
Basketball
10 works

Four Landscapes (Fall), 2020
Ukiyo-e Japanese style woodcuts
26 x 22 in 66 x 55.9 cm
Edition of 35
Jonas Wood, celebrated for his vibrant and introspective interpretations of nature and domestic life, captivates audiences once again with his Four Landscapes print series. This collection, a testament to Wood's mastery of color and composition, offers a unique exploration of the four seasons, inviting viewers on a visual journey through the ever-changing tapestry of nature.Wood's Four Landscapes series unfolds like a symphony, each print representing a distinct movement in the ongoing cycle of seasons. From the vibrant blooms of spring to the tranquil snowscapes of winter, Wood captures the essence of each season with exquisite detail and nuance.In the spring print, Wood's canvas bursts to life with an explosion of color and vitality. Delicate blossoms adorn the landscape, their petals unfurling in a symphony of renewal and rebirth. The air is alive with the chorus of birdsong, and verdant foliage stretches towards the sun, basking in its warm embrace. Through bold brushstrokes and dynamic compositions, Wood evokes the sense of wonder and anticipation that accompanies the arrival of spring.As summer unfolds, Wood's canvas transforms into a lush tapestry of abundance and growth. Fields of sun-kissed flowers sway in the gentle breeze, while verdant foliage provides refuge from the midday heat. The sky is a brilliant canopy of blue, punctuated by the occasional billowing cloud. In this print, Wood captures the vibrancy and vitality of summer, inviting viewers to immerse themselves in its kaleidoscope of colors and textures.In the autumn print, Wood's palette shifts to warm hues of gold, amber, and russet. The landscape is ablaze with the fiery brilliance of fall foliage, each leaf a testament to nature's mastery of transformation. Crisp air carries the scent of fallen leaves, while pumpkins dot the fields in anticipation of harvest. Through evocative brushwork and richly layered compositions, Wood captures the bittersweet beauty of autumn, reminding us of the cyclical nature of life and renewal.In the winter print, Wood's canvas is blanketed in a serene layer of snow, transforming the landscape into a quiet tableau of solitude and contemplation. Bare branches reach towards the frost-kissed sky, while distant hills fade into the misty horizon. Despite the stillness, there is a sense of underlying energy, as if nature is merely pausing to gather strength for the inevitable return of spring. Through subtle shifts in tone and texture, Wood captures the quiet elegance of winter, inviting viewers to find beauty in the simplicity of the season.Jonas Wood's Four Landscapes print series is a masterful ode to the ever-changing beauty of nature. Through his skillful use of color, composition, and texture, Wood invites viewers to embark on a visual journey through the four seasons, each print a testament to the enduring power of renewal and transformation. As the cycle of life continues unabated, Wood's prints serve as a reminder of the timeless rhythms of the natural world, offering solace and inspiration in equal measure.
Price on Application

Landscape Pot with Plant · Jonas Wood · Christie's · 2026-03 · $19,124

Landscape Pot with Plant · Jonas Wood · Christie's · 2026-02 · $20,320

Three Landscape Pots · Jonas Wood · Phillips · 2026-02 · $24,510

Cactus in a Pot · Jonas Wood · Sotheby's · 2025-06 · $88,370

Blue Frimkess Landscape Pot · Jonas Wood · Phillips · 2025-06 · $4,445

Jonas Wood has established himself as one of the most consequential contemporary painters working today, commanding significant attention across major auction houses and institutional collections worldwide. With Guy Hepner facilitating $1,899,500 in Jonas Wood transactions, our expertise in this artist's market provides collectors with unparalleled access and advisory guidance. The artist's auction trajectory demonstrates remarkable strength, highlighted by the landmark sale of Large Landscape Pot at $6.2 million through Sotheby's in 2022, following the $4.9 million result for Interior with Fernand Léger at Christie's in 2020.
According to the Art Basel & UBS Global Art Market Report 2025, the global art market reached $57.5 billion in 2024, with subsequent reporting indicating a return to growth in 2025. Within this recovering landscape, artists who bridge traditional craft with contemporary vision—precisely the territory Jonas Wood occupies—have demonstrated particular resilience among discerning collectors seeking works of enduring aesthetic and cultural significance.
The Landscapes series represents Jonas Wood's most deliberate engagement with art historical dialogue, specifically his reinterpretation of the Japanese ukiyo-e woodblock printing tradition. Created in 2020, this suite of four seasonal works—Four Landscapes (Spring), Four Landscapes (Summer), Four Landscapes (Fall), and Four Landscapes (Winter)—demonstrates Wood's capacity to synthesize Eastern aesthetic principles with his distinctive contemporary approach to flattened pictorial space.
Born in Boston in 1977, Wood pursued formal training that would profoundly shape his artistic methodology, earning his BFA from the University of Washington before completing his MFA at Tufts University. This rigorous academic foundation, combined with his current representation by both Gagosian and David Kordansky Gallery, positions Wood within the highest echelon of the contemporary art establishment. His works reside in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and the Los Angeles County Museum of Art, confirming institutional recognition of his lasting contribution to contemporary painting and printmaking.
The Landscapes series emerges from Wood's broader investigation into how images function within domestic and psychological space. While his interiors and still life compositions have garnered significant market attention, these landscape works reveal an artist expanding his visual vocabulary through cross-cultural exchange, drawing upon the contemplative traditions of Japanese printmaking while maintaining the graphic precision and chromatic clarity that define his practice.
The ukiyo-e tradition, literally translating as "pictures of the floating world," originated in seventeenth-century Japan and represented scenes of everyday pleasures rendered through meticulous woodblock printing techniques. Wood's engagement with this form demonstrates both technical ambition and conceptual sophistication, requiring collaboration with master printmakers to achieve the layered color registration and subtle tonal gradations characteristic of the medium.
Each work in the seasonal cycle presents landscape imagery filtered through Wood's characteristic visual language—bold outlines, flattened perspective, and carefully orchestrated color relationships. The technical demands of woodblock printing necessitate precise planning, as each color requires a separate carved block and exact alignment during the printing process. This methodical approach aligns with Wood's broader practice, which transforms observed reality through systematic formal reduction while preserving essential visual information.
The seasonal framework organizing these four works invokes longstanding traditions in both Eastern and Western art, from Japanese shiki-e (four seasons pictures) to European cycles depicting nature's temporal transformations. Wood's contemporary interpretation maintains this contemplative structure while introducing his signature aesthetic, creating works that function both as individual statements and as interconnected components of a unified artistic vision.
Four Landscapes (Spring) (2020) initiates the seasonal cycle with imagery evoking renewal and emergence. Wood's interpretation channels the delicate chromatic palette associated with spring—soft greens, subtle pinks, and atmospheric luminosity—through the graphic precision of woodblock printing. The work demonstrates how traditional techniques can accommodate contemporary sensibilities without sacrificing the meditative qualities inherent to the ukiyo-e tradition.
Four Landscapes (Summer) (2020) presents the season's fullness through heightened color saturation and compositional density. Wood's landscape vision here achieves maximum vibrancy, with the woodblock medium lending characteristic crispness to forms that might otherwise dissolve into impressionistic atmosphere.
Four Landscapes (Fall) (2020) introduces the transitional palette of autumn, with warm ochres, deep reds, and muted earth tones conveying seasonal transformation. The work exemplifies Wood's capacity to maintain graphic clarity while evoking the elegiac qualities traditionally associated with autumnal imagery.
Four Landscapes (Winter) (2020) concludes the cycle with reduced chromatic intensity, emphasizing structural elements and spatial relationships through winter's clarifying atmosphere. The work demonstrates restraint and formal economy, qualities that resonate throughout Wood's broader practice.
Jonas Wood's market trajectory reflects sustained collector confidence supported by institutional validation and blue-chip gallery representation. The $6.2 million result at Sotheby's in 2022 and the $4.9 million Christie's sale in 2020 establish clear benchmarks for major works, while his print editions and works on paper have demonstrated consistent demand across collecting levels.
The Landscapes series occupies a distinctive position within Wood's oeuvre, representing both technical experimentation and art historical engagement that appeals to collectors seeking works of scholarly depth alongside visual impact. Print editions by artists of Wood's stature have historically demonstrated strong appreciation potential, particularly when they represent significant creative departures or technical achievements.
Phillips, Bonhams, Christie's, and Sotheby's have all featured Wood's works in contemporary sales, reflecting broad market recognition. As the Art Basel & UBS Global Art Market Report indicates ongoing market recovery, works by established mid-career artists with institutional presence represent compelling opportunities for collection building.
Guy Hepner in New York offers collectors direct access to Jonas Wood's Landscapes series with the expertise accumulated through $1,899,500 in artist transactions. Our advisory services encompass authentication verification, condition assessment, provenance research, and strategic acquisition planning tailored to individual collecting objectives.
Contact Guy Hepner to discuss availability and acquisition of works from Jonas Wood's Landscapes series.

Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.