
Ada
34 works
Alex Katz occupies a singular position in the contemporary prints and editions market. His works have demonstrated consistent price appreciation across multiple decades, sustained by a global collector base, active museum acquisition programmes, and the rare quality of an artist whose market strengthened — rather than declined — in his later years.

Alex Katz occupies a singular position in the contemporary prints and editions market. His works have demonstrated consistent price appreciation across multiple decades, sustained by a global collector base, active museum acquisition programmes, and the rare quality of an artist whose market strengthened — rather than declined — in his later years. Auction results at Christie's, Phillips, Bonhams, and Sotheby's confirm Katz's standing as one of the most reliably collected American artists working in the print medium.
Recent auction highlights include Orange Hat, from Alex and Ada, the 1960's to the 1980's (Christie's, February 2026, US$27,940), Vivien X 5 (Artsy Auction, September 2023, US$30,000), and Vivien in White Coat (Phillips, April 2024, US$10,160). The Ada series in particular commands strong bidding interest, with Standing Ada (S. 216) carrying estimates of US$12,000–18,000 at Phillips in April 2026. Works across all major series — Ada, Vivien, Dancers, White Shirts, Coca Cola Girls — have maintained or grown in value over the past decade.
Guy Hepner has established a deep inventory of Katz editions across all key series, with direct relationships enabling access to works unavailable through auction. Our New York gallery represents Katz collectors and sources specific works on request.
Alex Katz (b. 1927, Brooklyn, New York) is one of the defining figures of American figurative painting and printmaking over the past seventy years. His career began in earnest in the mid-1950s, when — against the prevailing tide of Abstract Expressionism then dominating the New York art world — he committed to a figurative practice focused on the human face, the landscape, and the still life, rendered with a bold economy that would influence generations of artists.
Educated at the Cooper Union in New York and the Skowhegan School of Painting and Sculpture in Maine, Katz found his signature approach early and has refined it with extraordinary consistency: flat planes of colour applied with apparent simplicity but governed by precise formal intelligence; compositions cropped close and dramatically scaled, borrowing as much from billboard aesthetics and Japanese woodblock prints as from the Western portrait tradition; a palette that varies from lush and saturated to spare and nocturnal depending on subject and season.
His recurring subjects are drawn from his daily life — his wife Ada, his friends and contemporaries in the New York arts world, the summer landscape of Lincolnville, Maine, where he has worked for over sixty years, and the dancers of the Paul Taylor Dance Company, with whom he has maintained one of the most sustained artist-choreographer collaborations in American cultural history. These subjects become, under Katz's attention, something more than themselves: formal problems to be solved, graphic archetypes to be distilled, surfaces that carry emotion through colour and line rather than through psychological detail.
Katz's engagement with printmaking dates to the 1950s and encompasses screen prints, aquatints, etchings, lithographs, and woodcuts. He has worked with many of the most distinguished print workshops in America and Europe, and his printed editions maintain the flat colour, crisp outline, and bold compositional logic of his paintings with unusual fidelity.
His print series align closely with his painting practice. The Ada editions — spanning four decades of portraits of his wife — represent among the most sustained series of intimate portraiture in the contemporary print market, and are foundational holdings for serious Katz collectors. The Vivien and Portraits series demonstrate his mastery of the human face reduced to its essential geometry. Dancers captures the Paul Taylor Company in motion — bodies as pure graphic event. White Lotus, Flowers and Flags, Brisk Day, and Nature are rooted in the Maine landscape and in his lifelong study of natural light, flora, and the particular quality of the northeastern American seasons. Coca Cola Girls and White Shirts place his figure painting in dialogue with American commercial culture and the pleasures of leisure.
Edition sizes vary by series and period; earlier works tend to be more tightly limited and command correspondingly higher prices. Condition, provenance, and the presence of original documentation are key factors in valuation.
Katz's work is represented in over 100 permanent collections worldwide, among them the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Metropolitan Museum of Art, New York; the Tate Modern, London; the Neue Nationalgalerie, Berlin; the Smithsonian American Art Museum, Washington D.C.; the Art Institute of Chicago; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; and the Albertina, Vienna. This depth of institutional holding underpins the sustained collector confidence in Katz's market.
He has received the National Medal of Arts, multiple honorary doctorates, and retrospective exhibitions at major institutions across North America, Europe, and Asia. In 2022, the Serpentine Gallery in London mounted a major retrospective — evidence of the continued international institutional attention his work commands.
Guy Hepner has been buying and selling Alex Katz editions for clients across the United States, Europe, and Asia for over twenty years. Our inventory covers the full range of Katz's print production, from early works in the Ada and Portraits series to recent editions in the Flowers and Flags and Vivien series. We work with collectors at all levels of the market, from those acquiring their first Katz to institutions building comprehensive holdings.
For those looking to sell, we provide discreet evaluation, competitive pricing benchmarked to current auction results, and access to a global network of qualified buyers. Contact our New York gallery for more information on any specific work or series.
