
Acupuncture
3 works

An Homage to IKB , 1957 , F, 2020
Offset print with cold stamp
27 x 20 in68.6 x 50.8 cm
Edition of 300
This vibrant offset print features Murakami's signature smiling flower motifs rendered in rich, luminous blues that pay tribute to Yves Klein's iconic International Klein Blue. The composition presents a dense field of cheerful blossoms, their overlapping petals creating a dynamic surface that shifts between flatness and implied depth. The cold stamp technique adds subtle dimensional texture, enhancing the work's visual sophistication while maintaining the artist's characteristic blend of high and low artistic traditions. The piece represents Murakami's ongoing dialogue with art history, connecting his contemporary Superflat aesthetic with Klein's monochromatic modernism. This 2020 edition demonstrates the artist's ability to bridge Eastern and Western visual cultures while maintaining widespread collector appeal. The accessible medium and format make it an ideal entry point for new collectors of Murakami's work, while the art historical reference adds intellectual depth that resonates with established collectors of contemporary Japanese art. Available for purchase — enquire for price and availability.
Price on Application

An Homage to IKB, 1957 F; An Homage to IKB, 1957 E; and An Homage to Monoprint, 1960 E (Three Works) · Takashi Murakami · Sotheby's · 2021-10 · $11,125

An Homage to Monogold 1960 C, An Homage to Monopink 1960 C, An Homage to Yves Klein, Multicolor C, and An Homage to IKB 1957 (four works) · Takashi Murakami · Heritage Auctions · 2017-02 · $7,500

An Homage to Monopink, 1960 E; An Homage to IKB, 1957 E; and An Homage to IKB, 1957 F · Takashi Murakami · Phillips · 2024-06 · $6,378

An Homage to IKB, 1957 F; An Homage to Monopink, 1960 E; & An Homage to IKB, 1957 E · Takashi Murakami · Christie's · 2023-10 · $4,510

An Homage to IKB, 1957 F · Takashi Murakami · Heritage Auctions · 2022-01 · $4,125

Andy Warhol's Flowers stand among the most recognisable and widely collected images in twentieth-century printmaking. First exhibited as paintings at the Leo Castelli Gallery in 1964, the motif was translated into the definitive 1970 screenprint portfolio (Feldman & Schellmann II.64–73) published by Factory Additions. This portfolio is the canonical edition through which most collectors today acquire a Warhol Flowers print.
The composition is deceptively simple: four flat hibiscus blooms hovering against a densely abstracted ground of grass. Warhol stripped the image of depth and naturalism, rendering the petals as bold, poster-flat shapes that float between the decorative and the abstract. The colour treatment is the series' engine — across the ten prints the palette ranges from near-naturalistic to wholly artificial, transforming the same four blooms into electric, mood-shifting variations.
The source image was a photograph of hibiscus flowers by Patricia Caulfield, originally published in a 1964 photography magazine. Caulfield's subsequent legal claim over Warhol's appropriation was settled out of court — an episode now regarded as a landmark moment in the law of artistic appropriation and a defining footnote in the series' history.
The 1970 portfolio comprises ten screenprints on Arches 88 paper, each measuring approximately 36 × 36 inches. The edition consists of 250 signed and numbered impressions plus 26 artist's proofs, published by Factory Additions, New York. Each sheet was signed by Warhol — typically in ballpoint or felt-tip pen on the verso — and stamp-numbered, the standard markers collectors and specialists rely on for the 1970 edition.
Each impression in the portfolio carries its own collector following, but the high-contrast, saturated examples consistently command the strongest attention.
The Flowers prints occupy a stable and liquid corner of the Warhol market. Individual screenprints from the 1970 edition typically trade between $25,000 and $80,000 at auction, with price determined by colourway, condition, freshness to market and provenance. The original 1964 canvases occupy an entirely different tier, achieving seven figures and beyond when they appear.
Part of the series' enduring market resilience lies in its decorative versatility — the images sit comfortably in both rigorous Pop collections and contemporary interiors — combined with deep institutional validation. Flowers appears in virtually every major museum Pop holding worldwide, reinforcing both scholarly importance and long-term value.
Given the image's popularity, careful authentication is essential. Genuine 1970 portfolio impressions are documented in the Feldman & Schellmann catalogue raisonné (II.64–73) and should display the correct paper (Arches 88), dimensions, signature and stamped numbering. Provenance documentation and condition reporting — with attention to light exposure, paper tone and any restoration — are central to valuation. We advise acquiring only impressions with verifiable catalogue references and clear ownership history.
Guy Hepner regularly handles Flowers prints across the full range of colourways and price points, from accessible entry examples to the most coveted variants. Whether you are acquiring your first Warhol or refining an established collection, our specialists can advise on availability, condition and current market value. View available Andy Warhol Flowers prints for sale or contact the gallery to discuss a specific image or colourway.

Takashi Murakami prints for sale at Guy Hepner Gallery in New York span the full range of his edition output: Superflat flower prints, skull series, Mr. DOB works, Kaikai Kiki editions, and collaborative works that have made Murakami one of the most actively traded artists in the contemporary print market. For collectors seeking Takashi Murakami art for sale — whether an iconic flower screenprint, a limited-edition sculpture multiple, or a major canvas — Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, full provenance documentation, and access to authenticated works across all his major series.
Takashi Murakami (b. 1962, Tokyo) is the defining figure of contemporary Japanese art on the international stage — an artist, theorist, entrepreneur, and studio director whose Superflat theory and the enormously productive practice it generated have permanently altered the conversation about the relationship between high art and popular culture, between Western postwar painting and East Asian visual tradition, and between the studio and the factory. Murakami received his BA, MA, and PhD from the Tokyo University of the Arts in Nihonga — traditional Japanese painting — a rigorous formation that gives his apparently anarchic pop sensibility its underlying structural discipline.
The Superflat manifesto, which Murakami developed and articulated in the early 2000s, proposed that the flattened pictorial space of traditional Japanese painting and the surface-oriented aesthetics of anime and manga were not merely parallel phenomena but expressions of the same deep cultural logic — a logic that Western art history had misread as naivety but which Murakami identified as a sophisticated and distinctive mode of representation.
Through his practice, Murakami has built a visual universe populated by recurring characters and motifs:
Murakami's Kaikai Kiki studio and production company — employing dozens of assistants in an explicit homage to both the Japanese craft workshop and Warhol's Factory — produces paintings, sculptures, editions, merchandise, and cultural events with equal seriousness and commercial intent. This model, in which studio production, cultural criticism, and commercial output are deliberately merged, is central to understanding Murakami's practice and the edition market that surrounds it.
Murakami's major collaborations have extended his work into fashion, music, and popular culture on a global scale. His partnership with Louis Vuitton produced some of the most successful fashion-art collaborations of the 2000s. His album artwork for Kanye West's Graduation brought his visual language to audiences that had no prior engagement with contemporary art. His collaborations with Supreme and other streetwear brands have ensured that his work circulates across youth culture as readily as it does in museum collections.
These collaborations have expanded the collector base for his fine art editions significantly: many collectors who first encountered Murakami through fashion or music have subsequently acquired prints and multiples, creating sustained demand across a wider demographic than most contemporary artists command.
Murakami's auction record stands at $15,200,000 for My Lonesome Cowboy (1998) at Sotheby's New York in 2008, and major paintings continue to command seven-figure results. His edition prints and multiples — flower series, skulls, Mr. DOB, Kaikai Kiki — are among the most actively traded in the contemporary edition market globally. Print prices range from $3,000–$5,000 for smaller open editions through $50,000–$200,000+ for rare signed limited editions and artist proofs in high demand colourways.
Murakami's work is held in permanent collections at MoMA, MOCA Los Angeles, the Asian Art Museum San Francisco, Tate Modern, the Guggenheim Museum Bilbao, the Centre Pompidou, the Rubell Museum, and the Mori Art Museum Tokyo.
Edition size: Murakami produces both open-edition merchandise-style prints and tightly limited fine art editions. The latter — often numbered to 50 or fewer, with hand signature and certificate of authenticity from Kaikai Kiki — carry the strongest value and market liquidity.
Motif and colourway: Flower works in rare colourways, skull editions, and Mr. DOB prints consistently outperform peripheral motifs. Rainbow colourways and gold/metallic editions typically carry premium over standard colourways.
Authentication: All fine art editions should come with Kaikai Kiki certificates of authenticity and, for works sold through Perrotin or other authorised galleries, original gallery documentation.
Condition: Murakami's prints are typically produced on archival substrates, but condition remains important — works stored and framed correctly hold value most reliably.
Guy Hepner offers a curated selection of Takashi Murakami prints for sale and edition multiples across all his major series from our gallery at 177 Tenth Avenue, New York. We bring expert knowledge of the Murakami edition market and offer free, confidential valuations for collectors looking to sell or appraise their holdings. Whether you are seeking an iconic flower print, a skull series multiple, or a rare signed limited edition, Guy Hepner provides the market expertise, authentication assurance, and collector access to support every acquisition.