
Ada
34 works

Vivien in White Coat, 2022
Porcelain enamel on shaped steel
71 1/2 x 33 x 14 1/2 in ; 181.6 x 83.8 x 36.8 cm
Edition of 6 plus 2 AP
*Vivien in White Coat* (2022) is a porcelain enamel on shaped steel by Alex Katz, measuring 71 1/2 x 33 x 14 1/2 in ; 181.6 x 83.8 x 36.8 cm. Edition of 6 plus 2 AP. This work is part of Katz's Vivien series — a body of portraiture that explores the human face through his characteristic language of flat colour planes and graphic economy. The Vivien works demonstrate his ability to extract profound formal interest from sustained attention to a single subject. Alex Katz (b. 1927, Brooklyn, New York) is one of the most significant American figurative artists of the twentieth and twenty-first centuries. His prints are held in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Tate Modern, and over 100 institutions worldwide. Works from the Vivien series are among the most actively traded in the contemporary prints market, with recent auction results at Christie's, Phillips, and Sotheby's confirming sustained collector demand. Guy Hepner represents Alex Katz editions from our New York gallery, with access to works across all major series. Contact us for pricing, availability, and condition reports.
Price on Application

Vivien in White Coat · Alex Katz · Phillips · 2022-09 · $15,930

Vivien in White Coat · Alex Katz · Phillips · 2023-10 · $10,160

Vivien in White Coat (S. 741) · Alex Katz · Phillips · 2024-04 · $10,160

The Vivien series is among Katz's most quietly compelling portrait projects — a study of a single sitter across multiple editions and periods, exploring the human face as both intimate subject and formal problem. Like the Ada series, the Vivien works demonstrate Katz's conviction that sustained attention to a single subject reveals more than the panoramic survey.
Vivien X 5 achieved US$30,000 at Artsy Auction in September 2023, while Vivien in White Coat (S. 741) realised US$10,160 at Phillips in April 2024. These results confirm sustained collector interest across the Vivien series, with prices varying according to edition size, period, and the prominence of the composition.
The Vivien prints are characterised by Katz's signature reduction: the face rendered in flat planes, the background suppressed to a single field of colour, the personality of the sitter conveyed not through psychological depth but through the precision of physical observation. The white coat motif in particular demonstrates his ability to use clothing as a graphic element — a field of near-white tones against which the face and hair become the key formal events of the composition.
The Vivien series offers collectors a more intimate entry point into Katz's portraiture than the larger, more celebrated Ada works, while representing the same formal rigour and sustained attention. Guy Hepner can advise on current availability and pricing across all editions in the series.

Alex Katz prints for sale at Guy Hepner Gallery in New York span over seventy years of one of the most significant and sustained printmaking practices in American art. Katz's editions — screenprints, lithographs, aquatints, etchings, and woodcuts produced across dozens of major series — translate his distinctive flat-colour figurative style into formats that have attracted dedicated collector attention worldwide. For collectors seeking Alex Katz paintings for sale, Alex Katz art for sale, or specific print editions, Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, authenticated works across all his major series, and deep knowledge of a market that has demonstrated remarkable consistency over decades.
Alex Katz (b. 1927, Brooklyn, New York) is one of the great survivors and pioneers of American figurative art — an artist who, in the 1950s, refused the prevailing tide of Abstract Expressionism and committed himself to a reinvention of figuration so radical in its formal ambitions that it would take decades for critics and historians to fully appreciate what he had achieved. Katz studied at Cooper Union and the Skowhegan School of Painting and Sculpture in Maine, and the landscapes of the Maine coast — along with the faces of his wife Ada, his friends in the New York art world, and the dancers of the Paul Taylor Dance Company — have remained his primary subjects across a career spanning more than seventy years.
Katz's signature style is deceptively simple and unmistakably his own: flat planes of even colour, bold simplified forms, compositions cropped dramatically close and scaled to monumental dimensions, with the meticulous refinement of a painter who has spent decades eliminating everything unnecessary. His influences are wide — the scale and commercial directness of billboard advertising, the flat colour and compositional authority of Japanese woodblock prints, the radical economy of Matisse — but the synthesis is entirely original. His work looks fast and effortless; it is the result of deep, systematic labour.
Katz's printmaking practice, which began in the 1950s, encompasses all major graphic media and is among the most important and extensive of any American artist of his generation. Key series include:
While Katz's paintings occupy the upper tier of the market — major canvases selling for $500,000–$5,000,000+ at Christie's, Sotheby's, and Phillips — his prints offer an accessible and historically significant alternative entry point. Recent auction results confirm sustained print market strength: Orange Hat achieved $27,940 at Christie's in February 2026; Vivien X 5 sold for $30,000 at Artsy in September 2023; Standing Ada has been estimated at $12,000–$18,000 at Phillips. For collectors who want genuine engagement with Katz's practice at more accessible price points, the print editions represent a compelling and well-documented market.
His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, Tate Modern, the Neue Nationalgalerie Berlin, the Smithsonian Institution, the Art Institute of Chicago, and over one hundred other major institutions. He received the National Medal of Arts in 2011 and a major retrospective at the Serpentine Gallery in London in 2022 introduced his work to a new generation of collectors.
Series and subject: Ada prints consistently outperform peripheral subjects. The Flowers, Brisk Day, and Dancers series also carry strong long-term demand. Works from before 1990 carry particular historical significance as examples from his formative printmaking campaigns.
Medium: Screenprints are the dominant medium in Katz's edition output and where the flatness and colour authority of his style translate most directly. Aquatints and etchings offer a more intimate register; woodcuts have attracted increased collector interest as the Japanese influence in his practice has received greater critical attention.
Edition size and impression quality: Smaller editions and artist proofs carry premium. The quality of colour registration and ink density varies between impressions; viewing proofs directly is valuable for significant acquisitions.
Condition: Works on paper require attention to UV exposure and framing. Screenprints are vulnerable to fading; works framed and stored correctly hold value most reliably.
Provenance: Exhibition history and reproduction in major catalogue publications strengthen value for significant acquisitions.
Guy Hepner has been buying and selling Alex Katz prints and editions for over twenty years, building one of the most comprehensive private inventories of his work in New York. Our gallery at 177 Tenth Avenue offers collectors authenticated works across all his major series — Ada, Flowers, Brisk Day, Vivien, Dancers, and more — with expert guidance on acquisition, valuation, and collection development.
Whether you are seeking Alex Katz paintings for sale, a specific print from the Ada or Flowers series, or a comprehensive view of his edition output, Guy Hepner provides the expertise, provenance documentation, and market access to support every acquisition. We offer free, confidential valuations for those looking to sell Katz works and maintain active connections to a global network of collectors and institutions seeking his output across all media and price points.