Guy Hepner Gallery

Terry Urban The Serpent Queen II For Sale

Terry Urban
Terry Urban - The Serpent Queen II, 2024, Acrylic, oil, aerosol, pastel, and airbrush on canvas

The Serpent Queen II, 2024

Acrylic, oil, aerosol, pastel, and airbrush on canvas

60 x 48 in

About this work

Terry Urban's "The Serpent Queen II" commands attention through its monumental scale and masterful layering of mixed media, showcasing the artist's distinctive approach to contemporary portraiture. The work presents a striking female figure whose gaze carries an unsettling authority, her features rendered with a combination of precise detail and gestural abstraction that creates visual tension across the canvas. Urban employs his characteristic technique of building surfaces through acrylic, oil, aerosol, pastel, and airbrush, allowing each medium to contribute its unique texture and luminosity to the composition. Areas of smooth, airbrushed gradients contrast sharply with aggressive mark-making and dripping passages, suggesting both refinement and raw energy coexisting within the same frame. The serpentine motif weaves throughout the piece, appearing in sinuous forms that echo through the figure's posture and the surrounding negative space, reinforcing themes of power, transformation, and feminine mystique that recur in Urban's oeuvre. His palette balances rich, saturated tones against muted atmospheric backgrounds, creating depth while maintaining the confrontational immediacy of the subject. The emotional register oscillates between seduction and menace, inviting viewers into an intimate encounter while simultaneously asserting dominance. This work exemplifies Urban's ongoing exploration of iconic femininity filtered through street art sensibilities and fine art traditions, positioning him within a lineage of artists who blur boundaries between high and low culture. The piece demonstrates his technical versatility and his ability to create images that feel both timeless and urgently contemporary. For inquiries about acquiring "The Serpent Queen II," interested collectors are encouraged to contact Guy Hepner gallery directly.

Price on Application

Edition & Provenance

Year
2024
Medium
Acrylic, oil, aerosol, pastel, and airbrush on canvas

More from this series

About the Paintings Series

Terry Urban Paintings

A Visual Chronicle of the American Spirit

Terry Urban has established himself as one of contemporary art's most compelling voices, crafting paintings that resonate with the raw emotional undercurrents of American life. His distinctive body of work, characterized by evocative imagery and deeply narrative compositions, speaks to universal themes of love, loss, redemption, and the relentless human journey toward meaning. At Guy Hepner, we are proud to present an exceptional collection of Terry Urban paintings, each work offering collectors an opportunity to acquire pieces that possess both immediate visual impact and enduring emotional depth.

Urban's artistic vision draws from a rich tapestry of influences—the mythology of the American West, the poetry of country music, and the cinematic grandeur of open landscapes. Yet his paintings transcend mere nostalgia or regionalism. They speak a visual language that is at once specifically rooted and universally accessible, capturing moments of profound human experience with technical mastery and emotional authenticity.

The Paintings

Rattlesnake Lover exemplifies Urban's ability to merge danger with desire, presenting viewers with imagery that crackles with tension and seduction. The work embodies the artist's fascination with love's more perilous dimensions—those relationships that threaten even as they attract. Urban renders this theme with characteristic boldness, creating a composition that refuses to look away from the complicated nature of human attraction.

In After We Die, Urban contemplates mortality with a tender yet unflinching gaze. This painting represents some of the artist's most philosophically ambitious work, addressing questions of legacy, memory, and what remains when we are gone. The piece achieves a remarkable balance between melancholy and hope, suggesting that something essential persists beyond our physical existence.

Living to be Lying by Your Side offers a more intimate meditation on love and companionship. Here, Urban strips away the dramatic tension found in other works to reveal something quieter and perhaps more profound—the simple, sustaining power of presence. The painting speaks to those moments of connection that define a life well-lived, rendered with a warmth that invites prolonged contemplation.

Honky Tonk Angel draws directly from the rich tradition of American roots music, translating its themes of heartbreak, celebration, and hard-won wisdom into visual form. Urban captures the spirit of smoky dance halls and late-night confessions, creating an image that seems to pulse with its own internal rhythm. This work demonstrates the artist's remarkable ability to suggest sound and atmosphere through purely visual means.

The provocatively titled Stop the Train, I Want to Get Off addresses themes of escape and the desire to break free from life's relentless forward momentum. Urban employs locomotive imagery with both literal and metaphorical force, creating a work that speaks to anyone who has ever felt overwhelmed by circumstances beyond their control. The painting vibrates with urgent energy while maintaining compositional sophistication.

The Well Has Run Dry presents a stark meditation on exhaustion and depletion—of resources, of emotion, of hope itself. Yet within this apparently bleak subject matter, Urban finds unexpected beauty. The work stands as testament to his ability to transform difficult themes into visually compelling statements that ultimately affirm rather than diminish the human spirit.

These Days captures the weight of the present moment with characteristic directness. Urban's treatment of contemporary existence avoids both cynicism and false optimism, instead offering a clear-eyed assessment of what it means to be alive now, in this particular cultural moment.

One Last Ride returns to themes of journey and finality that recur throughout Urban's oeuvre. The painting suggests both ending and transcendence, capturing that bitter

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The Serpent Queen II

About Terry Urban

Terry Urban was born in Cleveland, Ohio, and moved to San Diego after high school to pursue skateboarding, where he was first introduced to turntablism. He returned to Cleveland to work as a DJ, later landing a role at Sirius Satellite Radio, before relocating to New York City in 2006 to focus on music full time. He built a career producing mixtapes, including Viva la Hova, Southerngold, and Biggie Stardust, earning recognition from artists including Jay-Z, Coldplay, and Drake.

In 2015, after more than a decade in the music industry, Urban returned to painting, treating it as a new creative outlet and eventually a full-time practice. His work is bold and gestural, combining vibrant color with symbolic, often somber imagery, including skulls, bones, and fragmented figures that speak to mortality, resilience, and inner conflict. Despite the weight of his subject matter, his paintings carry an underlying sense of energy and momentum, shaped by the same restless drive that carried him through skateboarding and music.

Urban brings a disciplined, almost ritualistic approach to his studio practice, working extended painting sessions often set against music or film. His path from street culture to music to visual art has become part of his artistic identity, and his work resonates as a document of reinvention as much as a body of paintings.

Guy Hepner works with collectors seeking Terry Urban's bold, symbolic paintings shaped by his path through music and street culture. Contact us to discuss available inventory or to inquire about upcoming releases.

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