Arlo Sinclair Top Gun: Bro Egos - 3.5” Black For Sale
Arlo Sinclair
Top Gun: Bro Egos - 3.5” Black, 2025
Hand-painted retro floppy disk: acrylic paint, plastic disk, aluminium, paper. Signed and individually numbered: verso & inside frame by artist.
Diskette: 9cm (W) x 9.4cm (H) x 3.3mm (D) Framed: 23.5cm (W) x 23.5cm (H) x 3cm (D) Box Dimensions: 28.8 (W) x 28.8cm (H) x 4.8cm (D)
Edition
Edition of 20
About this work
In Top Gun: Bro Egos (3.5” Black), Arlo Sinclair reframes the testosterone-fueled bravado of 1980s cinema through the fragile materiality of a 3.5” floppy disk. Hand-painted with meticulous detail, the work parodies the cult blockbuster Top Gun, presenting it as “Disk 1 of 10” with sardonic taglines such as “The only coding you really need? Bro Code!” and “Feeding Big Boy Egos Instead of the Poor.”The use of the floppy disk as canvas is central to the satire. Once a vessel of cutting-edge digital storage, the disk is now wholly obsolete—incapable of holding even a fraction of the film it supposedly contains. Sinclair exploits this irony, collapsing the hyper-masculine spectacle of aerial combat with the fragility of outdated media. The result is a humorous yet biting critique of cultural nostalgia, technological obsolescence, and the enduring mythologies of masculinity perpetuated by Hollywood.The distressed label—creased, scuffed, and imperfect—further underscores Sinclair’s fascination with the material traces of memory. By elevating a discarded format into an artwork, he highlights the absurdity of permanence in a culture built on rapid obsolescence. At the same time, the work recalls Pop Art traditions of appropriation and parody, transforming mass-media ephemera into icons of critique.Top Gun: Bro Egos encapsulates Sinclair’s ability to fuse humor and critical edge. By placing fragile, outdated technology in dialogue with enduring cultural myths, the piece exposes both the absurdity and resilience of the narratives that continue to shape popular imagination.For more information or to buy Arlo Sinclair’s Top Gun: Bro Egos (3.5” Black), contact our galleries via info@guyhepner.com or via the form below. Andy Warhol Guns and Knives prints for sale are from his 1981–82 series — among his most unsettling works, applying his signature deadpan neutrality to weapons imagery. [Enquire about availability →](/andy-warhol)
Price on Application
Edition & Provenance
- Year
- 2025
- Medium
- Hand-painted retro floppy disk: acrylic paint, plastic disk, aluminium, paper. Signed and individually numbered: verso & inside frame by artist.
- Edition
- Edition of 20

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About the Paintings Series
Explore Arlo Sinclair's acclaimed Paintings series, a provocative collection that reimagines pop culture iconography through bold visual commentary. Drawing from nostalgic references—Space Invaders, Star Wars, Top Gun, and Super Mario World—Sinclair subverts familiar imagery with witty, irreverent titles that challenge viewer expectations and spark critical dialogue.
This series exemplifies contemporary appropriation art, merging recognizable cultural touchstones with conceptual critique. Each work demonstrates Sinclair's distinctive approach to blending high and low culture, creating pieces that resonate with collectors seeking meaningful engagement beyond traditional aesthetics.
The collection spans diverse subjects and formats, including notably formatted works on 3.5" disk imagery and vibrant orange editions, showcasing the artist's experimental range. Sinclair's work has gained traction among contemporary art collectors who appreciate intellectually rigorous practice grounded in accessible visual language.
These paintings occupy an important position in current art market discourse around appropriation, nostalgia, and cultural commentary. Ideal for collectors building nuanced contemporary collections, these works continue to appreciate in relevance and value.
Available for purchase. Enquire for current availability and pricing.

About Arlo Sinclair
Arlo Sinclair is a London based artist, born in South Africa, whose work centers on obsolete technology. As a child, his grandfather repaired a broken Commodore 64 for him, and that machine became his introduction to coding and games, eventually leading him to write his own software before he could afford to buy it.
Sinclair paints and sculpts outdated hardware, including floppy disks, game cartridges, controllers, and broken consoles, treating each object as a kind of cultural artifact. His work balances nostalgia with critique, using the visual language of early computing and gaming to comment on how quickly new technology becomes outdated, and on broader themes like data privacy, corporate collapse, and digital culture. Series such as Too Big to Fail reference the decline of once dominant companies, while other bodies of work use retro formats to satirize internet subcultures and conspiracy theories.
Every piece includes small, deliberate details and references meant to reward close looking, reflecting the amount of time Sinclair spends developing an idea before he begins painting. His background as a programmer shows through in the precision of his compositions, even as the subject matter stays playful and irreverent.
Sinclair's work has built a strong following among collectors, particularly within the tech industry, and his editions have sold out quickly since his earliest releases.
Guy Hepner works with collectors seeking Arlo Sinclair's paintings and sculptures exploring nostalgia, technology, and digital culture. Contact us to discuss available inventory