Guy Hepner Gallery

Andy Warhol Hot Dog Bean Soup F.S. II 59 For Sale

Andy Warhol
Andy Warhol - Hot Dog Bean Soup F.S. II 59, 1969, Screen print

Hot Dog Bean Soup F.S. II 59, 1969

Screen print

35 x 23 in ; 88.9 x 58.4 cm

Edition

Edition of 250 plus 26 AP lettered A-Z

About this work

Andy Warhol's Hot Dog Bean Soup Can signed screen print is a notable piece from his larger Campbell's Soup Can print portfolio, emblematic of his iconic Pop art style and fascination with mass-produced consumer goods. Created in 1969, this print is part of Warhol's exploration of the Campbell's Soup can motif, which became a hallmark of his artistic practice. In this particular print, Warhol takes the familiar Campbell's Soup can label and transforms it into a vibrant and eye-catching work of art. The image features the iconic red and white Campbell's Soup can, emblazoned with the words Hot Dog Bean Soup in bold black letters. Like his other soup can prints, Warhol employs repetition, presenting multiple cans stacked together in a grid-like arrangement. This repetition serves to underscore Warhol's fascination with the proliferation of consumer goods in American society. What distinguishes this print from others in the Campbell's Soup Can portfolio is the specific flavor depicted: Hot Dog Bean Soup. By selecting this particular flavor, Warhol adds an element of whimsy and humor to the piece. The combination of hot dogs and beans, typically associated with casual dining and American comfort food, further reinforces Warhol's exploration of everyday objects and their cultural significance. As with many of Warhol's works, the Hot Dog Bean Soup Can print is characterized by its bold colors and flat, graphic style. The image is rendered with crisp lines and minimal detail, giving it a sleek and polished appearance. Warhol's use of the silk-screening technique allows for the mass production of these prints while maintaining a high level of visual impact. One notable aspect of the Hot Dog Bean Soup Can print, like others in the Campbell's Soup Can portfolio, is Warhol's decision to sign each print. By signing these works, Warhol adds a sense of authenticity and value, despite the mass-produced nature of the prints. This act of signing also raises questions about the nature of authorship and originality in the realm of Pop art, where Warhol often blurred the lines between fine art and commercial culture. Overall, Andy Warhol's Hot Dog Bean Soup Can signed screen print stands as a testament to his enduring influence on contemporary art and culture. Through his exploration of everyday objects and consumer goods, Warhol challenged conventional notions of art and paved the way for future generations of artists to explore themes of mass production, consumerism, and the intersection of art and commerce.

Price on Application

Auction History

Andy Warhol - Hot Dog Bean, from Campbell's Soup II (F. & S. 59)

Hot Dog Bean, from Campbell's Soup II (F. & S. 59) · Andy Warhol · Phillips · 2022-06 · $78,399

Andy Warhol - Hot Dog Bean, from Campbell's Soup II (Feldman & Schellmann II.59)

Hot Dog Bean, from Campbell's Soup II (Feldman & Schellmann II.59) · Andy Warhol · Bonhams · 2024-03 · $48,640

Andy Warhol - Hot Dog Bean, from Campbell's Soup II (Feldman & Schellmann II.59)

Hot Dog Bean, from Campbell's Soup II (Feldman & Schellmann II.59) · Andy Warhol · Sotheby's · 2025-10 · $48,260

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About the Campbell’s Soup Ii Series

Andy Warhol's Campbell's Soup II portfolio of 1969 (Feldman & Schellmann II.54–63) is the companion to the celebrated Campbell's Soup I of 1968. Together the two portfolios form Warhol's complete printed statement on mass consumption, branding and supermarket aesthetics — the subject that, more than any other, defined his arrival as the central figure of American Pop Art.

What Is the Campbell's Soup II Series?

Where Soup I introduced the motif in screenprint form, Soup II extends and completes it with ten further varieties, continuing Warhol's deadpan inventory of the supermarket shelf. The ten cans in the second portfolio include Bean with Bacon, Black Bean, Cheddar Cheese, Beef Broth, Clam Chowder, Chicken Vegetable, Cream of Celery, Hot Dog Bean, Green Pea, Turkey Noodle and Tomato Beef Noodle-O's — each rendered with the same frontal, label-faithful flatness that turned an ordinary product into an icon of modern art.

Read together, Soup I and Soup II form a complete twenty-print meditation on repetition, commerce and the visual language of American consumer culture. The two portfolios are conceptually inseparable: one is the answer to the other.

Edition and Production Details

The 1969 portfolio comprises ten screenprints, each measuring 35 × 23 inches on white paper, published in an edition of 250 plus artist's proofs by Factory Additions, New York. Each print was hand-signed — typically in ballpoint pen on the verso — and stamp-numbered, consistent with Warhol's editioning practice of the period.

Individual Works

Each of the ten cans is collected on its own merits, with demand shaped by the appeal of the variety name, colour and overall graphic impact. While no single can dominates the series the way certain Marilyn or Flowers colourways do, the portfolio's strength lies in its completeness — the way the ten images function as a coherent set extending the original statement.

Market and Price Context

Less widely known than Soup I, the second portfolio is nonetheless essential for completists and offers a comparatively accessible route into one of Warhol's most historically significant bodies of work. Individual prints from Soup II typically trade in the range of $60,000 to $190,000, with price determined by flavour, condition, provenance and freshness to market.

The ultimate collector target is the complete twenty-print combined set of Soup I and Soup II together — a holding that is extremely rare in the market and commands a substantial premium over the sum of its parts. Assembling the full twenty represents one of the most satisfying long-term objectives in Warhol print collecting.

Authentication

Soup II carries the same authentication requirements as Soup I. Genuine impressions display the Factory Additions blind stamp, are hand-signed and numbered in pencil or ballpoint, and conform to the correct dimensions and paper. They are documented in the Feldman & Schellmann catalogue raisonné (II.54–63). Because the image is so widely reproduced as posters and decorative prints, verification of the stamp, signature and catalogue reference is essential. We advise acquiring only impressions with clear provenance and verifiable documentation.

Acquiring a Warhol Campbell's Soup II Print

Guy Hepner regularly handles Campbell's Soup II prints, both as individual cans and, on rarer occasions, as complete portfolios. For collectors pursuing the full twenty-print combined set, our specialists can advise on availability across both Soup I and Soup II, as well as condition and current market value. View available Andy Warhol Campbell's Soup prints for sale or contact the gallery to discuss a specific variety or a complete-set acquisition.

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Hot Dog Bean Soup F.S. II 59

About Andy Warhol

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.

Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.

Andy Warhol Art For Sale

Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.

The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.

Andy Warhol Paintings For Sale

Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.

Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.

Andy Warhol Prints For Sale

Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.

Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.

Andy Warhol Cars Prints For Sale

The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.

Andy Warhol Late Paintings and Works on Paper

Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.

Andy Warhol Self Portrait Prints For Sale

Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:

  • Self Portrait F.S. II.7 (1966) — the iconic fist-to-chin composition in vivid Pop colourways
  • Self Portrait F.S. II.12–22 (1978) — nine large-format prints; auction results regularly $80,000–$250,000
  • Self Portrait with Fright Wig (1986) — produced a year before his death; widely regarded as his definitive late statement
  • Camouflage Self Portrait F.S. II.316 (1986) — the artist dissolved into his own imagery

Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.

Sell Andy Warhol Prints — Free Valuation

Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.

Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.

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