
Andy Mouse
5 works
Keith Haring (1958–1990) is one of the most immediately recognisable artists of the twentieth century, known for his bold graphic figures born in the New York City subway and exhibited worldwide before his death at thirty-one. His paintings, prints, and sculptures are actively collected globally, with his distinctive visual language bridging fine art, public muralism, and popular culture.


Andy Mouse
5 works

Apocalypse
11 works

Bad Boys
7 works

Chocolate Buddha
6 works

Fertility
6 works

Flowers
6 works

Growing
6 works
Icons
6 works

Lucky Strike
6 works

Ludo
6 works

Other Prints
5 works

Pop Shop I
6 works

Pop Shop Ii
6 works

Pop Shop Iii
6 works

Pop Shop Iv
6 works

Pop Shop V
6 works

Pop Shop Vi
6 works

Pyramid
5 works

Retrospect
2 works

Stones
6 works

The Blueprint Drawings
18 works

The Story of Red and Blue
22 works

The Valley
16 works

Three Lithographs
4 works

Totem
4 works

Untitled
29 works

Untitled Free South Africa
4 works
White Icons
6 works
Keith Haring (1958–1990) is one of the most beloved and widely recognised artists of the twentieth century. His bold, graphic vocabulary — radiant babies, barking dogs, crawling figures, interlocked bodies — is among the most immediately identifiable in the history of art, and his work continues to command strong prices and deep collector interest across prints, paintings, sculptures, and unique works.
Born in Reading, Pennsylvania, in 1958, Haring moved to New York in 1978 to study at the School of Visual Arts and immediately immersed himself in the East Village's underground art and music scene. His practice began in the New York City subway: between 1980 and 1985 he filled hundreds of blank advertising panels with chalk drawings, creating a vast unauthorised public artwork that reached millions of commuters and brought him international attention before he had shown in a single major gallery. By 1982 he was exhibiting internationally, with shows at Tony Shafrazi Gallery in New York and venues in Rotterdam, Tokyo, and São Paulo, placing him alongside Basquiat and Warhol as a defining figure of the New York art world.
Haring's 1986 Pop Shop in SoHo — selling affordable prints, T-shirts, and multiples — was a deliberate challenge to the exclusivity of the gallery system and a statement about art's capacity to be both commercially engaged and democratically accessible. Diagnosed with HIV/AIDS in 1988, he established the Keith Haring Foundation in 1989 to support HIV/AIDS organisations and children's programmes, and worked with extraordinary intensity until weeks before his death on 16 February 1990, aged thirty-one.
Haring's market is consistently active and spans a broad price range. His prints — produced through established publishers in carefully documented editions — are among the most accessible blue-chip works available, offering collectors a recognisable and historically significant work at multiple price points. Unique paintings and sculptures from key periods — particularly the early 1980s — achieve significantly higher prices at major auction houses including Christie's, Sotheby's, and Phillips.
Strong secondary market results reflect the sustained appeal of his imagery across collector demographics and geographies. Works from the subway period, the Pop Shop series, and his AIDS-advocacy works are particularly sought after. The Keith Haring Foundation's rigorous authentication process ensures that every attributed work has been carefully assessed, providing collectors with confidence in provenance and authorship.
Haring's imagery draws on cartoons, graffiti, and street art but operates with a conceptual sophistication that engages directly with its cultural moment. His recurring motifs — the radiant baby (representing innocence and energy), the barking dog (threat and authority), the crawling figure (vulnerability and movement), the pyramid and television (power structures) — function as a personal symbolic vocabulary that addresses contemporary life with both accessibility and rigour. His engagement with HIV/AIDS, civil rights, nuclear disarmament, and the commodification of culture gives his work a political dimension that has only grown in relevance.
His murals, produced in cities from New York and Berlin to São Paulo and Melbourne, brought his practice into public life on a monumental scale and remain important civic landmarks where they survive.
Haring's work is held by major institutions worldwide, including the Museum of Modern Art in New York, the Whitney Museum of American Art, the Stedelijk Museum in Amsterdam, the Museum Ludwig in Cologne, the Tate Collection in London, and the Broad in Los Angeles.
Guy Hepner works with collectors seeking Keith Haring prints, works on paper, and unique works across all levels of the market. Our New York gallery at 177 Tenth Avenue provides access to carefully vetted works with full provenance documentation and expert guidance on acquisition strategy. Contact Guy Hepner to discuss current availability.
