
Bijou Gets Undressed
6 works

Melbourne Statuettes: Plastic Bag, 2018
Freestanding patinated black bronze figure on Crema Grey light stone base
20 7/8 x 8 x 4 3/4 in 53 x 20.2 x 12 cm
Edition of 25
Melbourne Statuettes: Plastic Bag (2018) is a freestanding patinated black bronze figure on a Crema Grey light stone base, measuring 20 7/8 x 8 x 4 3/4 inches (53 x 20.2 x 12 cm), produced in a limited edition of 25. Part of Julian Opie's Melbourne Statuettes series, the work translates his iconic two-dimensional walking figure into three-dimensional sculptural form, the simplified graphic language of his paintings and prints given material presence and weight through the medium of patinated bronze. The figure carries a plastic bag — a detail of everyday urban life that simultaneously grounds the work in specificity and endows it with universality. In Opie's visual system, such attributes function as gentle individuating gestures within a broader language of abstraction: the figure is anonymous and simplified, yet the plastic bag roots it unmistakably in contemporary quotidian experience. The contrast between the timeless, art-historical material of cast bronze and the prosaic plastic bag is a characteristically dry and intelligent touch. Mounted on a Crema Grey light stone base, the statuette possesses the formal dignity of classical figure sculpture while its simplified silhouette and modern subject identify it as a product of the twenty-first century. Opie's Melbourne Statuettes series — created in response to time spent in the Australian city — extends his decades-long engagement with the walking figure into a sculptural form that inhabits domestic and institutional spaces with equal ease and elegance. At an edition of 25, this is a rare and accessible entry point into Opie's sculptural practice.
Price on Application


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Amelia and Jeremy
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Belgium 2
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Belgium 3
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Julian Opie
Belgium 4
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Bobby from Heads Series
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Boston Statuettes: Long Hair
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Clive (Running People)
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Danielle from Heads Series
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Day 2
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Earphones (from Boston Statuettes)
2020

Julian Opie
Faime from Heads Series
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Julian Opie
Ian from Heads Series
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Jeremy
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Julian Opie
Melbourne Statuettes: Cardigan
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Julian Opie
Melbourne Statuettes: Telephone
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Julian Opie
Night 2
2021

Julian Opie
Paul (Running People)
2020

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Running People (Mark)
2020

Julian Opie
Running People (Tim)
2020

Julian Opie
Tim (Running People)
2020

Julian Opie
Tina from Heads Series
2017

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.