
Works on Paper
3 works

Louis Vuitton None, 2022
Oil stick matte vinyl acrylic spray paint charcoal and pencil on canvas
150 x 85 cm
Nathan Paddison's "Louis Vuitton None" presents a commanding figure rendered through aggressive mark-making and deliberate material layering. The work captures a form that emerges from and dissolves into its surroundings, with oil stick passages dragging across the surface alongside matte vinyl and acrylic interventions that create zones of opacity and translucence. Charcoal and pencil marks provide skeletal underpinnings, visible in areas where the artist has allowed earlier gestures to breathe through subsequent applications. The spray paint elements introduce an urban immediacy, a street-level energy that anchors the work in contemporary visual culture while the title's pointed reference to luxury branding creates conceptual friction. The emotional register oscillates between confrontation and vulnerability. There is something raw and unresolved in how the figure holds space, neither fully present nor absent, embodying a tension between identity construction and erasure. The monochromatic palette punctuated by strategic color choices amplifies this psychological weight, refusing decorative comfort in favor of sustained visual pressure. Within Paddison's broader practice, this canvas exemplifies his commitment to figurative investigation through expressionist means. His subjects are never merely depicted but rather excavated, built up and scraped back until something essential remains. The varied media function not as stylistic flourishes but as necessary tools for approaching truth through accumulation and subtraction. Working at this substantial scale, Paddison allows the body to confront the viewer at near life-size, demanding engagement rather than passive observation. This work represents a significant opportunity for collectors seeking contemporary figuration that refuses easy resolution while maintaining visceral impact.
Price on Application

Tt ears fore Thai Gore · Nathan Paddison · Artsy Auction · 2023-02 · $3,750


Nathan Paddison
"Know Eye Deer"
2022

Nathan Paddison
2026 feel like
2026

Nathan Paddison
Air Leaf Ant in the Room
2026

Nathan Paddison
Alice In Vunderland
2026

Nathan Paddison
Arghh Ewe Tore Kin tomb Ee
2023

Nathan Paddison
Bare
2026

Nathan Paddison
Bee Arty Wrecks
2022

Nathan Paddison
Big Burred
2026

Nathan Paddison
Blew Skol Skol Skol
2022

Nathan Paddison
Cheetah
2022

Nathan Paddison
Cookie Moster
2026

Nathan Paddison
Daddy x Daughter
2026

Nathan Paddison
Hear Two Breake or The Rules
2022

Nathan Paddison
I Got Receipts
2026

Nathan Paddison
If that’s the case when do I start? I found apples in the drawer. Do you want one?
2026

Nathan Paddison
K
2026

Nathan Paddison
May Can Offer
2024

Nathan Paddison
Mere Knew Mourn Star
2022

Nathan Paddison
Mike Tie Sun
2023

Nathan Paddison
My Guy
2026

Nathan Paddison
Neigh Bores Hoarse
2022

Nathan Paddison
None oh Fuss R Saints
2022

Nathan Paddison
Peg Arse Ass
2026

Nathan Paddison
Pin Cared
2023

Nathan Paddison
Queen Ears Paid
2023

Nathan Paddison
Read Drag On
2022

Nathan Paddison
Real Fake Vouis
2022

Nathan Paddison
REEL Fake Bass Quay Aye
2024

Nathan Paddison
Reel Is Tick Pet Portrait
2023

Nathan Paddison
S K O L
2024

Nathan Paddison
Soup Par Mar Ee Oh
2023

Nathan Paddison
Tea Wreck
2023

Nathan Paddison
TIGRE RUG (peach)
2026

Nathan Paddison
Too Thai Gauze

Nathan Paddison
Tyrone Rr Sore Ass
2023

Nathan Paddison
Unique Corn
2024

Nathan Paddison
Vouis Kin
2022

Nathan Paddison
You Nick Corn
2022
Nathan Paddison has emerged as one of the most compelling voices in contemporary painting, crafting works that exist at the intersection of raw emotional expression and sophisticated compositional intelligence. His canvases pulse with an energy that feels simultaneously spontaneous and deliberate—a tension that has come to define his distinctive approach to image-making. At Guy Hepner, we are proud to present an exceptional selection of paintings from this vital contemporary artist, whose work continues to challenge and expand our understanding of what painting can accomplish in the twenty-first century.
What distinguishes Nathan Paddison from his contemporaries is his remarkable ability to hold opposing forces in productive tension. His paintings refuse easy categorization, moving fluidly between abstraction and figuration, between gestural freedom and calculated restraint. This quality of productive contradiction runs through every aspect of his practice, from his treatment of surface to his approach to color and composition.
Paddison's work demonstrates a profound understanding of painting's history while remaining entirely contemporary in its concerns. One senses echoes of Abstract Expressionism's physical engagement with the canvas, yet his paintings never descend into mere gesture for gesture's sake. There is always intention beneath the apparent spontaneity, a rigorous intelligence guiding the hand.
May Can Offer exemplifies Paddison's capacity to create visual experiences that unfold over time. The painting rewards sustained attention, revealing new relationships and subtleties with each viewing. The title itself suggests possibility and potential—themes that resonate throughout the composition. Layers build upon layers, creating a sense of depth that draws the viewer into the picture plane while simultaneously asserting the materiality of paint itself. This is work that understands the fundamental dialogue between illusion and surface that has occupied painters for centuries.
In Unique Corn, Paddison demonstrates his gift for finding the extraordinary within the ordinary. The work transforms its subject through a painterly language that is entirely his own, rendering the familiar strange and compelling. There is humor here, but also genuine investigation—a willingness to look closely at the world and translate that looking into paint. The execution balances precision with looseness, creating a visual rhythm that keeps the eye moving across the canvas.
Hear Two Breake presents a more fragmented visual field, suggesting rupture and reassembly. The title's deliberate misspelling points to Paddison's interest in language as both meaning and material—words as visual elements as much as semantic carriers. The painting embodies a kind of productive breaking, where dissolution becomes the precondition for new forms of coherence. This is challenging work that asks much of its viewer while offering substantial rewards for those willing to engage.
The Rules addresses themes of structure and transgression that run throughout Paddison's oeuvre. The painting seems to establish systems only to subvert them, creating visual rules in order to demonstrate the generative potential of their violation. There is a playfulness to this approach, but also serious engagement with questions about how meaning is constructed and how paintings communicate. The work functions as both statement and question, asserting its presence while inviting interpretation.
Central to understanding Nathan Paddison's achievement is recognition of his exceptional material intelligence. His handling of paint reveals deep knowledge of the medium's possibilities—its capacity for transparency and opacity, its behavior when applied thickly or thinned to a wash, its interaction with different grounds and surfaces. This technical mastery serves expressive ends rather than existing as mere virtuosity.
Paddison's process involves extended periods of building and revision, allowing paintings to develop organically while maintaining overall compositional control. The resulting works carry evidence of their making, inviting viewers to reconstruct the creative process while experiencing the finished image. This temporal dimension—the sense that paintings contain their own history—adds richness and complexity to the viewing experience.
Nathan Paddison's work has garnered significant attention from critics and collectors who recognize his contribution to contemporary painting discourse. His paintings have been exhibited internationally, finding homes in distinguished private collections and earning recognition for their originality and visual power.
What critics consistently note is Paddison's authenticity—the sense that his paintings emerge from genuine necessity rather than market calculation or theoretical posturing. In an art world often characterized by cynicism and strategic positioning, this quality of authentic engagement stands out. His work feels urgent and necessary, addressing fundamental questions about perception, representation, and the continued relevance of painting as a medium.
In an era dominated by digital imagery and new media, Nathan Paddison's commitment to painting carries particular significance. His work argues implicitly for the continued vitality of this ancient medium, demonstrating that paint on canvas remains capable of producing experiences unavailable through any other means. The physicality of his surfaces, the evidence of the hand, the unique presence of each canvas—these qualities resist digital reproduction and demand direct encounter.
Paddison's paintings remind us why painting persists: because it offers a form of slow looking increasingly rare in our accelerated visual culture, because it materializes thought and feeling in ways that retain mystery, because it creates objects capable of sustaining attention across years and decades.
Guy Hepner is pleased to offer collectors the opportunity to acquire significant paintings by Nathan Paddison. Our gallery specialists possess extensive knowledge of the artist's work and market position, enabling us to provide informed guidance throughout the acquisition process. We invite serious collectors to contact our New York team to discuss available works, pricing, and the particular considerations involved in building a collection that includes this important contemporary painter.

Nathan Paddison is an Australian artist based on the North Coast of Australia, working primarily in acrylic, spray paint, charcoal, and oil stick. He is entirely self-taught, having discovered painting during a difficult period earlier in his life, an experience that became the foundation of his practice and continues to inform the urgency and rawness of his work today.
Paddison's paintings are gestural and immediate, built with bold color, dynamic brushwork, and a flat, almost storybook rendering of figures such as wide eyed cats, toothy dinosaurs, and playing card royalty. His style draws on Art Brut and street art traditions, with clear affinities to Basquiat, Picasso, and Twombly, though his voice remains distinctly his own. Text often appears scattered across his surfaces, sometimes playful, sometimes fragmented, adding another layer to compositions that favor instinct and physical energy over careful planning.
He approaches each canvas with a sense of urgency, working across mixed media to avoid the limits of any single material. His subjects, whether drawn from childhood imagery or personal memory, are consistently distorted in a way meant to reveal character rather than surface appearance.
Paddison has exhibited across Australia, Europe, and Asia, and received the Kilgour Prize People's Choice Award from Newcastle Art Gallery in 2021.
Guy Hepner works with collectors seeking Nathan Paddison's raw, expressive paintings rooted in Art Brut tradition. Contact us to discuss available inventory or to inquire about upcoming releases.