Guy Hepner Gallery

Yayoi Kusama Pumpkin S For Sale

Yayoi Kusama
Yayoi Kusama - Pumpkin S, 1992, Screenprint in colours

Pumpkin S, 1992

Screenprint in colours

18 3/10 × 16 2/5 × 1 in | 46.5 × 41.7 × 2.5 cm

About this work

Yayoi Kusama stands as one of the most influential living artists, her work commanding significant attention across both institutional and commercial spheres. With pieces held in the collections of the Museum of Modern Art, Tate Modern, and the National Museum of Modern Art in Tokyo, her market presence has grown exponentially over recent decades, establishing her as a leading figure in contemporary art. Pumpkin S from 1992 represents a pivotal moment in Kusama's enduring engagement with the pumpkin motif, a subject she has described as both humble and amusing, embodying a spiritual peace that resonates deeply within her practice. The screenprint in colours demonstrates her characteristic approach to pattern and repetition, with the gourd's surface becoming a vehicle for her obsessive dot application. This work emerges from a period when Kusama was reestablishing her presence in the international art world following her return to Japan, and the pumpkin had become firmly cemented as one of her most recognizable and personally meaningful symbols. Executed as an edition of 150, this print offers accessibility to Kusama's vision while maintaining the scarcity that collectors seek. The dimensions of 46.5 × 41.7 × 2.5 cm present an intimate scale that draws viewers into the meditative quality of her patterning. Works from this period, particularly those featuring the pumpkin, have demonstrated consistent strength on the secondary market, reflecting sustained collector demand for Kusama's graphic works. For acquisition inquiries regarding this work, please contact Guy Hepner directly.

Price on Application

Auction History

Yayoi Kusama - Three Pumpkins

Three Pumpkins · Yayoi Kusama · Sotheby's · 2023-03 · $69,103

Yayoi Kusama - Pumpkin SY

Pumpkin SY · Yayoi Kusama · Mallet · 2024-10 · $62,400

Yayoi Kusama - Pumpkin (ST) (K. 301)

Pumpkin (ST) (K. 301) · Yayoi Kusama · Phillips · 2025-03 · $57,204

Yayoi Kusama - Three Pumpkins (K. 186)

Three Pumpkins (K. 186) · Yayoi Kusama · Phillips · 2024-09 · $53,531

Yayoi Kusama - Three Pumpkins (K. 186)

Three Pumpkins (K. 186) · Yayoi Kusama · Phillips · 2022-06 · $53,286

More from this series

More series by Yayoi Kusama

About the Pumpkins Series

Yayoi Kusama Pumpkins Prints For Sale

Market Opening

Yayoi Kusama's Pumpkins series represents one of the most recognizable and consistently performing bodies of work in contemporary art. With verified transaction volume of $561,250 in Guy Hepner Yayoi Kusama sales, our New York program offers direct access to authenticated works from this iconic series. According to Art Basel & UBS 2025 data, the global art market reached $57.5 billion in 2024, with subsequent reporting confirming a return to growth in 2025—a trajectory that positions Kusama's most beloved motif for continued collector demand.

The Pumpkins series has demonstrated remarkable auction resilience across market cycles. Dancing Pumpkin (2004) achieved HKD 39,783 at auction in December 2025, while the earlier Napping Pumpkin (1993) realized HKD 27,187 at Sotheby's in October 2017. These benchmark results, paired with Kusama's broader market strength—including the landmark Pumpkin YB (1994) sale at $6.7 million through Sotheby's in 2021—underscore the series' enduring position within institutional and private collections worldwide.

Series Context

Born in 1929 in Matsumoto, Japan, Yayoi Kusama developed her obsession with pumpkins during the 1940s, finding in their irregular forms a source of both comfort and creative inspiration. The motif emerged prominently in her practice during the late 1980s and has since become synonymous with her artistic identity, appearing across paintings, sculptures, prints, and immersive installations.

The pumpkin holds profound autobiographical significance for Kusama. She has described these forms as possessing an "amusing and warm-hearted" quality, their bulbous shapes and textured surfaces offering infinite possibilities for her signature polka-dot patterning. This deeply personal connection distinguishes the Pumpkins series from her other recurring motifs, investing each work with emotional authenticity that resonates across cultural boundaries.

Kusama's institutional presence has cemented the pumpkin as a defining symbol of contemporary art. Major retrospectives at Tate Modern, Centre Pompidou, Whitney Museum of American Art, and the Museum of Modern Art have prominently featured pumpkin works, while her Infinity Mirror Rooms—installed worldwide—frequently incorporate the motif. This museum validation, combined with Kusama's status as the world's best-selling living female artist, positions the Pumpkins series at the intersection of critical recognition and market achievement.

The series spans multiple decades and mediums, with Guy Hepner's New York inventory encompassing works from 1982 through the early 2000s. This chronological range allows collectors to trace the evolution of Kusama's approach to the pumpkin form, from early lithographic experiments to the vibrant screenprints that define her contemporary production.

Technical Details

Kusama's Pumpkins series demonstrates exceptional technical diversity, with each medium offering distinct characteristics for collectors and institutions.

Screenprint Works: The majority of Pumpkins editions utilize screenprinting techniques, allowing Kusama to achieve the saturated, flat color fields essential to her aesthetic vision. Pumpkin 2000 (yellow), executed as a screen print in colors on Colorplan paper, exemplifies her mastery of this medium. The Colorplan substrate provides archival stability while accepting Kusama's intense pigments with remarkable fidelity. Pumpkin RY (2004), Pumpkin YB-A (2004), and Dancing Pumpkin (2004) represent the mature phase of her screenprint production, characterized by precise registration and chromatic intensity.

Lithograph and Collage: The 1982 Pumpkin combines lithographic printing with collage elements, representing an earlier experimental approach within the series. This hybrid technique predates Kusama's systematic screenprint production and offers collectors access to her transitional methodology.

Unique Works: Pumpkin (ABC) from 1996, executed in acrylic on canvas, represents the pinnacle of the series' hierarchy. Original paintings command significantly higher values than editioned works, though their rarity limits market availability.

Documentation Standards: Works such as Pumpkin (Kusama 142) from 1990 feature comprehensive front-of-work documentation, signed, numbered, dated, and titled by the artist. This level of provenance documentation aligns with international museum acquisition standards and auction house authentication requirements.

Notable Works

The Guy Hepner Pumpkins inventory encompasses key examples across the series' development:

Pumpkin (Red) (1994) represents the same vintage as Pumpkin YB, which achieved $6.7 million at Sotheby's in 2021. While executed as a screen print rather than unique canvas, the 1994 date positions this work within Kusama's most significant creative period.

Pumpkin 2000 (yellow) captures the artist's millennial production, distinguished by optimistic coloration and refined technique. The yellow palette connects directly to Kusama's monumental outdoor pumpkin sculptures, including the iconic Naoshima installation.

Dancing Pumpkin (2004) achieved the highest recent auction result within this group, confirming sustained collector interest in mid-2000s editions.

Investment Analysis

Kusama's market position demonstrates exceptional stability relative to contemporary peers. The $5.1 million Christie's result for Infinity Nets (1959) in 2021, combined with consistent Pumpkins auction activity, indicates diversified collector demand across her major series.

The Art Basel & UBS market reports document sustained interest in blue-chip contemporary artists during periods of broader economic uncertainty. Kusama's combination of institutional recognition, accessible price points within editioned works, and trophy-level potential for unique paintings creates a tiered entry structure rarely available from artists of comparable stature.

Print editions from the early 1990s through mid-2000s remain the most actively traded segment, with auction frequency providing ongoing price discovery. The 2025 Dancing Pumpkin result suggests stable valuations despite global economic headwinds.

Acquisition Guidance

Guy Hepner, New York, maintains authenticated Pumpkins inventory with complete provenance documentation. Our $561,250 in verified Kusama transactions reflects established relationships with private collections and institutional sources.

Contact our New York team to discuss current availability, condition reporting, and acquisition strategies tailored to individual collecting objectives.

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Pumpkin S

About Yayoi Kusama

Yayoi Kusama Prints For Sale

Yayoi Kusama prints for sale at Guy Hepner Gallery in New York include Infinity Net editions, pumpkin screenprints, dot works, Flower Ball multiples, and the full range of her extraordinary print output — representing one of the most consistently in-demand bodies of work in the contemporary edition market. For collectors seeking Yayoi Kusama art for sale, Guy Hepner at 177 Tenth Avenue, New York offers expert guidance, authenticated works across all her major print series, and access to a market that has demonstrated exceptional sustained strength.

Yayoi Kusama (b. 1929, Matsumoto, Japan) is the highest-selling living female artist in the world and one of the most instantly recognisable visual presences in contemporary art — an artist whose dots, nets, pumpkins, and Infinity Mirror Rooms have achieved a cultural ubiquity that coexists, without diminishing, with the genuine psychological intensity from which her work emerged. Kusama began making art as a child as a means of processing the hallucinations she experienced — flowers speaking to her, the self dissolving into fields of pattern and repetition — and the therapeutic impetus has never separated itself from the formal achievement. The work is not illustration of pathology but its transformation into aesthetic proposition.

Kusama received traditional Japanese painting training before moving to New York in 1958, where she became a conspicuous and somewhat isolated figure in an avant-garde largely indifferent to her practice. Her Infinity Net paintings — monumental canvases covered in an unbroken weave of looping marks applied with obsessive labour — anticipated the Minimalist investigation of serial mark-making while remaining intensely personal, each loop a unit in an accumulation too vast to resolve into pattern.

Kusama's Signature Motifs: Dots, Nets, Pumpkins, and Flowers

The visual world Kusama has created across her long career rests on a small number of obsessively repeated motifs:

  • Dots — polka dots covering surfaces, objects, environments, and her own body; the dot is Kusama's most fundamental formal unit and the motif most directly connected to her childhood hallucinations. Dot prints span the full arc of her career and remain the most accessible entry point into her edition market.
  • Infinity Nets — her first mature breakthrough; the obsessive network of repeating loops that anticipates Minimalism while remaining utterly personal. Net prints and works on paper from the 1960s are among the rarest and most historically significant objects in her output.
  • Pumpkins — bronze and fibreglass sculptures of comic gravity and formal authority that began appearing in the 1990s and have become among the most beloved objects in contemporary sculpture. Pumpkin prints and multiples are among the most actively traded works in her edition market.
  • Flower Ball — large-scale sphere compositions made of dense, repeating flower motifs; among her most distinctive and immediately recognisable works in print and sculpture form
  • Infinity Mirror Room imagery — works referencing or documenting her immersive installation environments; rare and highly sought

Yayoi Kusama Paintings For Sale

Kusama's auction record stands at $7,109,000 for Infinity Nets (TW) at Christie's, with multiple major Net canvases from the late 1950s and 1960s achieving $5,000,000+ at Sotheby's and Christie's. An Infinity Nets canvas from 1959 achieved $5,098,000 at Christie's in November 2021. She has held the record for the highest auction result achieved by a living female artist for many years. Her major paintings — particularly early Net works and large-scale Infinity environments — are held primarily in institutional collections or by committed long-term private collectors and rarely come to market.

Yayoi Kusama Print Editions: What to Know

Her print editions — featuring signature dot and pumpkin imagery — are among the most actively traded in the contemporary edition market, with strong global demand across price points. Kusama has worked with publishers in Japan and internationally to produce editions across all major print media: screenprints, lithographs, woodcuts, and etchings.

Print prices range from $8,000–$15,000 for smaller open-style editions through $50,000–$200,000+ for rare signed limited editions featuring pumpkins, infinity net patterns, or dot works in high demand colourways. Works produced in collaboration with Ota Fine Arts and other authorised publishers carry the strongest provenance.

What to Look For When Buying Yayoi Kusama Art

Motif: Pumpkin works and infinity net prints consistently outperform generic dot compositions. Flower Ball works carry strong demand. Early net works on paper, if available, are among the rarest and most historically significant objects in her output.

Edition size and signature: Small-edition signed prints carry significant premium over open editions. Certificates of authenticity from Ota Fine Arts or the artist's studio are essential for any significant acquisition.

Colourway: Yellow and black pumpkin works (echoing her iconic Naoshima installation) carry premium. Red and white, gold, and silver colourways in dot and net works also command strong demand.

Condition: Kusama's prints are typically produced on quality substrates, but UV protection and stable storage are critical to long-term value preservation.

Provenance: Works with direct gallery provenance from Ota Fine Arts, Victoria Miro, or Zwirner hold value most reliably.

Yayoi Kusama Art For Sale at Guy Hepner Gallery, New York

Kusama's work is held in permanent collections at MoMA, the Whitney Museum, Tate, the Centre Pompidou, the Guggenheim, the National Gallery of Victoria, the Hirshhorn Museum, and The Broad in Los Angeles. A landmark joint retrospective toured Tate Modern, the Centre Pompidou, the Whitney, and MoMA in 2012. She continues to produce work daily from her studio in Tokyo.

Guy Hepner offers authenticated Yayoi Kusama art for sale with full provenance documentation from our gallery at 177 Tenth Avenue, New York. We provide expert guidance on acquisition, free and confidential valuations for those wishing to sell, and access to a global network of collectors actively seeking her work across all media and price points. Whether you are seeking Yayoi Kusama prints for sale in a specific motif or colourway, or exploring her broader edition output, Guy Hepner is the right starting point.

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