Guy Hepner Gallery

Fontaine Scarelli Chatter in the Distance For Sale

Fontaine Scarelli
Fontaine Scarelli - Chatter in the Distance, 2026, Oil, and Acrylic on canvas

Chatter in the Distance, 2026

Oil, and Acrylic on canvas

228.6 × 166.4 cm

About this work

Chatter in the Distance captures the experience of background noise — social, psychological, environmental — that constitutes the sonic and informational texture of contemporary life. Working in oil and acrylic on a canvas of 229 × 166 cm, Scarelli creates a painting of considerable surface complexity: marks that seem almost random on close inspection resolve into a coherent atmospheric field when viewed at distance. The "distance" of the title is both literal and metaphorical — the remove at which the noise of collective life becomes manageable, even beautiful. This is a painting that is generous in its ambiguity, refusing to position its subject as either positive or negative and simply inhabiting the experience with precision and openness. Completed in 2026.

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Edition & Provenance

Year
2026
Medium
Oil, and Acrylic on canvas

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About the Paintings Series

Fontaine Scarelli is a Chicago-born and raised abstract painter whose route into art came by way of a fashion design education — an unconventional entry point that continues to inform his sense of composition, texture, and surface. This body of work, presented through Guy Hepner Gallery, brings together large-scale paintings that rank among the most ambitious canvases of Scarelli's career to date.

Working at scales that command architectural presence, Scarelli builds each surface through sustained accumulation, applying and stripping back oil, acrylic, charcoal, and mixed media in successive layers until the painting finds its own internal logic. The results range from confrontational near-monochrome compositions to densely chromatic fields, moving between tension and release, entropy and resolution — a process the artist has described as allowing each canvas to reveal itself gradually rather than arriving at a predetermined image.

Scarelli's work draws on an eclectic set of influences — post-apocalyptic cinema, the anthology television series The Twilight Zone, and a solitary upbringing — all filtered into paintings that speak to existential questions of time, memory, and perception. Several works extend his ongoing engagement with science fiction as a lens for examining consciousness, treating imagined alien civilizations not as fantasy but as allegory for psychological states of otherness and the limits of understanding.

Scarelli's paintings have been shown through galleries including Loisir Art Gallery and Chicago's 1871, and made their Miami Art Basel debut through Luminaire; his work has also appeared in spaces such as Saks Fifth Avenue and been the subject of a feature on Amy Kartheiser's "Meet the Maker" series. Collectively, the paintings in this collection show an artist working at the height of his powers: physically demanding in scale, intellectually precise in intent, and emotionally immediate in impact.

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Chatter in the Distance

About Fontaine Scarelli

Fontaine Scarelli is a Chicago-born abstract expressionist painter whose large-scale, immersive canvases explore the psychological space between reality and illusion, memory and erasure, time and dissolution. Working from his Chicago studio, he builds layered compositions that carry both emotional vulnerability and formal control, paintings that don't just decorate a room but change how it feels to stand in it.

His path into painting wasn't the usual one. After earning a Bachelor of Arts in Fashion Design at the Illinois Institute of Art in Chicago, he walked away from that world to find a visual language of his own. That break left him with a defiant independence that still shapes his practice today. His influences range from post-apocalyptic cinema and The Twilight Zone to a solitary upbringing in Chicago, and his work sits in that existential border zone between perception and dissonance, the familiar and the uncanny. He builds his canvases through accumulation, layering, reworking, excavating, with each brushstroke functioning as an act of self-discovery. The result is work that reads as both gestural and calculated, raw and composed, deeply personal yet widely resonant.

Scarelli's rise has been fast. In 2025 he debuted his first international solo exhibition, 11:11 On Another Planet, at Gaia Art Gallery in Hong Kong, with a feature in Milk X Magazine. His Chicago solo show Fractured Continuum (2024) built his local reputation, and his large-scale painting The Idea of Time was acquired by global design firm Perkins&Will for permanent installation in their Chicago studio. His work has shown at Art Basel Miami Beach through Luminaire, appeared at Saks Fifth Avenue, and been featured on WGN-TV's Spotlight Chicago.

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