
Bagdad
4 works

Zaun P13, 2015
Diasec-mounted giclée print on aluminium composite panel
14 x 11 inches 35.5 x 27
Edition of 500
Zaun P13 is a Diasec-mounted giclée print on aluminium composite panel, produced by Gerhard Richter in 2015 and issued in an edition of 500. Measuring 35.5 × 27 cm, this compact work takes its title from the German word for fence (Zaun)—a modest, everyday subject that, in Richter's hands, becomes a vehicle for a meditation on vision, obstruction, and the photographic rendering of familiar objects. The vertical format and intimate scale lend the work a quality of personal encounter that distinguishes it from the larger, more architecturally conceived editions in Richter's programme. Richter's engagement with ordinary, overlooked subjects—roads, candles, doors, and in this case a fence—is a well-established thread within his broader practice. In photographing and presenting such subjects through the controlled lens of his edition process, Richter asks the viewer to see the familiar as strange, to recognise in the most commonplace visual material the full complexity of perception and representation. Zaun P13 operates within this tradition: the image of a fence, rendered through the high-resolution giclée process and presented in the depth of the Diasec mount, acquires a presence and weight that belies the simplicity of its subject. The 2015 dating places Zaun P13 within a particularly active period of Richter's edition programme, during which his collaboration with Heni Editions produced a wide range of works extending the reach of his practice to new audiences. The aluminium composite panel support and the Diasec process ensure that the work can be maintained in excellent condition over the long term, making it a sound acquisition both aesthetically and practically. Zaun P13 rewards sustained attention, revealing in its quiet subject a characteristic Richter intelligence.
Price on Application

Zaun (Fence) (P13) · Gerhard Richter · Phillips · 2025-09 · $3,754

Zaun (Fence) (P13) · Gerhard Richter · Phillips · 2025-01 · $4,050

Zaun (Fence) (P13) · Gerhard Richter · Phillips · 2023-06 · $5,577

Zaun (Fence) (P13) · Gerhard Richter · Phillips · 2021-06 · $6,204


Gerhard Richter
Abstraktes Bild P1
2014

Gerhard Richter
Aladin P11
2014

Gerhard Richter
Bouquet P3
2024

Gerhard Richter
December 2020 C
2020

Gerhard Richter
Eis 2 (Ice 2)
2003

Gerhard Richter
Haggadah P2
2014

Gerhard Richter
Ifrit P8
2014

Gerhard Richter
Landscape 1
1971

Gerhard Richter
Sea
1972

Gerhard Richter
Tulpen P17
2017

Gerhard Richter
Verkündigung Nach Rizian P12
2015

Gerhard Richter (b. 1932, Dresden, Germany) is widely regarded as the most significant living European painter and one of the defining artistic figures of the postwar era. Born in Dresden under National Socialism, trained at the Dresden Art Academy under the constraints of Socialist Realism, Richter defected to West Germany in 1961 — just before the Berlin Wall closed — and enrolled at the Düsseldorf Art Academy, where contact with Joseph Beuys and the energies of the West German avant-garde precipitated a radical reassessment of everything he had been taught. Out of that collision came a practice of extraordinary ambition and range: not one aesthetic position but two simultaneous and apparently irreconcilable ones, pursued in parallel across more than sixty years.
On one side are the photo paintings — works derived from found and personal photographs, rendered in oil with subtle blurring that dissolves photographic clarity into something resembling memory, loss, and the instability of the visual record. His Atlas (begun 1962) — thousands of photographs, newspaper clippings, and sketches organised into panels — functions as both source material and artwork in its own right, a vast and obsessive archive. On the other side are the Abstrakte Bilder: large paintings made by dragging a squeegee across layers of wet paint, creating eruptions of colour, complex layered surfaces, and atmospheric veils that have no precise precedent in the history of abstract painting. Developed from the late 1970s onward, these works have achieved the highest prices of his career and remain among the most sought-after objects on the global art market.
Between these two poles, Richter has also produced Colour Charts, Grey Paintings, overpainted photographs, and a vast body of prints and editions that together constitute one of the most comprehensive and intellectually serious careers in contemporary art. His print output — spanning hundreds of works including P11, Bagdad, and Sils Maria — is actively traded at Christie's, Sotheby's, and Phillips. His auction record stands at £37,200,000 for Domplatz, Mailand at Sotheby's London in 2013, with Abstraktes Bild (599) achieving £30,400,000 at Sotheby's London in 2015. These are prices that reflect both the rarity of major works and the depth of global institutional and collector demand.
Richter's work is held at the Museum of Modern Art, Tate Modern, the Centre Pompidou, Museum Ludwig Cologne, the Whitney Museum of American Art, the Art Institute of Chicago, SFMOMA, the Staatsgalerie Stuttgart, and the Albertina Vienna, among dozens of other major institutions. He is the subject of an extensive critical literature and remains one of the few living artists whose work commands sustained scholarly attention alongside the highest commercial interest.
Guy Hepner has significant expertise in the Gerhard Richter market, working with collectors across his prints, editions, and works on paper. Our gallery at 177 Tenth Avenue, New York offers expert guidance on acquisition and collection strategy. For those looking to sell Richter works or seeking a free, confidential valuation, we offer access to a global network of qualified buyers and deep knowledge of the current market for his work.