Elmo Hood New York Never Folder For Sale
Elmo Hood
New York Never Folder, 2026
Mixed Media Playing Card on Wooden Backed Canvas | Signed
12 x 16 In
About this work
Elmo Wood has emerged as a distinctive voice in contemporary mixed media practice, building a reputation for works that interrogate the intersection of chance, urban identity, and material transformation. His practice draws from the visual language of gaming and probability, repositioning everyday objects as vehicles for broader cultural commentary. Wood's work has garnered attention from collectors seeking artists who bridge conceptual rigor with accessible visual vocabulary, and his pieces have demonstrated consistent interest in both primary and secondary markets. New York Never Folder exemplifies Wood's ongoing engagement with the playing card as both symbol and substrate. The title itself carries layered meaning—a nod to the resilience embedded in New York's cultural mythology and the gambling terminology that permeates Wood's practice. By mounting the mixed media composition on wooden backed canvas, Wood elevates the ephemeral nature of the card into something permanent, creating a tension between the disposable and the archival that runs throughout his body of work. At 12 x 16 inches, the piece maintains an intimate scale that rewards close viewing, inviting the observer to examine the intricate surface interventions that characterize Wood's technique. The work is signed by the artist, confirming its authenticity and place within his documented output. Created in 2026, it represents Wood's continued evolution and refinement of themes he has explored across multiple series, positioning it as a significant example of his mature practice. For acquisition inquiries regarding this work by Elmo Wood, please contact Guy Hepner directly.
Price on Application
Edition & Provenance
- Year
- 2026
- Medium
- Mixed Media Playing Card on Wooden Backed Canvas | Signed

More from this series

Elmo Hood
Built For Comebacks
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Find Your Line And Fucking Cross It
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Elmo Hood
I Still Believe In Me
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In The War Of Ego The Loser Always Wins
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Elmo Hood
May Flowers Grow In The Saddest Parts Of You
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Elmo Hood
New York Is A Verb
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New York Never Wanted An Easy Story
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Elmo Hood
New York Punches
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Elmo Hood
There Are Two Kinds Of People In This World
2026

Elmo Hood
There Will Be Peace On Earth
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Elmo Hood
What Doesn't Kill Me Better Run
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Related Reading
About the Playing Cards Series
Elmo Hood's Playing Cards series is where his signature process began, and it remains the most collected body of work in his practice. Each piece starts with a found playing card, its printed color and imagery repurposed rather than covered, then built out with layered mixed media and mounted on wooden backed canvas.
The cards themselves carry the compositions. Kings and queens recur throughout, their existing linework absorbed into new characters and scenes. Hood works dark tones into the shading and outlines of each piece, giving the finished work a graphic, almost stencil-like edge that sits somewhere between pop art and street art.
The titles are part of the work. Lines like In The War Of Ego The Loser Always Wins and What Doesn't Kill Me read like aphorisms, pulling the series toward the same undercurrent of philosophy and self-examination that runs through Hood's practice more broadly. A recurring New York thread, seen in pieces like New York Is A Verb and New York Punches, reflects the city's pull on the artist and its recurring presence across this body of work.
Guy Hepner Gallery presents 15 works from the Playing Cards series, available through private sale. Each piece is signed by the artist. Complimentary valuations and current pricing are available on enquiry.

About Elmo Hood
Elmo Hood is a self-taught contemporary artist working at the intersection of pop art and mixed media. Born in 1989 in Southampton, England, he now lives and works in Brisbane, Australia.
Hood's career began in 2013 with a single collage made from two playing cards. The piece went viral, leading to a string of international exhibitions and a growing collector base that has followed his work ever since. Those early card pieces set the template for what would become his signature process: cutting, burning, and reassembling found materials to build emotionally charged compositions.
Today his work fuses pop art sensibility with layered mixed media technique. Playing cards remain central to his practice, their existing color and imagery repurposed into new palettes, while darker tones anchor the outlines and shading of each piece. Kings and queens recur throughout his output, alongside recurring nods to philosophy, religion, and the paranormal, giving the work a mythic, symbol-driven undercurrent beneath its pop surface.
Hood's work has been featured in British GQ, Forbes, Glamour, Wall Street International, and Made in Shoreditch, among other publications. He has exhibited across London, Paris, New York, Miami, Ibiza, Bahrain, and Munich, with pieces auctioned at the Houses of Parliament. His exhibition history includes solo shows such as Down the Rabbit Hole at Westbank Gallery, London, and House of Cards in Miami, alongside group exhibitions in New York and at the Bahrain Art Fair.
