Guy Hepner Gallery

Takashi Murakami An Homage to Monopink , 1960 , E For Sale

Takashi Murakami
Takashi Murakami - An Homage to Monopink , 1960 , E, 2020, Offset print with cold stamp

An Homage to Monopink , 1960 , E, 2020

Offset print with cold stamp

27 x 20 in68.6 x 50.8 cm

Edition

Edition of 300

About this work

This vibrant offset print features Murakami's iconic smiling flower motif rendered in a monochromatic pink palette. The cheerful blossom floats against a soft background, its petals radiating outward in perfect symmetry while its anthropomorphic face beams with characteristic joy. The cold stamp technique adds subtle dimensional quality and luminosity to the surface, creating delicate variations in the pink tones that shift as light moves across the work. At 27 by 20 inches, the composition balances intimacy with visual impact, making it ideal for both residential and corporate settings. This 2020 piece exemplifies Murakami's ongoing dialogue with Pop Art history while showcasing his distinctive fusion of contemporary and traditional Japanese aesthetics. The work's title references Yves Klein's groundbreaking monochrome paintings, positioning Murakami within a lineage of artists exploring single-color compositions. As an accessible entry point into collecting this internationally celebrated artist, the offset print medium allows broader engagement with Murakami's vision while maintaining the quality and innovation that define his practice. Available for purchase — enquire for price and availability.

Price on Application

Auction History

Takashi Murakami - An Homage to Monopink, 1960 E; An Homage to IKB, 1957 E; and An Homage to IKB, 1957 F

An Homage to Monopink, 1960 E; An Homage to IKB, 1957 E; and An Homage to IKB, 1957 F · Takashi Murakami · Phillips · 2024-06 · $6,378

Takashi Murakami - An Homage to IKB, 1957 F; An Homage to Monopink, 1960 E; & An Homage to IKB, 1957 E

An Homage to IKB, 1957 F; An Homage to Monopink, 1960 E; & An Homage to IKB, 1957 E · Takashi Murakami · Christie's · 2023-10 · $4,510

Takashi Murakami - An Homage to Monopink, 1960 E

An Homage to Monopink, 1960 E · Takashi Murakami · Heritage Auctions · 2022-01 · $3,750

Takashi Murakami - 1. An Homage to IKB, 1957 E; 2. An Homage to IKB, 1957 F; 3. An Homage to Monopink, 1960 E

1. An Homage to IKB, 1957 E; 2. An Homage to IKB, 1957 F; 3. An Homage to Monopink, 1960 E · Takashi Murakami · SBI Art Auction · 2026-04 · $2,898

Takashi Murakami - An Homage to Monopink, 1960 E

An Homage to Monopink, 1960 E · Takashi Murakami · Heritage Auctions · 2021-10 · $2,750

More from this series

More series by Takashi Murakami

About the Flowers Series

Andy Warhol's Flowers stand among the most recognisable and widely collected images in twentieth-century printmaking. First exhibited as paintings at the Leo Castelli Gallery in 1964, the motif was translated into the definitive 1970 screenprint portfolio (Feldman & Schellmann II.64–73) published by Factory Additions. This portfolio is the canonical edition through which most collectors today acquire a Warhol Flowers print.

What Is the Flowers Series?

The composition is deceptively simple: four flat hibiscus blooms hovering against a densely abstracted ground of grass. Warhol stripped the image of depth and naturalism, rendering the petals as bold, poster-flat shapes that float between the decorative and the abstract. The colour treatment is the series' engine — across the ten prints the palette ranges from near-naturalistic to wholly artificial, transforming the same four blooms into electric, mood-shifting variations.

The source image was a photograph of hibiscus flowers by Patricia Caulfield, originally published in a 1964 photography magazine. Caulfield's subsequent legal claim over Warhol's appropriation was settled out of court — an episode now regarded as a landmark moment in the law of artistic appropriation and a defining footnote in the series' history.

Edition and Production Details

The 1970 portfolio comprises ten screenprints on Arches 88 paper, each measuring approximately 36 × 36 inches. The edition consists of 250 signed and numbered impressions plus 26 artist's proofs, published by Factory Additions, New York. Each sheet was signed by Warhol — typically in ballpoint or felt-tip pen on the verso — and stamp-numbered, the standard markers collectors and specialists rely on for the 1970 edition.

Individual Works and Top Variants

  • FS II.64 — black ground with vivid magenta blooms; the most iconic and sought-after image in the set, and the one most frequently reproduced.
  • FS II.68 — a softer register, with mint and pink blooms against a pale white ground, prized for its decorative balance.
  • FS II.73 — a deep, jewel-toned variant in purple and gold, among the richest colourways in the portfolio.

Each impression in the portfolio carries its own collector following, but the high-contrast, saturated examples consistently command the strongest attention.

Market and Price Context

The Flowers prints occupy a stable and liquid corner of the Warhol market. Individual screenprints from the 1970 edition typically trade between $25,000 and $80,000 at auction, with price determined by colourway, condition, freshness to market and provenance. The original 1964 canvases occupy an entirely different tier, achieving seven figures and beyond when they appear.

Part of the series' enduring market resilience lies in its decorative versatility — the images sit comfortably in both rigorous Pop collections and contemporary interiors — combined with deep institutional validation. Flowers appears in virtually every major museum Pop holding worldwide, reinforcing both scholarly importance and long-term value.

Authentication

Given the image's popularity, careful authentication is essential. Genuine 1970 portfolio impressions are documented in the Feldman & Schellmann catalogue raisonné (II.64–73) and should display the correct paper (Arches 88), dimensions, signature and stamped numbering. Provenance documentation and condition reporting — with attention to light exposure, paper tone and any restoration — are central to valuation. We advise acquiring only impressions with verifiable catalogue references and clear ownership history.

Acquiring a Warhol Flowers Print

Guy Hepner regularly handles Flowers prints across the full range of colourways and price points, from accessible entry examples to the most coveted variants. Whether you are acquiring your first Warhol or refining an established collection, our specialists can advise on availability, condition and current market value. View available Andy Warhol Flowers prints for sale or contact the gallery to discuss a specific image or colourway.

View full series →
An Homage to Monopink , 1960 , E

About Takashi Murakami

Takashi Murakami Prints For Sale

Takashi Murakami prints for sale at Guy Hepner Gallery in New York span the full range of his edition output: Superflat flower prints, skull series, Mr. DOB works, Kaikai Kiki editions, and collaborative works that have made Murakami one of the most actively traded artists in the contemporary print market. For collectors seeking Takashi Murakami art for sale — whether an iconic flower screenprint, a limited-edition sculpture multiple, or a major canvas — Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, full provenance documentation, and access to authenticated works across all his major series.

Takashi Murakami (b. 1962, Tokyo) is the defining figure of contemporary Japanese art on the international stage — an artist, theorist, entrepreneur, and studio director whose Superflat theory and the enormously productive practice it generated have permanently altered the conversation about the relationship between high art and popular culture, between Western postwar painting and East Asian visual tradition, and between the studio and the factory. Murakami received his BA, MA, and PhD from the Tokyo University of the Arts in Nihonga — traditional Japanese painting — a rigorous formation that gives his apparently anarchic pop sensibility its underlying structural discipline.

The Superflat manifesto, which Murakami developed and articulated in the early 2000s, proposed that the flattened pictorial space of traditional Japanese painting and the surface-oriented aesthetics of anime and manga were not merely parallel phenomena but expressions of the same deep cultural logic — a logic that Western art history had misread as naivety but which Murakami identified as a sophisticated and distinctive mode of representation.

Murakami's Visual Universe: Flowers, Skulls, and Mr. DOB

Through his practice, Murakami has built a visual universe populated by recurring characters and motifs:

  • Smiling Flowers — deceptively cheerful multi-eyed blossoms that bloom across canvases, prints, and merchandise of enormous scale and colour variety. The flowers are Murakami's most recognisable and actively traded motif in the edition market.
  • Mr. DOB — Murakami's alter ego and running commentary on consumerism; a hybrid figure drawing on anime, cartoon, and pop art traditions
  • Skulls — rendered in the manner of traditional Japanese vanitas imagery, these works bridge his engagement with the history of Japanese craft and his fascination with mortality and popular culture
  • Kaikai and Kiki — his studio mascots, which appear across prints, sculptures, and merchandise as embodiments of the Kaikai Kiki production ethos
  • Flower Ball — large-scale sphere compositions made of repeating flower motifs; among his most sought-after sculptural and print works

Takashi Murakami: Kaikai Kiki Studio and Production

Murakami's Kaikai Kiki studio and production company — employing dozens of assistants in an explicit homage to both the Japanese craft workshop and Warhol's Factory — produces paintings, sculptures, editions, merchandise, and cultural events with equal seriousness and commercial intent. This model, in which studio production, cultural criticism, and commercial output are deliberately merged, is central to understanding Murakami's practice and the edition market that surrounds it.

Murakami: Major Collaborations and Cultural Reach

Murakami's major collaborations have extended his work into fashion, music, and popular culture on a global scale. His partnership with Louis Vuitton produced some of the most successful fashion-art collaborations of the 2000s. His album artwork for Kanye West's Graduation brought his visual language to audiences that had no prior engagement with contemporary art. His collaborations with Supreme and other streetwear brands have ensured that his work circulates across youth culture as readily as it does in museum collections.

These collaborations have expanded the collector base for his fine art editions significantly: many collectors who first encountered Murakami through fashion or music have subsequently acquired prints and multiples, creating sustained demand across a wider demographic than most contemporary artists command.

Takashi Murakami: Market and Auction Results

Murakami's auction record stands at $15,200,000 for My Lonesome Cowboy (1998) at Sotheby's New York in 2008, and major paintings continue to command seven-figure results. His edition prints and multiples — flower series, skulls, Mr. DOB, Kaikai Kiki — are among the most actively traded in the contemporary edition market globally. Print prices range from $3,000–$5,000 for smaller open editions through $50,000–$200,000+ for rare signed limited editions and artist proofs in high demand colourways.

Murakami's work is held in permanent collections at MoMA, MOCA Los Angeles, the Asian Art Museum San Francisco, Tate Modern, the Guggenheim Museum Bilbao, the Centre Pompidou, the Rubell Museum, and the Mori Art Museum Tokyo.

What to Look For When Buying Takashi Murakami Prints

Edition size: Murakami produces both open-edition merchandise-style prints and tightly limited fine art editions. The latter — often numbered to 50 or fewer, with hand signature and certificate of authenticity from Kaikai Kiki — carry the strongest value and market liquidity.

Motif and colourway: Flower works in rare colourways, skull editions, and Mr. DOB prints consistently outperform peripheral motifs. Rainbow colourways and gold/metallic editions typically carry premium over standard colourways.

Authentication: All fine art editions should come with Kaikai Kiki certificates of authenticity and, for works sold through Perrotin or other authorised galleries, original gallery documentation.

Condition: Murakami's prints are typically produced on archival substrates, but condition remains important — works stored and framed correctly hold value most reliably.

Buy Takashi Murakami Art For Sale at Guy Hepner Gallery, New York

Guy Hepner offers a curated selection of Takashi Murakami prints for sale and edition multiples across all his major series from our gallery at 177 Tenth Avenue, New York. We bring expert knowledge of the Murakami edition market and offer free, confidential valuations for collectors looking to sell or appraise their holdings. Whether you are seeking an iconic flower print, a skull series multiple, or a rare signed limited edition, Guy Hepner provides the market expertise, authentication assurance, and collector access to support every acquisition.

View all works →