Guy Hepner Gallery

Terry Urban Ol' Girl Blues For Sale

Terry Urban
Terry Urban - Ol' Girl Blues, 2025, Acrylic, oil, pastel, ink, aerosol on canvas

Ol' Girl Blues, 2025

Acrylic, oil, pastel, ink, aerosol on canvas

60 x 48 in

About this work

Terry Urban's "Ol' Girl Blues" commands attention through its layered materiality and raw emotional presence. The canvas pulses with a complex interplay of media—acrylic and oil providing structural depth, while pastel and ink introduce gestural immediacy and aerosol adds atmospheric diffusion. Urban's characteristic approach to mixed media creates a surface that feels simultaneously weathered and urgent, as though the work has absorbed years of lived experience while remaining viscerally present. The composition balances figuration and abstraction, with forms emerging from and dissolving into fields of color that shift between melancholic blues and warmer undertones. There is a sense of narrative withheld, a story suggested but never fully told, which invites prolonged contemplation. The title itself evokes both affection and lament—the familiar weight of memory, loss, or longing rendered in pigment and spray. Urban's practice consistently explores the tension between control and spontaneity, between the deliberate mark and the accidental drip. In "Ol' Girl Blues," this tension manifests as a kind of visual blues music—improvisational, soulful, rooted in tradition yet distinctly contemporary. The scale of the work, at sixty by forty-eight inches, allows these qualities room to breathe, creating an immersive experience that rewards both distance and close inspection. Emotionally, the piece operates in a register of reflective melancholy tempered by resilience, offering viewers a space to sit with complexity rather than resolution. The work exemplifies Urban's ability to transform personal expression into universal resonance. For inquiries regarding the acquisition of "Ol' Girl Blues," please contact Guy Hepner gallery directly.

Price on Application

Edition & Provenance

Year
2025
Medium
Acrylic, oil, pastel, ink, aerosol on canvas

More from this series

About the Paintings Series

Terry Urban Paintings

A Visual Chronicle of the American Spirit

Terry Urban has established himself as one of contemporary art's most compelling voices, crafting paintings that resonate with the raw emotional undercurrents of American life. His distinctive body of work, characterized by evocative imagery and deeply narrative compositions, speaks to universal themes of love, loss, redemption, and the relentless human journey toward meaning. At Guy Hepner, we are proud to present an exceptional collection of Terry Urban paintings, each work offering collectors an opportunity to acquire pieces that possess both immediate visual impact and enduring emotional depth.

Urban's artistic vision draws from a rich tapestry of influences—the mythology of the American West, the poetry of country music, and the cinematic grandeur of open landscapes. Yet his paintings transcend mere nostalgia or regionalism. They speak a visual language that is at once specifically rooted and universally accessible, capturing moments of profound human experience with technical mastery and emotional authenticity.

The Paintings

Rattlesnake Lover exemplifies Urban's ability to merge danger with desire, presenting viewers with imagery that crackles with tension and seduction. The work embodies the artist's fascination with love's more perilous dimensions—those relationships that threaten even as they attract. Urban renders this theme with characteristic boldness, creating a composition that refuses to look away from the complicated nature of human attraction.

In After We Die, Urban contemplates mortality with a tender yet unflinching gaze. This painting represents some of the artist's most philosophically ambitious work, addressing questions of legacy, memory, and what remains when we are gone. The piece achieves a remarkable balance between melancholy and hope, suggesting that something essential persists beyond our physical existence.

Living to be Lying by Your Side offers a more intimate meditation on love and companionship. Here, Urban strips away the dramatic tension found in other works to reveal something quieter and perhaps more profound—the simple, sustaining power of presence. The painting speaks to those moments of connection that define a life well-lived, rendered with a warmth that invites prolonged contemplation.

Honky Tonk Angel draws directly from the rich tradition of American roots music, translating its themes of heartbreak, celebration, and hard-won wisdom into visual form. Urban captures the spirit of smoky dance halls and late-night confessions, creating an image that seems to pulse with its own internal rhythm. This work demonstrates the artist's remarkable ability to suggest sound and atmosphere through purely visual means.

The provocatively titled Stop the Train, I Want to Get Off addresses themes of escape and the desire to break free from life's relentless forward momentum. Urban employs locomotive imagery with both literal and metaphorical force, creating a work that speaks to anyone who has ever felt overwhelmed by circumstances beyond their control. The painting vibrates with urgent energy while maintaining compositional sophistication.

The Well Has Run Dry presents a stark meditation on exhaustion and depletion—of resources, of emotion, of hope itself. Yet within this apparently bleak subject matter, Urban finds unexpected beauty. The work stands as testament to his ability to transform difficult themes into visually compelling statements that ultimately affirm rather than diminish the human spirit.

These Days captures the weight of the present moment with characteristic directness. Urban's treatment of contemporary existence avoids both cynicism and false optimism, instead offering a clear-eyed assessment of what it means to be alive now, in this particular cultural moment.

One Last Ride returns to themes of journey and finality that recur throughout Urban's oeuvre. The painting suggests both ending and transcendence, capturing that bitter

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Ol' Girl Blues

About Terry Urban

Terry Urban was born in Cleveland, Ohio, and moved to San Diego after high school to pursue skateboarding, where he was first introduced to turntablism. He returned to Cleveland to work as a DJ, later landing a role at Sirius Satellite Radio, before relocating to New York City in 2006 to focus on music full time. He built a career producing mixtapes, including Viva la Hova, Southerngold, and Biggie Stardust, earning recognition from artists including Jay-Z, Coldplay, and Drake.

In 2015, after more than a decade in the music industry, Urban returned to painting, treating it as a new creative outlet and eventually a full-time practice. His work is bold and gestural, combining vibrant color with symbolic, often somber imagery, including skulls, bones, and fragmented figures that speak to mortality, resilience, and inner conflict. Despite the weight of his subject matter, his paintings carry an underlying sense of energy and momentum, shaped by the same restless drive that carried him through skateboarding and music.

Urban brings a disciplined, almost ritualistic approach to his studio practice, working extended painting sessions often set against music or film. His path from street culture to music to visual art has become part of his artistic identity, and his work resonates as a document of reinvention as much as a body of paintings.

Guy Hepner works with collectors seeking Terry Urban's bold, symbolic paintings shaped by his path through music and street culture. Contact us to discuss available inventory or to inquire about upcoming releases.

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