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Julian Opie Tim (Running People) For Sale

Julian Opie
Julian Opie - Tim (Running People), 2020, Anodized aluminum on corian base

Tim (Running People), 2020

Anodized aluminum on corian base

22 3/4 x 6 1/4 x 3 1/2 in 57.8 x 16 x 8.9 cm

Edition

Edition of 20

About this work

Tim (Running People) (2020) is an anodized aluminum sculpture on a Corian base by Julian Opie, measuring 22 3/4 x 6 1/4 x 3 1/2 inches (57.8 x 16 x 8.9 cm), produced in a limited edition of 20. Like its companion pieces Paul and Clive, Tim belongs to Opie's Running People series — a group of three sculptural works in which the artist brings his celebrated simplified running figures into three-dimensional sculptural form through the medium of precision-engineered anodized aluminum. The figure of Tim is rendered in Opie's distinctive visual system — bold silhouette, simplified limbs, no individuating facial features — and given sculptural weight and presence through the anodized aluminum medium. The running pose, with its sense of concentrated forward energy and athletic purpose, is translated with precision and economy into the material constraints of free-standing sculpture. The Corian base, matte and grounded, anchors the kinetic energy of the figure above with quiet elegance. Opie's Running People series speaks directly to his long-standing engagement with the representation of human movement — a theme he has explored across an extraordinary range of media throughout his career. The decision to assign specific names to these otherwise anonymous forms is a quietly playful gesture, suggesting biography and individuality without ever conceding to it. Tim (Running People) is a work of understated formal intelligence, bringing a celebrated aspect of Opie's graphic practice into the intimate, tangible reality of the sculptural object.

Price on Application

Edition & Provenance

Year
2020
Medium
Anodized aluminum on corian base
Edition
Edition of 20

More from this series

Related Reading

More series by Julian Opie

Tim (Running People)

About Julian Opie

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.

Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.

In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.

His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.

Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.

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