Arlo Sinclair Toys Were Us (3.5" Disk) For Sale
Arlo Sinclair
Toys Were Us (3.5" Disk), 2025
Oil on canvas 1/1 Unique Signed on verso + COA
Unframed: 70 cm (W) x 70cm (H) Framed: 80cm (W) x 80cm (H) x 4cm (D)
About this work
In OutRun: Big Oil (3.5" Disk), Arlo Sinclair merges gaming nostalgia with biting environmental critique, transforming Sega’s classic arcade racer into a sharp commentary on climate change and the politics of denial. The floppy disk, rendered in Sinclair’s characteristically meticulous realism, bears a reimagined label for the 1986 driving game OutRun. Here, palm trees and sunlit highways are interrupted by subversive text: “Make CO₂ Great Again” blares across a red campaign button, while the fine print warns that the game is “Training Future Climate Deniers, One Ride At A Time.”By appropriating the aesthetics of retro gaming, Sinclair exposes the underlying ideologies embedded in consumer entertainment. The carefree joyride promised by OutRun—a symbol of 1980s escapism, excess, and oil-fueled optimism—is reframed as an allegory for the reckless acceleration of fossil fuel dependency. The floppy disk becomes a double-edged relic: a nostalgic reminder of gaming’s golden era and a satirical indictment of the cultural forces that normalized environmental negligence.As with other works in this series, the peeled, weathered label emphasizes both the fragility and permanence of cultural memory. Sinclair’s attention to surface detail transforms the object into a fossilized testament to corporate hubris and societal shortsightedness. The piece continues his exploration of how obsolete technologies, when recontextualized, illuminate deeper truths about capitalism, politics, and cultural myth-making.OutRun: Big Oil (3.5" Disk) extends Sinclair’s dialogue between Pop Art traditions and contemporary critique. Like Warhol’s consumerist icons or Barbara Kruger’s confrontational slogans, Sinclair leverages familiar imagery to disrupt nostalgia with satire. The result is an artwork that is playful yet polemical, asking viewers to consider the hidden costs of progress and the games we play—both on-screen and in reality.For more information or to buy Arlo Sinclair’s OutRun: Big Oil (3.5" Disk), contact our galleries via info@guyhepner.com or via the form below.
Price on Application
Edition & Provenance
- Year
- 2025
- Medium
- Oil on canvas 1/1 Unique Signed on verso + COA

More from this series

Arlo Sinclair
2001: Space Odyssey — 28” L
2026

Arlo Sinclair
Blow Me (GB)
2025

Arlo Sinclair
Donkey Kong: Nature’s Revenge - 3.5” Black
2026

Arlo Sinclair
Duck Hunt (NES Cartridge)
2025

Arlo Sinclair
Ends Justify The Memes (3.5" Disk)
2025

Arlo Sinclair
Ethereum: Worth a Thousand ETH - 3.5” Gold
2025

Arlo Sinclair
Ghostbusters: Public Need Into Profit - 3.5” Black
2026

Arlo Sinclair
Grand Theft Arlo: Gangsta Trainer - 3.5” Black
2025

Arlo Sinclair
JAWS: All Bites Reserved — 20”
2025

Arlo Sinclair
Jurassic Park: Magic Word - 3.5” Black
2025

Arlo Sinclair
Jurassic Park: Reboot Disk
2024

Arlo Sinclair
Kodak: Too Big to Fail
2025

Arlo Sinclair
Nike: Just DAO It - 3.5” Fluorescent Orange
2026

Arlo Sinclair
OutRun: Big Oil (3.5" Disk)
2025

Arlo Sinclair
PacMan: Pills & Ghosts - 3.5” White
2025

Arlo Sinclair
PacMan: Pills & Ghosts — 20”
2025

Arlo Sinclair
PornHub: Sauce Code - 3.5” Orange
2025

Arlo Sinclair
Real Stupidity (Computer)
2025

Arlo Sinclair
Red Dead Redemption 2 (3.5" Disk Red)
2025

Arlo Sinclair
Space Invaders: Boundaries
2024

Arlo Sinclair
Space Invaders: Social Distancing (3.5" Disk)
2025

Arlo Sinclair
Star Wars: Equation
2024

Arlo Sinclair
Star Wars: Equation - 3.5” Black
2025

Arlo Sinclair
Straight Outta Computer: WAGMI - 3.5” Black
2025

Arlo Sinclair
Super Mario World: Screw Sonic (SNES)
2025

Arlo Sinclair
Terms & Conditions - 3.5” White
2026

Arlo Sinclair
To The Future: Mother Fluxer - 3.5” Black
2026

Arlo Sinclair
Top Gun: Bro Code — 28” L
2026

Arlo Sinclair
Top Gun: Bro Egos - 3.5” Black
2025

Arlo Sinclair
YouTube Killed The Video Star (VHS)
2025
About the Paintings Series
Explore Arlo Sinclair's acclaimed Paintings series, a provocative collection that reimagines pop culture iconography through bold visual commentary. Drawing from nostalgic references—Space Invaders, Star Wars, Top Gun, and Super Mario World—Sinclair subverts familiar imagery with witty, irreverent titles that challenge viewer expectations and spark critical dialogue.
This series exemplifies contemporary appropriation art, merging recognizable cultural touchstones with conceptual critique. Each work demonstrates Sinclair's distinctive approach to blending high and low culture, creating pieces that resonate with collectors seeking meaningful engagement beyond traditional aesthetics.
The collection spans diverse subjects and formats, including notably formatted works on 3.5" disk imagery and vibrant orange editions, showcasing the artist's experimental range. Sinclair's work has gained traction among contemporary art collectors who appreciate intellectually rigorous practice grounded in accessible visual language.
These paintings occupy an important position in current art market discourse around appropriation, nostalgia, and cultural commentary. Ideal for collectors building nuanced contemporary collections, these works continue to appreciate in relevance and value.
Available for purchase. Enquire for current availability and pricing.

About Arlo Sinclair
Arlo Sinclair is a London based artist, born in South Africa, whose work centers on obsolete technology. As a child, his grandfather repaired a broken Commodore 64 for him, and that machine became his introduction to coding and games, eventually leading him to write his own software before he could afford to buy it.
Sinclair paints and sculpts outdated hardware, including floppy disks, game cartridges, controllers, and broken consoles, treating each object as a kind of cultural artifact. His work balances nostalgia with critique, using the visual language of early computing and gaming to comment on how quickly new technology becomes outdated, and on broader themes like data privacy, corporate collapse, and digital culture. Series such as Too Big to Fail reference the decline of once dominant companies, while other bodies of work use retro formats to satirize internet subcultures and conspiracy theories.
Every piece includes small, deliberate details and references meant to reward close looking, reflecting the amount of time Sinclair spends developing an idea before he begins painting. His background as a programmer shows through in the precision of his compositions, even as the subject matter stays playful and irreverent.
Sinclair's work has built a strong following among collectors, particularly within the tech industry, and his editions have sold out quickly since his earliest releases.
Guy Hepner works with collectors seeking Arlo Sinclair's paintings and sculptures exploring nostalgia, technology, and digital culture. Contact us to discuss available inventory