
25 Cats Named Sam
20 works

Campbell's Soup Can (Tomato) F.S. II 4A, 1966
Screen print on shopping bag
23 5/8 x 16 7/8 in; 60 x 43 cm
Edition of unknown size
Andy Warhol's tomato soup screen print a cultural icon, but it's also a significant piece in the world of art investment and appreciation. Since its creation in 1968, the Campbell's Soup series, including the tomato soup print, has become highly sought after by collectors and investors alike.The historical investment value of Warhol's tomato soup print stems from its status as a pioneering work of Pop Art, a movement that revolutionized the art world in the 20th century. As one of Warhol's most recognizable and iconic series, the Campbell's Soup prints hold a special place in the canon of contemporary art.Over the years, the value of Warhol's tomato soup screen print has appreciated significantly, reflecting its enduring relevance and cultural significance. Auction houses and art galleries around the world have showcased these prints, with prices often reaching millions of dollars for original pieces in excellent condition.The investment appeal of Warhol's tomato soup print lies not only in its artistic merit but also in its historical significance and market demand. As a limited edition work by a renowned artist, the print offers collectors the opportunity to own a piece of art history while potentially enjoying significant financial returns over time.Moreover, the tomato soup print's universal appeal and iconic imagery ensure its enduring popularity among art enthusiasts and collectors of all backgrounds. Whether displayed in a museum, gallery, or private collection, Warhol's tomato soup print continues to captivate audiences and spark conversations about the intersection of art, commerce, and culture.In summary, Andy Warhol's tomato soup screen print is not only a cultural masterpiece but also a valuable investment that has appreciated in value over time. Its historical significance, artistic merit, and market demand make it a coveted piece for collectors seeking to acquire a piece of Pop Art history. As the art world continues to evolve, Warhol's tomato soup print remains a timeless symbol of innovation and creativity, enticing collectors with its enduring appeal and potential for financial growth.
Price on Application

Untitled (Campbell's Soup Can) token ID: 3191 · Andy Warhol · Christie's · 2021-05 · $1,170,000

Campbell's Soup Can (Tomato) (F. & S. IIIA.5) · Andy Warhol · Phillips · 2023-10 · $69,850

Campbell's Soup Can (Tomato) · Andy Warhol · Sotheby's · 2007-11 · $21,250

Campbell's Soup Can (Tomato) (F. & S. II.4) · Andy Warhol · Sotheby's · 2018-04 · $14,375

Campbell's Soup Can (Tomato); and Campbell's Soup Can (Tomato) · Andy Warhol · Christie's · 2005-11 · $11,400

{"type":"doc","content":[{"type":"heading","attrs":{"level":1},"content":[{"text":"Andy Warhol: Campbell's Soup Can on a Shopping Bag","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Series Performance Opening","type":"text"}]},{"type":"paragraph","content":[{"text":"Few works encapsulate Warhol's commercial genius quite like the Campbell's Soup Can on a Shopping Bag series—editions that literalize the artist's collapse of fine art and consumer culture onto the most banal of retail surfaces. At Guy Hepner, our 478 Warhol transactions totaling over $51 million across 292 collectors have given us unparalleled insight into how these unconventional substrates perform against Warhol's broader print market.","type":"text"}]},{"type":"paragraph","content":[{"text":"Auction records from Guy Hepner data confirm sustained institutional and private interest: Campbell's Soup Can (Tomato) F.S. II 4A (1966) achieved USD 1,683,500 in November 2022, while the same edition realized EUR 1,032,000 in December 2025. The 1964 F.S. II 4 variant has tracked identical pricing, demonstrating remarkable market parity between the two catalogue raisonné entries.","type":"text"}]},{"type":"paragraph","content":[{"text":"These results sit within Warhol's extraordinary broader market trajectory. Christie's May 2022 sale of Shot Sage Blue Marilyn (1964) at $195,040,000 established the benchmark for any 20th-century artwork at auction. More recently, Mao F.S. II.96 and II.97 each commanded $4,648,000 at Christie's in May 2025, while Sotheby's moved Flowers editions at $4,076,000 and $3,832,000 that same month. The shopping bag works occupy a distinct collecting category—unconventional material, conceptually potent, and increasingly scarce at auction.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Technical & Historical Context","type":"text"}]},{"type":"paragraph","content":[{"text":"The Campbell's Soup Can on a Shopping Bag editions emerged during Warhol's most prolific printmaking period. The 1964 F.S. II 4 represents an early iteration of the iconic tomato soup motif translated onto a commercial paper shopping bag, while the 1966 F.S. II 4A variant refined the concept with subtle technical modifications. Both employ screen printing directly onto the bag surface, preserving the handles and structural form of the original retail object.","type":"text"}]},{"type":"paragraph","content":[{"text":"Dimensions vary across the series: the primary editions measure 19 1/4 x 17 inches, with an additional variant at 23 5/8 x 16 7/8 inches (60 x 43 cm). This dimensional inconsistency reflects the found-object nature of the substrate—Warhol worked with existing commercial bags rather than commissioning uniform materials.","type":"text"}]},{"type":"paragraph","content":[{"text":"The conceptual weight here is considerable. By placing his most recognizable Pop motif onto an actual shopping vessel, Warhol completed a circular gesture: the soup can, already removed from the supermarket shelf into the gallery, returns to the transactional space of commerce. It remains one of his most intellectually rigorous statements on art's commodity status.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Individual Works","type":"text"}]},{"type":"paragraph","content":[{"text":"Campbell's Soup Can (Tomato) F.S. II 4 (1964) — The earliest edition in this grouping, the 1964 work carries particular historical significance as a transitional piece between Warhol's initial Campbell's paintings and his mature print production. Collectors prize this variant for its proximity to the original 1962 paintings that defined Pop Art's emergence. At 19 1/4 x 17 inches, it presents well in intimate settings while maintaining institutional credibility.","type":"text"}]},{"type":"paragraph","content":[{"text":"Campbell's Soup Can (Tomato) F.S. II 4A (1966) — The later variant demonstrates Warhol's continued engagement with the shopping bag substrate two years after the initial edition. Available in both the standard 19 1/4 x 17 inch format and the larger 23 5/8 x 16 7/8 inch presentation, the 4A offers collectors dimensional options rarely found within a single Warhol series. The larger format has attracted particular attention from collectors seeking statement pieces without the seven-figure commitment of unique works.","type":"text"}]},{"type":"paragraph","content":[{"text":"From our experience placing these works, buyers gravitate toward the 1964 edition when building historically rigorous collections, while the 1966 variants appeal to those prioritizing visual impact and condition—the later works having spent less time in circulation before entering serious collections.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Authentication & Condition","type":"text"}]},{"type":"paragraph","content":[{"text":"Authentication of the shopping bag works requires specialized expertise. The Andy Warhol Foundation catalogue raisonné distinguishes F.S. II 4 from F.S. II 4A, and proper documentation must reference the correct designation. Foundation stamps, where present, should appear on the verso; however, many examples predate systematic stamping protocols. Provenance tracing becomes essential for unstamped works.","type":"text"}]},{"type":"paragraph","content":[{"text":"Condition assessment demands particular scrutiny given the fragile substrate. Paper shopping bags were never engineered for archival permanence—they yellow, tear at fold points, and suffer handle degradation. Museum-quality examples will show minimal toning, intact handles, and no surface abrasions to the printed image. Conservators experienced with Warhol multiples can stabilize minor condition issues, though interventions affect value.","type":"text"}]},{"type":"paragraph","content":[{"text":"Collectors should expect professional condition reports addressing: substrate integrity, handle attachment, color retention of the screen-printed image, and any evidence of previous conservation. At Guy Hepner, we provide comprehensive condition documentation and facilitate independent third-party assessment upon request for all shopping bag editions.","type":"text"}]},{"type":"heading","attrs":{"level":2},"content":[{"text":"Investment Analysis","type":"text"}]},{"type":"paragraph","content":[{"text":"The shopping bag series occupies a strategic position within Warhol's market. While flagship prints like Marilyn and Mao command eight-figure prices at Christie's and Sotheby's, the Campbell's Soup Can on a Shopping Bag editions offer entry into Warhol's conceptual core at a fraction of that threshold. The November 2022 result of USD 1,683,500 establishes a ceiling that remains accessible to serious private collectors while confirming institutional validation.","type":"text"}]},{"type":"paragraph","content":[{"text":"According to the Art Basel & UBS Global Art Market Report, Warhol consistently ranks among the top-performing artists globally by auction turnover. The shopping bag works benefit from this sustained demand while remaining differentiated by their unconventional substrate—a factor that insulates them from direct competition with standard print editions.","type":"text"}]},{"type":"paragraph","content":[{"text":"For 2026 acquisition strategy, we advise clients to prioritize condition over variant. Both F.S. II 4 and F.S. II 4A have demonstrated equivalent auction performance; exceptional preservation will drive long-term appreciation more decisively than the two-year date distinction. Supply remains constrained, and examples in strong condition rarely surface publicly.","type":"text"}]},{"type":"horizontalRule"},{"type":"paragraph","content":[{"text":"Acquire Campbell's Soup Can on a Shopping Bag","type":"text"}]},{"type":"paragraph","content":[{"text":"Guy Hepner maintains active inventory and established sourcing relationships for this series. To discuss available works, request condition reports, or explore acquisition timing, contact our New York team directly. We advise collectors at every level of the market and offer discreet placement for those building institutional-caliber Warhol holdings.","type":"text"}]}]}
Andy Warhol's Campbell's Soup Can on a Shopping Bag series is actively collected on the secondary market. Guy Hepner Gallery offers authenticated works from this series with full provenance documentation. Enquire about Campbell's Soup Can on a Shopping Bag prints for sale →

Andy Warhol prints for sale and Andy Warhol paintings for sale at Guy Hepner Gallery, New York. Our inventory spans screenprints, silkscreens, and unique works across his most collected series: Marilyn Monroe, Campbell's Soup, Mao, Flowers, Myths, Ads, Cowboys and Indians, Dollar Signs, Cars, and Reigning Queens — all with full provenance and Feldman & Schellmann catalogue raisonné references. We also acquire Warhol. Contact our team for a free valuation.
Andy Warhol (1928–1987) is the defining figure of American Pop Art and the most commercially traded artist of the twentieth century. Born Andrew Warhola in Pittsburgh to Slovak immigrant parents, he rose from commercial illustrator to the architect of a cultural movement that permanently dissolved the boundary between fine art and mass media. His Manhattan studio, The Factory, became the epicentre of New York art and celebrity culture from the early 1960s until his death in February 1987.
Andy Warhol art for sale spans an extraordinary range of subjects, media, and price points — from intimate drawings and unique canvas paintings to large signed editions. His signature subjects include Campbell's Soup Cans, Marilyn Monroe, Mao Zedong, Dollar Signs, Flowers, Reigning Queens, Cowboys and Indians, the Ads portfolio, and the late Cars and Endangered Species series. Each body of work reflects his obsessive engagement with repetition, celebrity, and commodity culture.
The market benchmark for Warhol was set in May 2022 when Shot Sage Blue Marilyn (1964) sold at Christie's New York for $195 million — the highest price ever achieved at auction for an American artwork. Recent print sales confirm sustained institutional demand: Mao editions achieved $4,648,000 each at Christie's in May 2025; Flowers editions achieved $4,076,000 and $3,832,000 at Sotheby's in the same season.
Andy Warhol paintings for sale — unique acrylics and silkscreens on canvas — represent the rarest and most valuable tier of his output. Subjects produced in multiple unique variations include Flowers, Skulls, Shadows, Dollar Signs, and the late Oxidation Paintings. The Rorschach series (1984) and Camouflage works appeal strongly to institutional collectors. Abstract Expressionism paintings from the late 1970s and early 1980s remain undervalued relative to his iconic print series and represent a compelling collecting opportunity.
Andy Warhol paintings require substantial documentation: exhibition history, gallery receipts, and provenance tracing to The Factory or first-generation dealers. Prices range from mid-five figures for works on paper to eight figures for major canvas paintings. Our team can advise on current pricing and condition assessment across all painting categories.
Warhol's screenprints represent the most accessible and widely collected segment of his output. Andy Warhol prints for sale range from early unsigned offset lithographs to hand-signed, numbered editions produced with Castelli Graphics, Factory Editions, and Ronald Feldman Fine Arts. Signed, numbered editions from key series — Marilyn Monroe (1967), Flowers (1970), Mao (1972), Ads (1985), Endangered Species (1983), Cowboys and Indians (1986), and Reigning Queens (1985) — command the strongest collector demand and the deepest secondary market liquidity.
Condition, provenance, and edition size are the critical variables. Works printed on Lenox Museum Board or high-grade rag paper with consistent registration and original colouration are the most desirable. Fading, foxing, or retouching materially affects value.
The Cars portfolio (F.S. II.356–362), produced in 1985 as a commission from Mercedes-Benz to mark the centenary of the automobile, stands among the most refined of Warhol's late print series. Ten screenprints on Lenox Museum Board render historic Mercedes-Benz models in Warhol's characteristic flat colour and photographic silkscreen technique — his iconic commercial sensibility applied to the history of industrial design. Signed and numbered in editions of 100, with separate artist's proofs, the Cars series regularly achieves $25,000–$75,000 per impression and commands significant premiums when offered as complete portfolios.
Warhol's production in the final decade of his life — broadly 1978 to 1987 — encompasses some of his most conceptually ambitious work. The Knives series (1981–82), Guns series (1981–82), and Crosses (1981–82) form a trilogy of loaded American objects rendered in the same neutral Pop vocabulary he had applied to Soup Cans twenty years earlier. The Boots and Dollar Bills paintings sit alongside late unique canvases from the Camouflage series (1986–87) and the haunting Last Supper paintings completed weeks before his death. Works from this period are systematically underrepresented in collector awareness relative to their importance to the broader catalogue and represent genuine long-term collecting opportunities.
Andy Warhol self portrait prints are among the most sought-after works in his catalogue — a subject he returned to from 1966 to 1986. The most collected examples include:
Self portrait prices range from $18,000 for early unsigned screenprints to $400,000+ for the 1978 and 1986 signed works in excellent condition. Authentication requires reference to the Feldman & Schellmann catalogue raisonné and, where applicable, a former Andy Warhol Art Authentication Board certificate.
Guy Hepner actively acquires Andy Warhol prints, paintings, and unique works from private collections. If you are looking to sell Warhol prints or seeking a current market valuation, contact our New York gallery for a confidential, no-obligation assessment. We handle all series including Marilyn, Mao, Flowers, Ads, Cowboys and Indians, Myths, Reigning Queens, and late works. Our team can advise on the most appropriate route to market and current secondary market pricing.
Interested in adding Andy Warhol to your collection? Contact our team to discuss available inventory, provenance documentation, and pricing guidance tailored to your collecting goals.