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Andy Warhol Hammer and Sickle (Special Edition) FS II.167 For Sale

Andy Warhol
Andy Warhol - Hammer and Sickle (Special Edition) FS II.167, 1977, Screen print on Strathmore Bristol Paper
Signed and num...

Hammer and Sickle (Special Edition) FS II.167, 1977

Screen print on Strathmore Bristol Paper Signed and numbered in pencil on lower left.

32 x 40 in 81.3 x 101.6 cm

Edition

Edition of 10.

About this work

Hammer and Sickle (Special Edition) FS II.167 is the third screenprint in Andy Warhol’s seven-part *Special Edition* portfolio, created to document the layered construction of his iconic 1977 work *Hammer and Sickle*, FS II.164. This print reveals the third stage in the printing sequence—the vivid red color that begins to bring life and visual weight to the forms of the hammer and sickle.Warhol conceived this series following a 1976 visit to Italy, where he encountered the hammer and sickle symbol prominently displayed in street graffiti. While the emblem carried heavy political connotations, Warhol approached it through the lens of Pop Art—not as a representation of ideology, but as a repeated and recognizable image with cultural and visual impact. He was fascinated by the symbol’s omnipresence and the way its meaning shifted across contexts, questioning whether it could exist in the realm of pop culture alongside his soup cans and celebrity portraits.To ground the series in physical realism, Warhol turned to his studio assistant Ronnie Cutrone, who photographed actual tools after struggling to find suitable reference material in books and propaganda. These photographs became the basis for Warhol’s layered screenprints, each isolating a step in the artistic process.FS II.167 features bold, saturated red shapes that define the core forms of the hammer and sickle. This red layer—so closely associated with the color of the Soviet flag—adds a striking sense of immediacy and symbolism, yet remains abstract enough to maintain Warhol’s intended ambiguity. The print exists in a space between propaganda and Pop, teasing viewers with familiarity while resisting ideological clarity.Created in 1977 on Strathmore Bristol paper, this screenprint is hand-signed by Andy Warhol in pencil at the lower center and numbered from a rare edition of just 10. As part of the *Special Edition* portfolio, FS II.167 serves not only as a window into Warhol’s meticulous screenprinting process but also as a compelling commentary on how symbols evolve through repetition, abstraction, and reinterpretation.For more information on Warhol’s Hammer and Sickle (Special Edition), FS II.167 or to buy Hammer and Sickle (Special Edition), FS II.167, contact our galleries using the form below.

Price on Application

Auction History

Andy Warhol - Hammer and Sickle

Hammer and Sickle · Andy Warhol · Sotheby's · 2022-05 · $6,414,200

HAMMER AND SICKLE · Andy Warhol · Sotheby's · 2018-03 · $6,616,096

Andy Warhol - Hammer and Sickle

Hammer and Sickle · Andy Warhol · Phillips de Pury & Company · 2007-10 · $6,481,064

More from this series

More series by Andy Warhol

About the Hammer and Sickle (Special Edition) Series

Andy Warhol Hammer and Sickle (Special Edition) Prints For Sale

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Individual impressions have shown extraordinary growth trajectories—FS II.165 sold for $79,000 in October 2007 before examples reached HKD 98,537,500 (approximately $12.6 million USD) by April 2017. This tenfold appreciation within a decade underscores the series' investment credentials among Warhol's politically themed works.","type":"text"}]},{"type":"paragraph","content":[{"text":"Warhol's broader market continues to set benchmarks for post-war collecting. Shot Sage Blue Marilyn commanded $195,040,000 at Christie's in May 2022, establishing the highest price ever achieved for a 20th-century artwork at auction. More recently, Mao prints FS II.96 and II.97 each realized $4,648,000 at Christie's in May 2025, while Flowers achieved $4,076,000 and $3,832,000 at Sotheby's that same month. These results confirm sustained institutional and private appetite for Warhol's iconic print editions.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Technical & Historical Context","type":"text"}]},{"type":"paragraph","content":[{"text":"Created in 1977 and published by Andy Warhol, New York, the Hammer and Sickle Special Edition comprises seven screen prints on Strathmore Bristol Paper, each measuring 32 x 40 inches. The portfolio emerged from Warhol's fascination with communist iconography, which he encountered during European travels where the hammer and sickle symbol appeared as omnipresent political graffiti.","type":"text"}]},{"type":"paragraph","content":[{"text":"Rather than appropriating existing imagery, Warhol commissioned his assistant Ronnie Cutrone to purchase actual tools from a Manhattan hardware store, which were then arranged and photographed in the Factory. This process—transforming mundane American consumer goods into Soviet symbolism—embodies Warhol's characteristic subversion of political meaning through commercial technique.","type":"text"}]},{"type":"paragraph","content":[{"text":"The series arrived during the Cold War's later decades, when détente had made communist imagery simultaneously familiar and contested. Warhol stripped the symbol of propaganda value, rendering it as pure aesthetic object through his signature flattening of subject matter and application of commercial printing methods.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Individual Works & Collector Preferences","type":"text"}]},{"type":"paragraph","content":[{"text":"The portfolio encompasses seven distinct compositions, each catalogued within the Feldman/Schellmann reference system as FS II.165 through FS II.171. While the complete portfolio commands premium positioning, individual impressions attract collectors seeking specific colorways or compositions within this thematic grouping.","type":"text"}]},{"type":"paragraph","content":[{"text":"FS II.165 and FS II.166 have demonstrated the strongest individual auction performance, each reaching the HKD 98,537,500 threshold in April 2017. These works feature bold chromatic contrasts that translate effectively within contemporary interiors while maintaining the confrontational political charge collectors prize.","type":"text"}]},{"type":"paragraph","content":[{"text":"FS II.167 through FS II.171 offer varied palette interpretations of the central motif, with certain impressions emphasizing industrial grays and blacks while others incorporate Warhol's characteristic high-saturation color fields. From our experience placing these works, collectors focused on Warhol's political commentary tend toward the more austere colorways, while those building broader pop holdings often favor the vibrant variations that dialogue with Flowers or Marilyn acquisitions.","type":"text"}]},{"type":"paragraph","content":[{"text":"The complete portfolio FS II.161-171 remains the definitive acquisition for collectors establishing comprehensive Warhol print holdings. Institutional buyers and foundations particularly favour complete sets, viewing them as exhibition-ready groupings that communicate Warhol's serial methodology intact.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Authentication & Condition Considerations","type":"text"}]},{"type":"paragraph","content":[{"text":"Each impression from the Hammer and Sickle Special Edition should bear Andy Warhol's pencil signature and numbering on the verso or recto, consistent with the artist's authentication practices for major print editions from this period. Collectors should verify provenance through the Andy Warhol Foundation's authentication board records where available, supplemented by exhibition history and published catalogue documentation.","type":"text"}]},{"type":"paragraph","content":[{"text":"Strathmore Bristol Paper, while archival quality, requires specific environmental conditions for long-term preservation. Works should be examined for tonal shifts in uninked areas, edge handling, and any restoration to surface abrasions—common concerns with works from the 1970s that may have experienced varied storage conditions across multiple owners.","type":"text"}]},{"type":"paragraph","content":[{"text":"Guy Hepner conducts thorough condition assessment on every Warhol work we offer, documenting any conservation history and providing detailed photography under raking light to reveal surface condition. Our New York team works exclusively with conservators experienced in Warhol's print techniques to ensure acquisitions meet museum-standard preservation requirements.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Investment Analysis & Acquisition Strategy","type":"text"}]},{"type":"paragraph","content":[{"text":"Within Warhol's political works, the Hammer and Sickle series occupies a distinctive position—more accessible than the Mao portfolio (which commands $4-5 million per impression at current market) while offering comparable art-historical significance and visual impact. The series has demonstrated less volatility than certain celebrity-focused works, appealing to collectors seeking Warhol holdings with intellectual substance beyond pop culture iconography.","type":"text"}]},{"type":"paragraph","content":[{"text":"Complete portfolios present the strongest long-term position, though acquisition opportunities remain limited as institutional collections absorb available sets. The October 2022 result of $107,100 for a complete portfolio represents an anomalous market correction that savvy buyers recognized immediately—such pricing disparities rarely persist.","type":"text"}]},{"type":"paragraph","content":[{"text":"For 2026 acquisitions, Guy Hepner recommends prioritizing works with unbroken provenance, exceptional condition grades, and documentation linking to the original edition. Given Warhol's continued dominance at Christie's, Sotheby's, and Phillips sales, the Hammer and Sickle series offers entry into the artist's political oeuvre at valuations that remain accessible relative to Mao or comparable historically significant portfolios.","type":"text"}]},{"type":"horizontalRule"},{"type":"paragraph","content":[{"text":"Acquire Hammer and Sickle Special Edition Works","type":"text"}]},{"type":"paragraph","content":[{"text":"Guy Hepner maintains current availability across the Hammer and Sickle portfolio, including individual impressions and complete sets. Contact our New York advisory team for pricing, condition reports, and acquisition guidance tailored to your collection objectives.","type":"text"}]}]}

Hammer and Sickle (Special Edition) For Sale

Andy Warhol's Hammer and Sickle (Special Edition) series is actively collected on the secondary market. Guy Hepner Gallery offers authenticated works from this series with full provenance documentation. Enquire about Hammer and Sickle (Special Edition) prints for sale →

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Hammer and Sickle (Special Edition) FS II.167

About Andy Warhol

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.

Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.

Andy Warhol Art For Sale

Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.

The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.

Andy Warhol Paintings For Sale

Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.

Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.

Andy Warhol Prints For Sale

Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.

Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.

Andy Warhol Cars Prints For Sale

The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.

Andy Warhol Late Paintings and Works on Paper

Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.

Andy Warhol Self Portrait Prints For Sale

Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:

  • Self Portrait F.S. II.7 (1966) — the iconic fist-to-chin composition in vivid Pop colourways
  • Self Portrait F.S. II.12–22 (1978) — nine large-format prints; auction results regularly $80,000–$250,000
  • Self Portrait with Fright Wig (1986) — produced a year before his death; widely regarded as his definitive late statement
  • Camouflage Self Portrait F.S. II.316 (1986) — the artist dissolved into his own imagery

Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.

Sell Andy Warhol Prints — Free Valuation

Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.

Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.

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