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Roy Lichtenstein Brushstrokes prints for sale at Guy Hepner Gallery, New York. Begun in 1965, the Brushstrokes series is the most conceptually celebrated body of work in Lichtenstein's career and among the most significant print acquisitions available in the post-war market. The series applies Lichtenstein's Pop Art vocabulary — Ben-Day dots, flat colour, black outlines — to the defining gesture of Abstract Expressionism: the spontaneous, loaded mark of Kline, de Kooning, and Pollock, stripped of its existential weight and rendered precise, flat, and mechanically reproducible.
Lichtenstein's Brushstroke works operate simultaneously as homage and critique. Where Abstract Expressionism elevated the gestural mark to a statement of individual authenticity and creative freedom, Lichtenstein subjected that mark to the same process of mechanical reproduction and commercial detachment he had applied to Campbell's Soup cans and Marilyn Monroe. The result is a deeply ironic body of work that uses the language of Pop Art to interrogate the founding myth of Abstract Expressionism.
L. and other leading print publishers — that remains among his most sought-after print work. Visually distinctive and conceptually rich, Brushstroke prints are among the most immediately identifiable works in his catalogue.
Roy Lichtenstein Brushstrokes prints are among the strongest performers in his secondary market, with signed impressions from the series appearing regularly at Sotheby's, Christie's, and Phillips. The series has demonstrated consistent appreciation over the past two decades and attracts both serious private collectors and institutional buyers. Pricing varies significantly by composition, edition size, and condition — contact Guy Hepner for current market guidance on specific works. Brushstroke paintings on canvas — produced primarily in 1965–66 — are almost entirely in institutional collections and rarely appear at auction.
The Brushstrokes print series encompasses multiple compositions across screenprint and lithograph, including individual strokes and multi-stroke compositions, in a range of colour combinations and graphic arrangements. Hand-signed, numbered examples from documented editions command the strongest prices. Lichtenstein signed consistently in pencil; signatures should be verified against known authenticated examples.
All significant Brushstrokes prints are Corlett-catalogued. L. or equivalent) is present.
Flat colour screenprints are highly sensitive to UV exposure. Yellowing of the paper, colour shift in the ink areas, and surface abrasion all materially affect value. Request a condition report and ask whether the work has been displayed or stored.
Multi-stroke compositions generally command premiums over single-stroke works; black-and-white variants are rarer and increasingly sought by collectors building monochromatic collections.
Roy Lichtenstein Brushstrokes prints are authenticated via the Roy Lichtenstein Foundation catalogue raisonné (Corlett, 1994) and Foundation authentication records. All works offered by Guy Hepner are Corlett-referenced with full provenance documentation.
Guy Hepner Gallery actively sources Roy Lichtenstein Brushstrokes prints for collector clients and maintains standing acquisition interest in this series. Contact our New York team to discuss current availability, condition reports, and pricing guidance for specific works.

10 works available

Roy Lichtenstein
Blue Face , from Brushstroke Figure Series (C. 226)
1989

Roy Lichtenstein
Brushstroke (C. 45)
1967

Roy Lichtenstein
Brushstroke (C. II 5)
1965

Roy Lichtenstein
Brushstroke Canvas (C.234)
1989

Roy Lichtenstein
Brushstroke Still Life With Box (C. 308A)
1997

Roy Lichtenstein
Brushstroke Still Life With Coffee Pot (C. 308B)
1997

Roy Lichtenstein
Brushstroke Still Life With Lamp (C. 308B)
1997

Roy Lichtenstein
Green Face, from Brushstrokes (C. 232)
1989

Roy Lichtenstein
Nude From Brushstroke Figures (C. 233)
1989

Roy Lichtenstein
Roads Collar , from Brushstroke Figures Series (C. 288)
1989
Five Facts About Roy Lichtenstein Brushstrokes
The series began with the 1965 painting Brushstroke, whose imagery was drawn from a single panel in the comic strip 'The Painting,' published in a 1964 issue of Charlton Comics' Strange Suspense Stories.
Lichtenstein rendered the gestural, expressive brushstroke — the signature mark of Abstract Expressionist painters like Jackson Pollock — using his own flat, mechanical Ben-Day dot technique, a deliberate irony at the heart of the series.
He described the effect directly: 'Brushstrokes in a painting convey a sense of grand gesture; but in my hands, the brushstroke becomes a depiction of a grand gesture.'
The series expanded over the following decades into paintings, prints and large-scale outdoor sculptures, translating the same comic-derived gesture into three dimensions.
Brushstrokes is widely read as Lichtenstein's most direct commentary on the art world of his time — using Pop Art's commercial vocabulary to gently satirise the seriousness of Abstract Expressionism.
Market Data
See real auction history, estimate ranges and price benchmarks for individual Brushstrokes prints, sourced from Christie's, Sotheby's and other major auction houses.
Frequently Asked Questions
Roy Lichtenstein Brushstrokes prints for sale are available at Guy Hepner Gallery, 177 Tenth Avenue, New York. We offer authenticated editions with full provenance documentation sourced from the secondary market and directly from publishers.
Roy Lichtenstein Brushstrokes works — 10 available — are typically produced as limited editions, individually signed and numbered by the artist. Contact Guy Hepner Gallery for edition details on specific works.
Pricing for Roy Lichtenstein Brushstrokes prints varies by edition size, date, and condition. Contact Guy Hepner Gallery for current market pricing and availability.
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