
Bagdad
4 works

Tulpen P17, 2017
Diasec-mounted chromogenic print mounted on aluminum
14 x 16 in 35.6 x 40.6 cm
Edition of 500
Tulpen P17 is a Diasec-mounted chromogenic print mounted on aluminum, produced by Gerhard Richter in 2017 and issued in an edition of 500. Presented in a compact format of 35.6 × 40.6 cm, this intimate work represents Richter's continued engagement with floral imagery—a subject that occupies an important place within his broader investigation of photography, painting, and the relationship between the two. The title Tulpen (Tulips) connects the work to a tradition of flower representation stretching from seventeenth-century Dutch still-life masters through to the photorealist canvases for which Richter is celebrated. Richter's approach to floral subjects characteristically balances the beauty of the subject matter with a subtle destabilisation of the viewing experience. Through the process of photographing his own painted works or photographic sources, he introduces a layer of mediation that draws attention to how we see rather than simply what we see. Tulpen P17, presented through the Diasec process with its characteristic depth and surface clarity, preserves this quality of suspended perception—the image is unmistakably of flowers, yet it insists on its own status as a constructed, mediated object rather than a transparent window onto nature. As a 2017 edition, Tulpen P17 represents one of Richter's later excursions into figurative subject matter at a moment when his abstract works had reached their greatest international prominence. The contrast between these two poles of his practice—the gestural abstraction of the Flow and Cage series and the measured figuration of works like Tulpen—reflects the breadth and intellectual agility that have made Richter one of the most consistently surprising artists of the past half-century. Tulpen P17 is a work of quiet refinement and enduring aesthetic pleasure.
Price on Application
![Gerhard Richter - Tulpen [Tulips] (P17)](https://d32dm0rphc51dk.cloudfront.net/1sHkTSqAL6e6IyWGWNVwIw/larger.jpg)
Tulpen [Tulips] (P17) · Gerhard Richter · SBI Art Auction · 2024-01 · $47
![Gerhard Richter - Tulpen [Tulips] (P17)](https://d32dm0rphc51dk.cloudfront.net/bFGABQfq8H7jfsZc6nmIlw/larger.jpg)
Tulpen [Tulips] (P17) · Gerhard Richter · SBI Art Auction · 2020-02 · $0
TULPEN (P17) · Gerhard Richter · Sotheby's · 2018-03 · $19,066


Gerhard Richter
Abstraktes Bild P1
2014

Gerhard Richter
Aladin P11
2014

Gerhard Richter
Bouquet P3
2024

Gerhard Richter
December 2020 C
2020

Gerhard Richter
Eis 2 (Ice 2)
2003

Gerhard Richter
Haggadah P2
2014

Gerhard Richter
Ifrit P8
2014

Gerhard Richter
Landscape 1
1971

Gerhard Richter
Sea
1972

Gerhard Richter
Verkündigung Nach Rizian P12
2015

Gerhard Richter
Zaun P13
2015

Gerhard Richter (b. 1932, Dresden, Germany) is widely regarded as the most significant living European painter and one of the defining artistic figures of the postwar era. Born in Dresden under National Socialism, trained at the Dresden Art Academy under the constraints of Socialist Realism, Richter defected to West Germany in 1961 — just before the Berlin Wall closed — and enrolled at the Düsseldorf Art Academy, where contact with Joseph Beuys and the energies of the West German avant-garde precipitated a radical reassessment of everything he had been taught. Out of that collision came a practice of extraordinary ambition and range: not one aesthetic position but two simultaneous and apparently irreconcilable ones, pursued in parallel across more than sixty years.
On one side are the photo paintings — works derived from found and personal photographs, rendered in oil with subtle blurring that dissolves photographic clarity into something resembling memory, loss, and the instability of the visual record. His Atlas (begun 1962) — thousands of photographs, newspaper clippings, and sketches organised into panels — functions as both source material and artwork in its own right, a vast and obsessive archive. On the other side are the Abstrakte Bilder: large paintings made by dragging a squeegee across layers of wet paint, creating eruptions of colour, complex layered surfaces, and atmospheric veils that have no precise precedent in the history of abstract painting. Developed from the late 1970s onward, these works have achieved the highest prices of his career and remain among the most sought-after objects on the global art market.
Between these two poles, Richter has also produced Colour Charts, Grey Paintings, overpainted photographs, and a vast body of prints and editions that together constitute one of the most comprehensive and intellectually serious careers in contemporary art. His print output — spanning hundreds of works including P11, Bagdad, and Sils Maria — is actively traded at Christie's, Sotheby's, and Phillips. His auction record stands at £37,200,000 for Domplatz, Mailand at Sotheby's London in 2013, with Abstraktes Bild (599) achieving £30,400,000 at Sotheby's London in 2015. These are prices that reflect both the rarity of major works and the depth of global institutional and collector demand.
Richter's work is held at the Museum of Modern Art, Tate Modern, the Centre Pompidou, Museum Ludwig Cologne, the Whitney Museum of American Art, the Art Institute of Chicago, SFMOMA, the Staatsgalerie Stuttgart, and the Albertina Vienna, among dozens of other major institutions. He is the subject of an extensive critical literature and remains one of the few living artists whose work commands sustained scholarly attention alongside the highest commercial interest.
Guy Hepner has significant expertise in the Gerhard Richter market, working with collectors across his prints, editions, and works on paper. Our gallery at 177 Tenth Avenue, New York offers expert guidance on acquisition and collection strategy. For those looking to sell Richter works or seeking a free, confidential valuation, we offer access to a global network of qualified buyers and deep knowledge of the current market for his work.