
Bijou Gets Undressed
6 works

Diamond Earring, 2019
Auto paint on aluminium
78 5/8 x 69 5/8 x 1 3/4 in 199.7 x 176.8 x 4.4 cm
This striking portrait exemplifies Opie's signature visual language through its bold reduction of human features to essential geometric forms. Executed in lustrous auto paint on aluminium, the work captures a female subject rendered in the artist's characteristic minimal style, with smooth black lines defining facial features, hair, and the titular diamond earring against a solid background. The industrial automotive finish creates an impeccable surface that evokes both contemporary digital aesthetics and traditional portraiture, while the substantial scale commands presence in any space. The work represents a masterful example of Opie's ongoing exploration of identity and representation in the digital age. His distinctive approach bridges fine art and popular visual culture, making his portraits instantly recognizable and highly sought after by international collectors. The piece's clean aesthetic and timeless quality ensure it works beautifully in both modern and classical interiors, while the aluminium construction guarantees longevity and durability as a long-term investment. Available for purchase — enquire for price and availability.
Price on Application

Woman Taking Off a Man's Shirt 5 · Julian Opie · Artcurial · 2025-05 · $4,377

Shahnoza dancing in white dress, right · Julian Opie · Christie's · 2026-03 · $55,011

Musician, from Walking in London 2 · Julian Opie · Christie's · 2026-02 · $16,510

Detective, from Walking in London 1 (C. 259) · Julian Opie · Phillips · 2026-01 · $16,571

Banker, from Walking in London 1 (C. 261) · Julian Opie · Phillips · 2026-01 · $30,775


Julian Opie
Academic 2
2014

Julian Opie
Beret
2019

Julian Opie
Big Bag
2018

Julian Opie
Estate Agent Runner
2015

Julian Opie
Kiri
2019

Julian Opie
Old Street August 12
2020

Julian Opie
Old Street June 3
2019

Julian Opie
Taxi Driver Running
2015

Julian Opie
Teresa John Amy Tim
2019

Julian Opie
This Is Keira 03
2004

Julian Opie
Walking in Busan 1
2023

Julian Opie
Walking in New York 6
2019

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.