
Bijou Gets Undressed
6 works

Estate Agent Runner, 2015
Continuous computer animation on 46" LCD screen
40 1/2 x 23 x 4 1/2 in 103 x 58.5 x 11.5 cm
Edition of 4
Estate Agent Runner (2015) is an original continuous computer animation presented on a 46-inch LCD screen by Julian Opie, measuring 40 1/2 x 23 x 4 1/2 inches (103 x 58.5 x 11.5 cm), produced in a very limited edition of 4. The work belongs to Opie's celebrated series of animated works — one of the most sustained and inventive aspects of his practice — in which simplified, graphic human figures are set in continuous, looping motion, transforming the two-dimensional pictogram into a living presence. The "estate agent" of the title carries with it an entire social world: the figure, running with the focused purpose of the professional urban commuter, embodies a recognizable contemporary type. Opie's visual language strips away all specificity, rendering the runner as a bold, simplified silhouette in continuous forward motion, yet the title's gentle specificity transforms this anonymous form into a character study — a wry observation of contemporary life and professional identity. The continuous loop ensures the figure is perpetually running, never arriving, a quietly comic and poetic condition. LCD animation allows Opie to explore the temporal dimension that static media deny him, and Estate Agent Runner demonstrates the full sophistication of this aspect of his practice. The work is simultaneously a kinetic sculpture, a video work, and a drawing in motion. In an edition of only 4, Estate Agent Runner is among the rarest and most significant original works in Opie's practice — a definitive expression of his sustained engagement with movement, figure, and the contemporary urban landscape.
Price on Application


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Beret
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Big Bag
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Diamond Earring
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Kiri
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Julian Opie
Old Street August 12
2020

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Old Street June 3
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Julian Opie
Taxi Driver Running
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Teresa John Amy Tim
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This Is Keira 03
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Walking in Busan 1
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Walking in New York 6
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Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.