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Mel Bochner Obscene For Sale
Mel Bochner
Obscene, 2017
Silkscreen
61 x 46 in 154.9 x 116.8 cm
Edition
Edition of 30
About this work
Mel Bochner's "Obscene" silkscreen is a thought-provoking exploration of language, censorship, and the boundaries of acceptability. In this work, Bochner utilizes his distinctive style of layering text and vibrant colors to create a visually striking composition. The word "Obscene" is rendered in bold, expressive letters, filling the canvas with a sense of controversy and provocation. Through the medium of silkscreen, Bochner adds depth and texture to the word, enhancing its impact and inviting viewers to contemplate its meaning. The repetition of the word "Obscene" reinforces its significance, prompting viewers to reflect on the subjective nature of obscenity and the ways in which societal norms shape our perceptions. "Obscene" exemplifies Bochner's ability to use language as a visual tool, transforming ordinary words into works of art that challenge and provoke thought. By exploring the complexities of censorship and free expression in his silkscreen, Bochner invites viewers to confront their own attitudes towards taboo subjects and to consider the implications of restricting speech in a democratic society.
Price on Application
Auction History
Obscene (K.W. 2017.02) · Mel Bochner · Phillips · 2024-04 · $13,970
More from this series
More series by Mel Bochner
About the Other Editions Series
Explore Mel Bochner's Other Editions series, a remarkable collection of conceptual works that exemplify the artist's pioneering engagement with language and meaning. This selection features provocative titles including Obscene, Braggart, Language is Not Transparent, Liar, and Scoundrel—each work interrogating the relationship between words, context, and interpretation.
Created during Bochner's most influential period, these editions showcase his distinctive approach to conceptual art, where linguistic investigation becomes the primary medium. The series challenges conventional notions of artistic communication, positioning language itself as the subject rather than mere description.
For collectors seeking significant examples of conceptual art practice and institutional-quality works, Bochner's Other Editions represents substantial aesthetic and investment value. These pieces remain relevant to contemporary discourse around semiotics and visual culture, securing their place in serious collections.
Enquire for availability and detailed documentation on individual works from this important series.
About Mel Bochner
Mel Bochner (b. 1940, Pittsburgh, Pennsylvania) is a foundational figure of Conceptual Art whose career bridges the rigorous intellectual demands of the 1960s New York avant-garde and a vigorous ongoing practice in language-based painting that has only grown richer and more expansive over the past two decades. Bochner studied philosophy at Northwestern University before arriving in New York, where his proximity to Sol LeWitt, Donald Judd, Robert Smithson, and the emerging Minimalist and Conceptualist milieu of the mid-1960s shaped what would become one of the most consistently challenging and philosophically serious bodies of work in contemporary American art.
His 1966 exhibition Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art — mounted at the School of Visual Arts — is widely regarded as a watershed moment in the history of Conceptual Art. By placing photocopied pages of artists' working drawings and mathematical notations in looseleaf binders displayed on sculpture pedestals, Bochner challenged the most basic assumptions about what art is, what it looks like, and what institutional context it requires. From this beginning he developed a practice organised around number, measurement, and language. His Measurement series, begun in 1969, used tape and adhesive labels to inscribe actual dimensions onto walls and floors — making the space of display itself the subject of the work. These pieces, executed in museums and galleries over decades, remain among the most intellectually rigorous interventions in the relationship between art, architecture, and quantification.
In parallel with this conceptual rigour, Bochner developed the Thesaurus paintings — large-scale works in which synonyms for a single word (Blah, Crazy, Boring, Money, Failure) are painted in bold, gestural typography, often in competing or clashing colours. These works, begun in the early 2000s, have become among his most recognised and commercially successful: they carry the intellectual freight of his Conceptualist formation while operating with the visual directness and wit of the best text-based art. Works at the major auction houses have achieved high six-figure and occasionally seven-figure results. His print editions, including Thesaurus-based screenprints and related works, have attracted serious collector attention.
Bochner's work is held in permanent collections at the Museum of Modern Art, Tate Modern, the Whitney Museum of American Art, the Metropolitan Museum of Art, the Centre Pompidou, the Art Institute of Chicago, and the National Gallery of Art, Washington, among many others. Retrospectives and major survey exhibitions have confirmed his place as one of the essential figures of postwar American art.
Guy Hepner brings deep expertise to the Mel Bochner print and edition market. Our gallery at 177 Tenth Avenue, New York works with collectors seeking to acquire or sell his work, and we offer free, confidential valuations for works in private hands. We are well positioned to advise on the full range of his output, from early conceptual works to the major Thesaurus paintings and editions.