy Carter’s presidential campaign.The artwork presents a stylized and highly abstracted portrait of Lillian Carter. Her facial features are partially obscured by vivid, surreal blocks of color and loose outlines, a technique that lends the composition an almost dreamlike quality. The only immediately recognizable detail is a pin referencing her son’s campaign—a small yet telling symbol that ties the image to its political context. Warhol's use of abstraction here emphasizes image and impression over identity, aligning with his broader interest in fame, symbolism, and surface.Printed by Gem Screens in New York and published by the Democratic National Committee in Washington, D.C., Lillian Carter FS. II 153 is a prime example of Warhol’s engagement with political figures through the language of celebrity. Warhol often blurred the lines between political icons and pop stars, transforming individuals like Lillian Carter into objects of visual fascination. This approach mirrored his belief that politicians, like celebrities, relied heavily on image, media presence, and public perception.Within Warhol’s larger oeuvre, this portrait highlights his fascination with the interplay between fame, media, and politics. Just as he immortalized Hollywood icons and consumer goods, Warhol elevated political figures by applying the same vibrant aesthetic—bright colors, graphic treatments, and a heavy emphasis on surface. His portrayals of Jimmy Carter and his mother brought an unexpected glamour to political imagery, merging the realms of high office and pop culture in ways that felt fresh and provocative for the time.Although Warhol is best known for his iconic screenprints, his artistic process was deeply rooted in photography. Throughout his career, he collected and reworked images from mass media sources, often using them as the foundation for his portraits. Lillian Carter FS. II 153, both as a rare print and as a historical artifact, stands as a unique and compelling example of Warhol’s ability to fuse politics with the aesthetics of celebrity culture. The piece remained in Fred Hughes' personal collection until his death in 2001, adding to its legacy as one of the most personal and politically charged works in Warhol’s extensive catalog.For more information on Warhol’s Lillian Carter FS. II 153 or to buy Lillian Carter FS. II 153, contact our galleries using the form below.
Price on Application

Lillian Carter (F. & S. II.153) · Andy Warhol · Sotheby's · 2023-03 · $13,053

Lillian Carter · Andy Warhol · Heritage Auctions · 2025-11 · $8,125


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The Lillian Carter series represents a significant chapter in Andy Warhol's portrait practice during the late 1970s. Created using his signature silkscreen printing technique, these works exemplify Warhol's ability to elevate contemporary figures into iconic imagery. The series captures Lillian Carter, mother of President Jimmy Carter, during a period when Warhol was actively documenting American cultural and political personalities.
Warhol's approach to portraiture combined photographic source material with vibrant color variations and bold graphic treatments, transforming his subjects into pop art symbols. Works such as Lillian Carter (FS II.153) demonstrate the artist's mastery of the medium and remain highly collectible examples of his output from this era.
The Lillian Carter series holds particular appeal for collectors interested in American political history, Warhol's documentary approach to fame, and authenticated screenprints from his most productive decades. These works continue to appreciate in market value and represent accessible entry points to museum-quality Warhol pieces.
Inquire for availability and current pricing of works from the Lillian Carter series.
Andy Warhol's Lilian Carter series is actively collected on the secondary market. Guy Hepner Gallery offers authenticated works from this series with full provenance documentation. Enquire about Lilian Carter prints for sale →

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.