
Bijou Gets Undressed
6 works

Beret, 2019
Acrylic on stone panel
43 1/4 x 22 1/2 in 110 x 57 cm
This work presents a female figure rendered in Opie's signature reductive style, distinguished by the titular beret that crowns her simplified portrait. Executed in acrylic on stone panel, the composition employs bold black outlines and minimal flat color fields to distill the human form into its essential elements. The figure's features are pared down to basic curves and lines, yet remain immediately recognizable and engaging. The stone substrate lends substantial presence to the piece, elevating what might appear as digital aesthetic into tangible, tactile reality. Opie has spent decades refining his visual language, transforming portraiture into universal iconography that bridges fine art and popular culture. His works are held in prestigious collections worldwide, including the Museum of Modern Art and Tate. This piece exemplifies his masterful ability to capture contemporary life through radically simplified means, making it both an important example of twenty-first-century figuration and an accessible entry point for collectors drawn to his distinctive aesthetic. The intimate scale suits residential or office settings while maintaining commanding visual impact. Available for purchase — enquire for price and availability.
Price on Application


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Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.