
Bagdad
4 works

Haggadah P2, 2014
Chromogenic print mounted on aluminium
39 3/8 x 39 3/8 in 100 x 100 cm
Edition size 500
Haggadah P2 is a chromogenic print mounted on aluminium, produced by Gerhard Richter in 2014 and issued in an edition of 500. Presented in a substantial square format of 100 × 100 cm, the work takes its title from the Haggadah—the Jewish text that sets out the order of the Passover Seder and recounts the narrative of the Exodus. This title situates Haggadah P2 within a body of Richter's work that engages with historical memory, cultural transmission, and the weight of Jewish experience in European history—themes that have appeared in various forms throughout his career. The scale of Haggadah P2—a metre square—gives the chromogenic print a presence that commands attention in any interior. The chromogenic process, mounted on aluminium, produces a surface of exceptional colour saturation and clarity. Whether the imagery engages directly with the visual traditions of the illustrated Haggadah or operates as an abstract or photographic response to the text's themes, the work carries the full weight of its title's associations: memory, repetition, and the imperative to bear witness across generations. Richter's sustained engagement with history and collective memory—explored in works across decades of his career—gives his choice of the Haggadah as a title particular resonance. Haggadah P2 may be approached as a meditation on cultural memory and the role of visual art in sustaining historical consciousness, as well as a formally accomplished and technically excellent work in its own right. For collectors who prize art that carries intellectual and ethical depth alongside aesthetic distinction, this is a work of considerable importance.
Price on Application

Haggadah (P2) · Gerhard Richter · Christie's · 2026-03 · $27,479

Haggadah (P2) · Gerhard Richter · Phillips · 2026-01 · $33,142

Haggadah (P2) · Gerhard Richter · Phillips · 2025-10 · $28,380

”Haggadah (P2)” · Gerhard Richter · Grisebach · 2025-06 · $40,256

Haggadah (P2) · Gerhard Richter · Phillips · 2025-04 · $33,294


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Gerhard Richter (b. 1932, Dresden, Germany) is widely regarded as the most significant living European painter and one of the defining artistic figures of the postwar era. Born in Dresden under National Socialism, trained at the Dresden Art Academy under the constraints of Socialist Realism, Richter defected to West Germany in 1961 — just before the Berlin Wall closed — and enrolled at the Düsseldorf Art Academy, where contact with Joseph Beuys and the energies of the West German avant-garde precipitated a radical reassessment of everything he had been taught. Out of that collision came a practice of extraordinary ambition and range: not one aesthetic position but two simultaneous and apparently irreconcilable ones, pursued in parallel across more than sixty years.
On one side are the photo paintings — works derived from found and personal photographs, rendered in oil with subtle blurring that dissolves photographic clarity into something resembling memory, loss, and the instability of the visual record. His Atlas (begun 1962) — thousands of photographs, newspaper clippings, and sketches organised into panels — functions as both source material and artwork in its own right, a vast and obsessive archive. On the other side are the Abstrakte Bilder: large paintings made by dragging a squeegee across layers of wet paint, creating eruptions of colour, complex layered surfaces, and atmospheric veils that have no precise precedent in the history of abstract painting. Developed from the late 1970s onward, these works have achieved the highest prices of his career and remain among the most sought-after objects on the global art market.
Between these two poles, Richter has also produced Colour Charts, Grey Paintings, overpainted photographs, and a vast body of prints and editions that together constitute one of the most comprehensive and intellectually serious careers in contemporary art. His print output — spanning hundreds of works including P11, Bagdad, and Sils Maria — is actively traded at Christie's, Sotheby's, and Phillips. His auction record stands at £37,200,000 for Domplatz, Mailand at Sotheby's London in 2013, with Abstraktes Bild (599) achieving £30,400,000 at Sotheby's London in 2015. These are prices that reflect both the rarity of major works and the depth of global institutional and collector demand.
Richter's work is held at the Museum of Modern Art, Tate Modern, the Centre Pompidou, Museum Ludwig Cologne, the Whitney Museum of American Art, the Art Institute of Chicago, SFMOMA, the Staatsgalerie Stuttgart, and the Albertina Vienna, among dozens of other major institutions. He is the subject of an extensive critical literature and remains one of the few living artists whose work commands sustained scholarly attention alongside the highest commercial interest.
Guy Hepner has significant expertise in the Gerhard Richter market, working with collectors across his prints, editions, and works on paper. Our gallery at 177 Tenth Avenue, New York offers expert guidance on acquisition and collection strategy. For those looking to sell Richter works or seeking a free, confidential valuation, we offer access to a global network of qualified buyers and deep knowledge of the current market for his work.