
Bijou Gets Undressed
6 works

Academic 2, 2014
Vinyl on wooden panel
85 x 46 1/2 in 216 x 118 cm
This striking portrait presents a figure in simplified, graphic form rendered in vinyl on wooden panel. The work depicts a person dressed in formal wear, characterized by Opie's signature reductive style that distills the human form into bold outlines and flat planes of color. The substantial scale of nearly seven feet tall gives the piece commanding physical presence, while the smooth vinyl application creates a sleek, contemporary surface that bridges painting and digital aesthetics. Opie's Academic 2 exemplifies the artist's ongoing exploration of portraiture in the digital age, reducing visual information to its essential elements while maintaining psychological presence. The work represents a significant period in Opie's career when he examined professional and social archetypes through his distinctive visual language. This piece appeals to collectors seeking museum-quality contemporary portraiture that engages with questions of identity, representation, and the intersection of traditional subject matter with contemporary visual culture. Available for purchase — enquire for price and availability.
Price on Application

Academic, from: Stone Heads · Julian Opie · Christie's · 2025-09 · $4,131
Academic · Julian Opie · SBI Art Auction · 2021-04 · $148


Julian Opie
Beret
2019

Julian Opie
Big Bag
2018

Julian Opie
Diamond Earring
2019

Julian Opie
Estate Agent Runner
2015

Julian Opie
Kiri
2019

Julian Opie
Old Street August 12
2020

Julian Opie
Old Street June 3
2019

Julian Opie
Taxi Driver Running
2015

Julian Opie
Teresa John Amy Tim
2019

Julian Opie
This Is Keira 03
2004

Julian Opie
Walking in Busan 1
2023

Julian Opie
Walking in New York 6
2019

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.