Guy Hepner Gallery

Elmo Hood What Doesn't Kill Me Better Run For Sale

Elmo Hood
Elmo Hood - What Doesn't Kill Me Better Run, 2026, Mixed Media Playing Card on Wooden Backed Canvas | Signed

What Doesn't Kill Me Better Run, 2026

Mixed Media Playing Card on Wooden Backed Canvas | Signed

12 x 16 In

About this work

Elmo Wood has steadily carved out a distinctive position within the contemporary art landscape, earning recognition for works that merge conceptual depth with material innovation. His practice centers on the transformation of everyday objects into vehicles for broader cultural commentary, with playing cards serving as a recurring motif throughout his oeuvre. These humble artifacts, laden with associations of chance, fate, and human folly, become potent symbols when subjected to Wood's interventionist approach. "What Doesn't Kill Me" exemplifies the artist's mature engagement with themes of resilience and vulnerability. The work employs mixed media techniques applied to a playing card mounted on wooden backed canvas, a methodology that bridges the ephemeral nature of paper with the permanence of traditional painting supports. This tension between fragility and endurance resonates directly with the work's titular assertion, drawn from Nietzsche's oft-quoted maxim. Wood's decision to work at an intimate scale of 12 x 16 inches demands close viewing, creating a contemplative encounter that rewards sustained attention. The piece arrives signed by the artist, affirming its authenticity and establishing clear provenance from its creation in 2026. Wood's collectors have demonstrated consistent enthusiasm for his playing card works, which function both as individual statements and as components within a larger conceptual framework examining luck, agency, and survival in contemporary existence. The artist's thoughtful material choices and philosophical underpinnings distinguish his practice from purely decorative approaches to mixed media. Guy Hepner welcomes inquiries regarding the acquisition of this work.

Price on Application

Edition & Provenance

Year
2026
Medium
Mixed Media Playing Card on Wooden Backed Canvas | Signed

More from this series

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About the Playing Cards Series

Elmo Hood's Playing Cards series is where his signature process began, and it remains the most collected body of work in his practice. Each piece starts with a found playing card, its printed color and imagery repurposed rather than covered, then built out with layered mixed media and mounted on wooden backed canvas.

The cards themselves carry the compositions. Kings and queens recur throughout, their existing linework absorbed into new characters and scenes. Hood works dark tones into the shading and outlines of each piece, giving the finished work a graphic, almost stencil-like edge that sits somewhere between pop art and street art.

The titles are part of the work. Lines like In The War Of Ego The Loser Always Wins and What Doesn't Kill Me read like aphorisms, pulling the series toward the same undercurrent of philosophy and self-examination that runs through Hood's practice more broadly. A recurring New York thread, seen in pieces like New York Is A Verb and New York Punches, reflects the city's pull on the artist and its recurring presence across this body of work.

Guy Hepner Gallery presents 15 works from the Playing Cards series, available through private sale. Each piece is signed by the artist. Complimentary valuations and current pricing are available on enquiry.

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What Doesn't Kill Me Better Run

About Elmo Hood

Elmo Hood is a self-taught contemporary artist working at the intersection of pop art and mixed media. Born in 1989 in Southampton, England, he now lives and works in Brisbane, Australia.

Hood's career began in 2013 with a single collage made from two playing cards. The piece went viral, leading to a string of international exhibitions and a growing collector base that has followed his work ever since. Those early card pieces set the template for what would become his signature process: cutting, burning, and reassembling found materials to build emotionally charged compositions.

Today his work fuses pop art sensibility with layered mixed media technique. Playing cards remain central to his practice, their existing color and imagery repurposed into new palettes, while darker tones anchor the outlines and shading of each piece. Kings and queens recur throughout his output, alongside recurring nods to philosophy, religion, and the paranormal, giving the work a mythic, symbol-driven undercurrent beneath its pop surface.

Hood's work has been featured in British GQ, Forbes, Glamour, Wall Street International, and Made in Shoreditch, among other publications. He has exhibited across London, Paris, New York, Miami, Ibiza, Bahrain, and Munich, with pieces auctioned at the Houses of Parliament. His exhibition history includes solo shows such as Down the Rabbit Hole at Westbank Gallery, London, and House of Cards in Miami, alongside group exhibitions in New York and at the Bahrain Art Fair.

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