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Julian Opie Paul (Running People) For Sale

Julian Opie
Julian Opie - Paul (Running People), 2020, Anodized aluminum on corian base

Paul (Running People), 2020

Anodized aluminum on corian base

22 3/4 x 6 1/4 x 3 1/2 in 57.8 x 16 x 8.9 cm

Edition

Edition of 20

About this work

Paul (Running People) (2020) is an anodized aluminum sculpture on a Corian base by Julian Opie, measuring 22 3/4 x 6 1/4 x 3 1/2 inches (57.8 x 16 x 8.9 cm), produced in a limited edition of 20. One of three companion pieces — alongside Tim and Clive — the work translates the artist's iconic simplified running figure into a freestanding sculptural form, the flat graphic image given physical depth and presence through precision-engineered anodized aluminum. The figure of Paul is captured in mid-stride, the body's dynamic pose frozen in a moment of concentrated forward motion. Opie's characteristic graphic language — bold silhouette, simplified anatomy, no superfluous detail — proves equally effective in three dimensions. The anodized aluminum surface lends the work a smooth, almost industrial precision that reinforces the figure's archetypal quality, while the Corian base provides a clean, elegant contrast to the dark aluminum form above. Naming each running figure — Paul, Tim, Clive — is a characteristic gesture in Opie's practice: assigning specific identities to generalized forms, introducing a hint of individual biography into an otherwise anonymous visual vocabulary. The Running People series extends his sustained investigation into the representation of human movement across painting, print, LED animation, and sculpture. Paul (Running People) is a technically refined and conceptually compelling object, one that brings Opie's graphic world into tangible three-dimensional space with characteristic intelligence.

Price on Application

Auction History

Julian Opie - Paul, Teacher.

Paul, Teacher. · Julian Opie · Sotheby's · 2023-10 · $20,490

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Paul (Running People)

About Julian Opie

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.

Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.

In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.

His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.

Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.

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