Robert Longo Men in the Cities (II) For Sale

Series Performance & Market Position

Robert Longo's Men in the Cities series — begun in 1976 and continuing through multiple iterations — stands as one of the most iconic bodies of work produced by any American artist of his generation, and one of the most actively collected by institutions and private buyers seeking to represent the full breadth of late 20th-century American art. At Guy Hepner, Men in the Cities works have attracted serious collectors across categories, from those focused on photography-adjacent drawing practice to those assembling major American art holdings.

Longo's large-scale charcoal drawings from the series have achieved $200,000–$500,000 at auction, while prints and limited editions derived from the imagery trade from $10,000–$80,000 depending on format, scale, and documentation. The series' cultural resonance — having appeared in music videos, film, and fashion contexts — sustains broad collector awareness beyond the traditional fine art market.

Technical & Historical Context

Men in the Cities originated from Longo's practice of photographing friends thrown against walls, capturing bodies in states of violent tension or abandoned dance — figures caught between control and collapse. The drawings, executed in charcoal and graphite at monumental scale, translate the photographic source material into images of almost cinematic intensity.

The series engages with mass media imagery, corporate culture, and the aesthetics of violence in 1980s America with a formal authority that has ensured its relevance across subsequent decades. Longo's drawings are held in the permanent collections of the Museum of Modern Art, the Whitney Museum, and major European institutions.

Individual Works & Collector Preferences

Female figures from the series command the strongest secondary market attention, followed by the most dynamically posed male figures. Works with clear relationship to the original photograph source material and with documented exhibition history trade at meaningful premiums over works with less contextual documentation.

Large-scale drawings are preferred by institutional buyers; print works from the series offer private collectors access to the imagery at more accessible scale and price points.

Authentication & Condition Considerations

Works from Men in the Cities carry exhibition and publication history that provides strong authentication context. The charcoal medium requires careful handling and appropriate framing to prevent smudging; works that have been properly stored and framed since acquisition command premiums.

Contact Guy Hepner at 177 10th Avenue, New York to discuss Men in the Cities acquisition opportunities.

Critical and Cultural Legacy

Men in the Cities has become one of the most widely referenced images in late-twentieth-century American visual culture, its silhouetted, contorted figures appearing across music videos (most notably New Order's "The Perfect Kiss"), film, fashion editorial, and advertising in the decades since its creation. Longo has spoken about the images as capturing a particular anxiety of urban American life in the late 1970s — bodies caught in states that could equally read as ecstatic dance or violent collapse, a deliberate ambiguity that has allowed the series to remain open to reinterpretation across changing cultural contexts.

The drawings are held in the permanent collections of the Museum of Modern Art, the Whitney Museum of American Art, the Metropolitan Museum of Art, and numerous international institutions, and Longo has continued to revisit and extend the series across subsequent decades of his career.