Guy Hepner Gallery

Gerhard Richter Abstraktes Bild P1 For Sale

Gerhard Richter
Gerhard Richter - Abstraktes Bild P1, 2014, Diasec-mounted chromogenic print on aluminium after the painting of 1990

Abstraktes Bild P1, 2014

Diasec-mounted chromogenic print on aluminium after the painting of 1990

36 1/4 x 49 92.1 x 124.5

Edition

Edition of 500

About this work

Abstraktes Bild P1 is a Diasec-mounted chromogenic print on aluminium, produced in 2014 and issued in an edition of 500. The work is described as being after the painting of 1990, placing it in direct dialogue with one of Richter's celebrated Abstraktes Bild canvases from that landmark year. Measuring 92.1 × 124.5 cm, the print is among the larger works in Richter's edition programme and allows for a genuinely immersive encounter with the dense, layered abstract imagery of the source painting. The Diasec process—adhering the chromogenic print to aluminium under a face of acrylic glass—imparts both luminous depth and archival permanence. The Abstraktes Bild (Abstract Picture) canvases of the early 1990s are among the most studied and admired works in postwar painting, distinguished by their complex, stratified surfaces built up through the repeated application and partial removal of oil paint using both brush and squeegee. The resulting compositions present richly textured fields of colour—at once gestural and systematic, organic and mechanical—that have invited comparison to geological strata, atmospheric phenomena, and the structure of memory itself. Abstraktes Bild P1 preserves the chromatic intensity and spatial complexity of this imagery in a technically superior photographic reproduction. For collectors, Abstraktes Bild P1 represents an opportunity to engage directly with one of the most iconically recognised visual languages of late twentieth-century abstraction. Richter's Abstraktes Bild paintings have been the subject of major exhibitions and scholarly attention worldwide, and this edition—faithful in colour, scale, and surface quality—makes a powerful case for the continued relevance of that practice. It is a work that speaks authoritatively to any collection focused on the history and current vitality of abstract art.

Price on Application

Auction History

Gerhard Richter - Abstraktes Bild (P1)

Abstraktes Bild (P1) · Gerhard Richter · Christie's · 2026-03 · $80,148

Gerhard Richter - Abstraktes Bild (P1)

Abstraktes Bild (P1) · Gerhard Richter · Ketterer Kunst · 2025-12 · $42,245

Gerhard Richter - Abstraktes Bild (P1)

Abstraktes Bild (P1) · Gerhard Richter · Phillips · 2025-10 · $23,220

Gerhard Richter - Abstraktes Bild (P1)

Abstraktes Bild (P1) · Gerhard Richter · Phillips · 2024-01 · $41,255

Gerhard Richter - Abstraktes Bild (P1)

Abstraktes Bild (P1) · Gerhard Richter · Phillips · 2023-06 · $36,464

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Abstraktes Bild P1

About Gerhard Richter

Gerhard Richter (b. 1932, Dresden, Germany) is widely regarded as the most significant living European painter and one of the defining artistic figures of the postwar era. Born in Dresden under National Socialism, trained at the Dresden Art Academy under the constraints of Socialist Realism, Richter defected to West Germany in 1961 — just before the Berlin Wall closed — and enrolled at the Düsseldorf Art Academy, where contact with Joseph Beuys and the energies of the West German avant-garde precipitated a radical reassessment of everything he had been taught. Out of that collision came a practice of extraordinary ambition and range: not one aesthetic position but two simultaneous and apparently irreconcilable ones, pursued in parallel across more than sixty years.

On one side are the photo paintings — works derived from found and personal photographs, rendered in oil with subtle blurring that dissolves photographic clarity into something resembling memory, loss, and the instability of the visual record. His Atlas (begun 1962) — thousands of photographs, newspaper clippings, and sketches organised into panels — functions as both source material and artwork in its own right, a vast and obsessive archive. On the other side are the Abstrakte Bilder: large paintings made by dragging a squeegee across layers of wet paint, creating eruptions of colour, complex layered surfaces, and atmospheric veils that have no precise precedent in the history of abstract painting. Developed from the late 1970s onward, these works have achieved the highest prices of his career and remain among the most sought-after objects on the global art market.

Between these two poles, Richter has also produced Colour Charts, Grey Paintings, overpainted photographs, and a vast body of prints and editions that together constitute one of the most comprehensive and intellectually serious careers in contemporary art. His print output — spanning hundreds of works including P11, Bagdad, and Sils Maria — is actively traded at Christie's, Sotheby's, and Phillips. His auction record stands at £37,200,000 for Domplatz, Mailand at Sotheby's London in 2013, with Abstraktes Bild (599) achieving £30,400,000 at Sotheby's London in 2015. These are prices that reflect both the rarity of major works and the depth of global institutional and collector demand.

Richter's work is held at the Museum of Modern Art, Tate Modern, the Centre Pompidou, Museum Ludwig Cologne, the Whitney Museum of American Art, the Art Institute of Chicago, SFMOMA, the Staatsgalerie Stuttgart, and the Albertina Vienna, among dozens of other major institutions. He is the subject of an extensive critical literature and remains one of the few living artists whose work commands sustained scholarly attention alongside the highest commercial interest.

Guy Hepner has significant expertise in the Gerhard Richter market, working with collectors across his prints, editions, and works on paper. Our gallery at 177 Tenth Avenue, New York offers expert guidance on acquisition and collection strategy. For those looking to sell Richter works or seeking a free, confidential valuation, we offer access to a global network of qualified buyers and deep knowledge of the current market for his work.

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