
Ada
34 works

The Red Band (S. 177), 1979
Screenprint in colors, on Stonehenge paper, the full sheet.
55 x 36 in. (139.7 x 91.4 cm)
Alex Katz has long occupied a singular position in American art, bridging the gap between Abstract Expressionism and Pop Art while remaining steadfastly committed to figuration. Since the 1950s, his flattened compositions, bold color fields, and cropped portraits have influenced generations of painters, and his work holds prominent positions in major institutional collections including the Museum of Modern Art, the Whitney Museum of American Art, and the Metropolitan Museum of Art. *The Red Band (S. 177)* from 1979 exemplifies Katz's refined approach to printmaking, a medium he embraced as seriously as his paintings. The work features his characteristic economy of form—a female figure rendered with elegant simplicity, the red band of the title providing a striking compositional anchor against the artist's signature flat planes of color. Executed as a screenprint in colors on Stonehenge paper, the full sheet measures an impressive 55 x 36 inches, a scale that reinforces the monumental presence Katz consistently achieves even in his graphic work. This print comes from an edition of 60, produced during a particularly fertile period in Katz's career when his printmaking practice reached new levels of sophistication. The late 1970s saw him refining the visual language that would cement his reputation over the following decades. Schreiber 177 remains a sought-after example of Katz's ability to distill portraiture to its essential elements while maintaining psychological presence and formal rigor. For acquisition inquiries regarding this work, please contact Guy Hepner.
Price on Application

The Red Band (S. 117) · Alex Katz · Phillips · 2022-10 · $42,840

The Red Band · Alex Katz · Sotheby's · 2016-04 · $21,250

The Red Band · Alex Katz · Sotheby's · 2010-10 · $17,500

The Red Band · Alex Katz · Sotheby's · 2012-11 · $17,500

The Red Band · Alex Katz · Christie's · 2010-04 · $10,625


Alex Katz
Ahn
2017

Alex Katz
Alba
2017

Alex Katz
Anna
2013

Alex Katz
Beauty 5
2019

Alex Katz
Belinda
2017

Alex Katz
Black Dress 2 (Carmen)
2018

Alex Katz
Black Dress 2 (Cecily)
2018

Alex Katz
Black Dress 2 (Christy)
2018

Alex Katz
Black Dress 2 (Oona)
2018

Alex Katz
Black Dress 2 (Ulla)
2018

Alex Katz
Black Dress 6 (Yvonne)
2018

Alex Katz
Black Hats IV
2012

Alex Katz
Blue Hat
2004

Alex Katz
Blue Umbrella 2
2020

Alex Katz
Chance
2016

Alex Katz
Christy
2013

Alex Katz
Daniel
2016

Alex Katz
Daniel Black & White
2016

Alex Katz
Day
2016

Alex Katz
Diana
2014

Alex Katz
Elise
2013

Alex Katz
Elizabeth
2024

Alex Katz
Elizabeth 2
2018

Alex Katz
Elizabeth I
2013

Alex Katz
Elizabeth II
2013

Alex Katz
Elizabeth III
2013

Alex Katz
Eric
2021

Alex Katz
Eyes Open Eyes Closed
2017

Alex Katz
Halsey
2022

Alex Katz
Homage To Degas
2020

Alex Katz
Homage to Monet (triptych)
2019

Alex Katz
Hope
2013

Alex Katz
Javier
2013

Alex Katz
Jessica
2017

Alex Katz
Karen
2017

Alex Katz
Katryn
2017

Alex Katz
Laura 1
2017

Alex Katz
Laura 2
2018

Alex Katz
Laura 3
2018

Alex Katz
Laura x 4
2018

Alex Katz
Lauren
2017

Alex Katz
Lysa
2017

Alex Katz
Marisa
2017

Alex Katz
Meghan
2013

Alex Katz
Nicole
2016

Alex Katz
Night
2016

Alex Katz
Olivia 1
2025

Alex Katz
Olivia 2
2025

Alex Katz
Olivia 3
2025

Alex Katz
Perry
2021

Alex Katz
Porcelain Beauty 1
2021

Alex Katz
Porcelain Beauty 2
2021

Alex Katz
Porcelain beauty 3
2022

Alex Katz
Porcelain beauty 4
2022

Alex Katz
Porcelain Beauty 5
2022

Alex Katz
Porcelain Beauty 6
2022

Alex Katz
Rackstraw and Pamela (Study)
1976

Alex Katz
Rob
2021

Alex Katz
Sara
2012

Alex Katz
Sasha 1
2016

Alex Katz
Sophie
2012

Alex Katz
Straw Hat 1
202

Alex Katz
Straw Hat 2
2022

Alex Katz
Straw Hat 3
2022

Alex Katz
Study for Summer 1
2004

Alex Katz
Sunrise 1
2022

Alex Katz
Sunrise 2
2022

Alex Katz
The Creative Director (Pharrell)
2025

Alex Katz
The Red Band
2017

Alex Katz
Trio
2017

Alex Katz
Ursula
2017

Alex Katz
Vincent 1
2021

Alex Katz
Vincent 2
2021

Alex Katz
White Visor
2003

Alex Katz
William
2021

Alex Katz
Yellow Laura
2018

Alex Katz
Yvonne
2017
Portraiture has been central to Katz's practice since the 1950s. His Portraits series encompasses sitters drawn from across his social and artistic world — fellow artists, writers, musicians, dancers, curators, and figures from New York's cultural life over seven decades — rendered with the same formal intensity and graphic clarity he brings to every subject.
The portrait works represent some of Katz's highest auction results. Yvonne — a major portrait edition — achieved £444,500 at auction, demonstrating the ceiling this category of his work can reach. Works featuring well-known cultural figures and from tightly limited editions consistently outperform broader market expectations.
Where conventional portraiture seeks psychological revelation — the sitter exposed through accumulated detail and tonal modelling — Katz's portraits resist interiority in favour of pure visual presence. These are people as images, presented with the same directness as a billboard or a film still. The face is observed precisely and rendered economically: what you see is exactly what is there, and nothing more.
This approach places Katz in a distinctive position in the history of portraiture — neither the psychological probing of Lucian Freud nor the conceptual distance of Andy Warhol, but something between: a sustained, affectionate, and formally rigorous attention to the human face as the world's most compelling subject.
The Portraits series includes works featuring artists such as Red Grooms, Jane Freilicher, and Frank O'Hara — figures of significant art historical importance whose presence in the works adds both cultural weight and collector appeal.
Portrait works by Katz represent some of the most historically significant editions in his production. Guy Hepner maintains relationships with collectors at all levels of the market and can advise on acquisition strategy, valuation, and specific works available for purchase or sale.

Alex Katz prints for sale at Guy Hepner Gallery in New York span over seventy years of one of the most significant and sustained printmaking practices in American art. Katz's editions — screenprints, lithographs, aquatints, etchings, and woodcuts produced across dozens of major series — translate his distinctive flat-colour figurative style into formats that have attracted dedicated collector attention worldwide. For collectors seeking Alex Katz paintings for sale, Alex Katz art for sale, or specific print editions, Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, authenticated works across all his major series, and deep knowledge of a market that has demonstrated remarkable consistency over decades.
Alex Katz (b. 1927, Brooklyn, New York) is one of the great survivors and pioneers of American figurative art — an artist who, in the 1950s, refused the prevailing tide of Abstract Expressionism and committed himself to a reinvention of figuration so radical in its formal ambitions that it would take decades for critics and historians to fully appreciate what he had achieved. Katz studied at Cooper Union and the Skowhegan School of Painting and Sculpture in Maine, and the landscapes of the Maine coast — along with the faces of his wife Ada, his friends in the New York art world, and the dancers of the Paul Taylor Dance Company — have remained his primary subjects across a career spanning more than seventy years.
Katz's signature style is deceptively simple and unmistakably his own: flat planes of even colour, bold simplified forms, compositions cropped dramatically close and scaled to monumental dimensions, with the meticulous refinement of a painter who has spent decades eliminating everything unnecessary. His influences are wide — the scale and commercial directness of billboard advertising, the flat colour and compositional authority of Japanese woodblock prints, the radical economy of Matisse — but the synthesis is entirely original. His work looks fast and effortless; it is the result of deep, systematic labour.
Katz's printmaking practice, which began in the 1950s, encompasses all major graphic media and is among the most important and extensive of any American artist of his generation. Key series include:
While Katz's paintings occupy the upper tier of the market — major canvases selling for $500,000–$5,000,000+ at Christie's, Sotheby's, and Phillips — his prints offer an accessible and historically significant alternative entry point. Recent auction results confirm sustained print market strength: Orange Hat achieved $27,940 at Christie's in February 2026; Vivien X 5 sold for $30,000 at Artsy in September 2023; Standing Ada has been estimated at $12,000–$18,000 at Phillips. For collectors who want genuine engagement with Katz's practice at more accessible price points, the print editions represent a compelling and well-documented market.
His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, Tate Modern, the Neue Nationalgalerie Berlin, the Smithsonian Institution, the Art Institute of Chicago, and over one hundred other major institutions. He received the National Medal of Arts in 2011 and a major retrospective at the Serpentine Gallery in London in 2022 introduced his work to a new generation of collectors.
Series and subject: Ada prints consistently outperform peripheral subjects. The Flowers, Brisk Day, and Dancers series also carry strong long-term demand. Works from before 1990 carry particular historical significance as examples from his formative printmaking campaigns.
Medium: Screenprints are the dominant medium in Katz's edition output and where the flatness and colour authority of his style translate most directly. Aquatints and etchings offer a more intimate register; woodcuts have attracted increased collector interest as the Japanese influence in his practice has received greater critical attention.
Edition size and impression quality: Smaller editions and artist proofs carry premium. The quality of colour registration and ink density varies between impressions; viewing proofs directly is valuable for significant acquisitions.
Condition: Works on paper require attention to UV exposure and framing. Screenprints are vulnerable to fading; works framed and stored correctly hold value most reliably.
Provenance: Exhibition history and reproduction in major catalogue publications strengthen value for significant acquisitions.
Guy Hepner has been buying and selling Alex Katz prints and editions for over twenty years, building one of the most comprehensive private inventories of his work in New York. Our gallery at 177 Tenth Avenue offers collectors authenticated works across all his major series — Ada, Flowers, Brisk Day, Vivien, Dancers, and more — with expert guidance on acquisition, valuation, and collection development.
Whether you are seeking Alex Katz paintings for sale, a specific print from the Ada or Flowers series, or a comprehensive view of his edition output, Guy Hepner provides the expertise, provenance documentation, and market access to support every acquisition. We offer free, confidential valuations for those looking to sell Katz works and maintain active connections to a global network of collectors and institutions seeking his output across all media and price points.