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Details of Renaissance Paintings (Leonardo da Vinci, the Annunciation, 1472) Complete Set (F.S. II 320-323), 1984
The complete set of four screen prints on Arches Aquarelle Cold Pressed paper
25 1/4 x 37 1/8 in (each) 64 x 94 cm (each)
Edition of 60, 15 AP, 5 PP, 4 HC (each)
Andy Warhol’s Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472) (1984) portfolio is part of a compelling series in which the Pop Art icon reinterprets iconic works from the Renaissance through his distinctive, contemporary lens. Created in the 1980s, this series reflects Warhol’s enduring fascination with fame, reproduction, and the power of imagery—both in classical and modern contexts.Warhol’s interest in Renaissance masterpieces was sparked decades earlier, particularly in 1963 when Leonardo da Vinci’s Mona Lisa was exhibited in New York for the first time. The media frenzy surrounding the painting captivated Warhol. He was fascinated—and amused—by the fervor generated by a single, centuries-old image. That same year, he responded with his own interpretation, Thirty Are Better Than One, repeating Mona Lisa*’s face thirty times in a single work. With this piece, Warhol transformed the singular masterpiece into a mass-produced icon, underscoring his belief that repetition not only dilutes but also reinforces meaning. It was a concept he would return to two decades later in the *Details of Renaissance Paintings* portfolio.In this screenprint, Warhol recreates The Annunciation, Leonardo’s 1472 depiction of the angel Gabriel announcing to the Virgin Mary that she will give birth to Jesus—a foundational scene in Christian theology and a common subject in Renaissance art. In da Vinci’s original composition, Gabriel kneels at the left, gently extending his hand toward Mary, who is seated to the right, calmly reading a sacred text. The setting is serene, with architectural and natural elements providing a subtle, divine backdrop.Warhol, however, chooses to reinterpret this revered image with a distinct Pop sensibility. Rather than reproducing the entire scene, he dramatically crops the composition, focusing solely on the central gesture: Gabriel’s hand reaching toward Mary, and Mary’s hand resting on the Bible. This deliberate narrowing of focus allows Warhol to highlight the emotional and symbolic core of the original work, while also transforming it into something entirely new.Using bold, saturated hues—vivid reds, bright blues, and electric pinks—Warhol strips the image of its traditional solemnity and infuses it with vibrant, contemporary energy. The result is a striking abstraction that feels both sacred and irreverent, classical and modern. Warhol’s palette and silkscreen technique disrupt the stillness of the Renaissance original, replacing its measured harmony with a visual jolt typical of his Pop Art aesthetic.This approach speaks to Warhol’s genius in reframing familiar images through repetition, cropping, and color manipulation. As in much of his work, the *Details of Renaissance Paintings* series challenges viewers to reconsider how visual meaning is constructed, consumed, and commodified. Just as his portraits of Marilyn Monroe or Jackie Kennedy captured the mass-media construction of celebrity, his reinterpretations of Renaissance icons explore the transformation of historical art into cultural currency.Warhol’s selective focus on hands—the point of interaction and divine communication—also offers deeper thematic resonance. Hands are often symbolic in religious painting, representing power, blessing, or transformation. By isolating this moment of contact, Warhol heightens its significance while abstracting it from its theological context. The gesture becomes a symbol of connection, narrative tension, and human touch—recurring themes in Warhol’s broader body of work.At the same time, the print is a reflection of Warhol’s mastery in creating visually compelling compositions that blend historical reverence with modern detachment. He retains the structure and symbolism of the source material but filters it through a style rooted in mechanical reproduction and commercial aesthetics.Ultimately, Warhol’s Annunciation is more than an homage—it is a layered commentary on the art world itself. It raises questions about originality, value, and the canon of art history. Can a Renaissance painting be reinterpreted through the language of Pop Art without losing its meaning? Or does the act of reinterpretation breathe new life into these works, making them relevant for contemporary audiences?Warhol believed in the power of visual repetition and transformation. His *Details of Renaissance Paintings* series, and particularly *The Annunciation, 1472*, demonstrates that classical masterpieces could be reimagined not just as relics of the past, but as living images with continued cultural weight. By cropping, coloring, and silkscreening da Vinci’s sacred scene, For more information on Andy Warhol’s Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472) complete portfolio for sale or to buy Details of Renaissance Paintings (Leonardo da Vinci, The Annunciation, 1472) complete portfolio, contact our galleries using the form below.
Price on Application

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482) · Andy Warhol · Christie's · 2025-10 · $666,750

Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460) · Andy Warhol · Phillips de Pury & Company · 2008-11 · $542,500

Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482) (see F. & S. 316-319) · Andy Warhol · Phillips · 2024-09 · $443,542


Andy Warhol
Details of Renaissance Paintings (Leonardo da Vinci, the Annunciation, 1472) (F.S. II 320)
1984

Andy Warhol
Details of Renaissance Paintings (Leonardo da Vinci, the Annunciation, 1472) (F.S. II 321)
1984

Andy Warhol
Details of Renaissance Paintings (Leonardo da Vinci, the Annunciation, 1472) (F.S. II 322)
1984

Andy Warhol
Details of Renaissance Paintings (Leonardo da Vinci, the Annunciation, 1472) (F.S. II 323)
1984

Andy Warhol
Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460), (FS II.326)
1984

Andy Warhol
Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460), Complete Set (FS II.324-327)
1984

Andy Warhol
Details of Renaissance Paintings (Paolo Uccello, St. George and the Dragon, 1460), FS II.325)
1984

Andy Warhol
St. George and the Dragon, 1460 F.S. II 324
1984

Andy Warhol
St. George and the Dragon, 1460 F.S. II 327
1984

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Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.