
Early Works
11 works

Beh!, 2003
Lithograph on paper
27 4/5 × 21 7/10 × 1 2/5 in | 70.5 × 55 × 3.5 cm
AP apart from the main edition of 72
Beh! is a lithograph on paper created by Yoshitomo Nara in 2003, measuring 27 4/5 by 21 7/10 inches and designated as an Artist's Proof (AP) apart from the main edition of 72. The work belongs to Nara's iconic body of work in which solitary child figures — rendered with large, searching eyes and deceptively simple graphic forms — embody an emotional complexity that belies their apparently naive visual language. The title is an onomatopoeic exclamation, and in Nara's hands it suggests the defiant, irreverent gesture of a child sticking out their tongue — a small but emphatic act of resistance against adult authority and convention. Nara's children are among the most recognizable figures in contemporary art — they appear vulnerable and fierce simultaneously, their enormous eyes registering both innocence and a knowledge that the world has failed them in some fundamental way. Beh! captures this characteristic emotional duality with particular directness: the exclamatory title and the implied gesture communicate at once the playfulness of childhood irreverence and the harder edge of a genuine refusal to comply. Nara's graphic clarity — his use of expressive line and his deliberate reduction of pictorial complexity — ensures that this emotional charge is delivered without dilution. The lithograph process, with its characteristic softness of tone, suits the intimate, personal quality of Nara's imagery. Yoshitomo Nara is one of the most celebrated Japanese contemporary artists internationally, whose practice draws on sources ranging from Western rock music and punk culture to traditional Japanese aesthetics, creating an instantly recognizable imagery that speaks across cultural borders. His solo and group exhibitions have attracted major institutional attention worldwide, and his works are held in significant public and private collections globally. Beh!, as an Artist's Proof from the 2003 edition of 72, represents a particularly significant example of his printmaking practice — one of a small number of APs outside the main edition, carrying an elevated status within the hierarchy of the work's production.
Price on Application

Beh! · Yoshitomo Nara · Christie's · 2020-12 · $35,000

Beh! · Yoshitomo Nara · Christie's · 2018-05 · $27,088

Beh! · Yoshitomo Nara · Sotheby's · 2022-09 · $25,687

Beh! · Yoshitomo Nara · Sotheby's · 2018-04 · $25,000

Beh! · Yoshitomo Nara · K Auction · 2025-02 · $22,462


Yoshitomo Nara
After The Acid Rain Day
2010

Yoshitomo Nara
After The Acid Rain Night
2010

Yoshitomo Nara
Backwards And Forwards
2012

Yoshitomo Nara
Bad Meeting
2002

Yoshitomo Nara
Balance Girl
2014

Yoshitomo Nara
Banging The Drum
2002

Yoshitomo Nara
Banging The Drum
2020

Yoshitomo Nara
Beh
2003

Yoshitomo Nara
Bow Wow Wow
2015

Yoshitomo Nara
Broken Treasures
2012

Yoshitomo Nara
Cosmic Girl Eyes Closed
2008

Yoshitomo Nara
Cosmic Girl Eyes Open
2008

Yoshitomo Nara
Cosmic Girl Eyes Open Eyes Shut
2008

Yoshitomo Nara
Country Home
2011

Yoshitomo Nara
Damn It All
2012

Yoshitomo Nara
Dizzy On Wheels
2002

Yoshitomo Nara
Don t Cry
2012

Yoshitomo Nara
Don t Wanna Cry
2010

Yoshitomo Nara
Dream Time
2013

Yoshitomo Nara
Fight
2015

Yoshitomo Nara
Fuckin Politics
2006

Yoshitomo Nara
Fuckin Politics
2003

Yoshitomo Nara
Green Eyes
2002

Yoshitomo Nara
Guitar Girl
2003

Yoshitomo Nara
Gummi Girl Set Of 5
2006

Yoshitomo Nara
Gypsy Song
2010

Yoshitomo Nara
Hateful Christmas
2010

Yoshitomo Nara
Hope So
2014

Yoshitomo Nara
I Am Alone
2003

Yoshitomo Nara
I Am Alone…
2003

Yoshitomo Nara
I Don t Want To Grow Up
2010

Yoshitomo Nara
In The Clouds
2003

Yoshitomo Nara
Just A Little Bit
2013

Yoshitomo Nara
Life Is Only One
2010

Yoshitomo Nara
Marching On A Butterbur Leaf
2019

Yoshitomo Nara
Mushroom House
2014

Yoshitomo Nara
My Little Treasure
2010

Yoshitomo Nara
Night Walker
2002

Yoshitomo Nara
On The F Word
2002

Yoshitomo Nara
Over The Rainbow
2005

Yoshitomo Nara
Pain
2002

Yoshitomo Nara
Pissed Off
2010

Yoshitomo Nara
Poindexter
2010

Yoshitomo Nara
Rainy Day
2002

Yoshitomo Nara
S.O.S.
2010

Yoshitomo Nara
Sleepless Night Sitting
2007

Yoshitomo Nara
Spockie
2002

Yoshitomo Nara
Sprouts In Hands
2013

Yoshitomo Nara
Star Island
2003

Yoshitomo Nara
Straight Jacket
2002

Yoshitomo Nara
Tell Me
2014

Yoshitomo Nara
Tell Me Why
2015

Yoshitomo Nara
The Real One
2019

Yoshitomo Nara
Time Goes On
2002

Yoshitomo Nara
Untitled
2005

Yoshitomo Nara
Untitled
2005

Yoshitomo Nara
Untitled Eye Patch
2012

Yoshitomo Nara
Untitled Omaha
2005

Yoshitomo Nara
Walk On
2010

Yoshitomo Nara
Words Mean Nothing At All
2016

Yoshitomo Nara
Y.N. Self Portrait
2002
Lithography is where Yoshitomo Nara's drawing comes alive as a multiple. His lithographs preserve the immediacy of the artist's hand — the searching line, the smudge and erasure, the deceptively simple contour of a face — in editions that made his imagery accessible to a wider audience without diluting its charge. Ranging across two decades, they form one of the richest seams of Nara's printed work. Guy Hepner presents Yoshitomo Nara lithographs at our New York gallery.
Lithography is a planographic process built on the mutual resistance of grease and water: the artist draws directly onto a stone or plate with a greasy medium, the surface is chemically treated, and ink adheres only to the drawn marks. Because the artist essentially draws the image, lithography suits Nara perfectly — it carries the nuance of his line more faithfully than almost any other print medium, retaining the softness and hesitation that give his figures their emotional weight.
N. Self Portrait (all 2002). Titles like Straight Jacket and Time Goes On* signal the emotional register — humour and unease held in the same frame.
Across the lithographs the familiar cast returns: the solitary child, the animal companion, the guitar and the flame, rendered in Nara's economical line and muted, chalky colour. Each figure meets the viewer head-on, occupying an empty field that turns the sheet itself into a kind of stage. What looks childlike on the surface carries the more adult undertow — loneliness, resistance, tenderness — that has made Nara one of the most quietly powerful figurative artists of his generation.
Nara's lithographs are a natural starting point for collectors and a rewarding area for those building depth, complementing his woodblock prints, early works and editions. Guy Hepner Gallery offers authenticated Nara lithographs with full provenance documentation. Contact our New York team to discuss current availability and acquisition.

Yoshitomo Nara
Yoshitomo Nara (b. 1959, Hirosaki, Japan) stands as one of the most influential figures in contemporary Japanese art, whose deceptively simple portraits of wide-eyed children—at once innocent and subversively defiant—have become icons of the Neo-Pop movement. Trained in Düsseldorf and deeply influenced by punk rock and anime culture, Nara creates works that resonate across cultural boundaries, commanding an international collector base and record-breaking auction results. His paintings, drawings, and sculptures are held in major museum collections worldwide, cementing his position as a defining voice in 21st-century art.