
Bijou Gets Undressed
6 works

Clive (Running People), 2020
Anodized aluminum on corian base
22 3/4 x 6 1/4 x 3 1/2 in 57.8 x 16 x 8.9 cm
Edition of 20
Clive (Running People) (2020) completes the trio of Running People sculptures by Julian Opie, alongside Paul and Tim, each executed in anodized aluminum on a Corian base and measuring 22 3/4 x 6 1/4 x 3 1/2 inches (57.8 x 16 x 8.9 cm), in a limited edition of 20. The series represents a definitive translation of Opie's celebrated two-dimensional graphic language into the physical vocabulary of free-standing sculpture. Clive is presented in the characteristic Opie style: a boldly simplified human silhouette caught in the act of running, rendered in smooth anodized aluminum with an almost architectural precision. The figure's anonymous, archetypal quality — no face, no clothing detail, no individuating marks — places it within a long tradition of generic human figures in art and design, from ancient votive bronzes to contemporary public sculpture and graphic signage. The named title introduces a note of genial specificity: Clive is both everyone who runs and, in the imagination, one particular person doing so. The Running People series was created at a moment of renewed global attention to endurance sport and urban running culture, and Opie's sculptures engage with this cultural moment while remaining firmly rooted in the formal and conceptual concerns that have defined his practice across four decades. Clive (Running People) is a finely crafted and conceptually rich work — a distillation of Opie's artistic intelligence into a form that is equally at home on the collector's shelf, the institutional plinth, or the contemporary interior.
Price on Application


Julian Opie
Amelia
2019

Julian Opie
Amelia and Jeremy
2019

Julian Opie
Belgium 2
2021

Julian Opie
Belgium 3
2021

Julian Opie
Belgium 4
2021

Julian Opie
Bobby from Heads Series
2017

Julian Opie
Boston Statuettes: Cargo Shorts
2020

Julian Opie
Boston Statuettes: Long Hair
2020

Julian Opie
Colored Runners 2
2020

Julian Opie
Danielle from Heads Series
2017

Julian Opie
Day 2
2021

Julian Opie
Earphones (from Boston Statuettes)
2020

Julian Opie
Faime from Heads Series
2017

Julian Opie
Ian from Heads Series
2017

Julian Opie
Jeremy
2019

Julian Opie
Melbourne Statuettes: Cardigan
2018

Julian Opie
Melbourne Statuettes: Plastic Bag
2018

Julian Opie
Melbourne Statuettes: Telephone
2018

Julian Opie
Night 2
2021

Julian Opie
Paul (Running People)
2020

Julian Opie
Running People (Mark)
2020

Julian Opie
Running People (Tim)
2020

Julian Opie
Tim (Running People)
2020

Julian Opie
Tina from Heads Series
2017

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.