
Bijou Gets Undressed
6 works

Belgium 3, 2021
Wall mounted Corian shelves each with 4 freestanding acrylic sculptures
26 3/4 x 23 5/8 x 4 in 68.1 x 60.1 x 10.2 cm
Edition of 30
This sculptural installation presents a procession of simplified human figures rendered in Opie's signature minimalist style. Four freestanding acrylic silhouettes are arranged on pristine white Corian shelves, creating a three-dimensional tableau that projects from the wall. The figures are reduced to essential contours and flat planes of color, capturing the essence of human form and movement through economical line work. The interplay between the architectural shelf support and the figurative elements creates a dynamic visual rhythm, while the transparent and opaque surfaces of the acrylic add subtle depth. Created in 2021, this work exemplifies Opie's ongoing investigation into contemporary portraiture and public space. The piece bridges sculpture and drawing, offering collectors a distinctive three-dimensional example from an artist celebrated internationally for his icon-like simplification of the everyday. The modular construction and refined materials reflect Opie's interest in digital aesthetics and modern design, making this work particularly suited to contemporary interiors. Available for purchase — enquire for price and availability.
Price on Application


Julian Opie
Amelia
2019

Julian Opie
Amelia and Jeremy
2019

Julian Opie
Belgium 2
2021

Julian Opie
Belgium 4
2021

Julian Opie
Bobby from Heads Series
2017

Julian Opie
Boston Statuettes: Cargo Shorts
2020

Julian Opie
Boston Statuettes: Long Hair
2020

Julian Opie
Clive (Running People)
2020

Julian Opie
Colored Runners 2
2020

Julian Opie
Danielle from Heads Series
2017

Julian Opie
Day 2
2021

Julian Opie
Earphones (from Boston Statuettes)
2020

Julian Opie
Faime from Heads Series
2017

Julian Opie
Ian from Heads Series
2017

Julian Opie
Jeremy
2019

Julian Opie
Melbourne Statuettes: Cardigan
2018

Julian Opie
Melbourne Statuettes: Plastic Bag
2018

Julian Opie
Melbourne Statuettes: Telephone
2018

Julian Opie
Night 2
2021

Julian Opie
Paul (Running People)
2020

Julian Opie
Running People (Mark)
2020

Julian Opie
Running People (Tim)
2020

Julian Opie
Running People: Elvis
2020

Julian Opie
Tim (Running People)
2020

Julian Opie
Tina from Heads Series
2017

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.