
Men in the Cities
23 works
Robert Longo is one of the most significant and commercially active American artists working in the monumental drawing and print tradition. His large-scale works — executed in charcoal on paper, often at extraordinary scale — have commanded consistent results at major auction houses, with demand driven by museums, major private collectors, and a global network of serious collectors who recognise his position at the intersection of fine art, photography, and popular culture.

Robert Longo is one of the most significant and commercially active American artists working in the monumental drawing and print tradition. His large-scale works — executed in charcoal on paper, often at extraordinary scale — have commanded consistent results at major auction houses, with demand driven by museums, major private collectors, and a global network of serious collectors who recognise his position at the intersection of fine art, photography, and popular culture.
Auction results confirm his market strength: Men in the Cities works have achieved prices in the tens of thousands at Christie's, Sotheby's, and Phillips, with monumental editions commanding $40,000–$225,000 depending on scale, condition, and edition number. His prints and multiples represent accessible entry points into a practice whose unique large-scale drawings sell for significantly higher amounts.
Guy Hepner has been a primary dealer of Robert Longo editions in New York for over 25 years, with direct access to gallery stock and the ability to source specific works on request.
Robert Longo (b. 1953, Brooklyn, New York) is an American artist whose practice spans drawing, painting, printmaking, sculpture, and film. He emerged in the late 1970s as a central figure in the Pictures Generation — a loose grouping of New York artists including Cindy Sherman, Richard Prince, Sherrie Levine, and Barbara Kruger, who engaged critically with the mass media images that saturated American visual culture.
Longo studied art at the State University of New York at Buffalo and at the Accademia di Belle Arti in Florence, before settling in New York, where he became a pivotal figure in the downtown art scene centred on the East Village and Tribeca. His work first attracted major attention with Men in the Cities (1977–1983), a series of large charcoal drawings depicting suited figures in violent, contorted poses — frozen mid-fall, twisting, arching backward — against blank white grounds. The works were immediately recognised as both formally powerful and culturally resonant: images of business-attired Americans in states of physical crisis that spoke to the anxieties of the Reagan era with uncomfortable directness.
The Men in the Cities drawings established Longo's signature approach: working from photographs (often taken by himself or taken from existing media), he executes monumental drawings in charcoal, graphite, and ink that amplify the photograph's implicit content while transforming it into something far more physically present and emotionally charged. His technical mastery — the drawings are produced with the assistance of trained fabricators working under his close direction — results in works of extraordinary surface quality and visual impact.
Longo has continued to push this approach across an expanding range of subjects: corporate logos and financial symbols, nuclear explosions, ocean waves, historical photographs of war and disaster, and Hollywood imagery. Each series deploys his monumental scale and photographic precision to intensify the source material's affect and cultural weight.
The Men in the Cities series (1977–1983) remains Longo's most celebrated and historically significant body of work. The figures — male and female, dressed in business suits, depicted in extreme physical contortion against white backgrounds — were inspired by frames from Rainer Werner Fassbinder films, by the photography of Eadweard Muybridge, and by Longo's own staged photographs of friends. The drawings were originally shown at Metro Pictures gallery in New York, where they were immediately recognised as defining works of the Pictures Generation.
The series has been exhibited at the Museum of Modern Art, the Whitney Museum of American Art, and numerous international institutions. Editions and multiples derived from the series are among his most actively traded works at auction, representing the most accessible entry point into his practice for print collectors.
Longo's work is held in over 80 permanent museum collections worldwide, including the Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Tate Modern, London; the Museum of Contemporary Art, Los Angeles; the Guggenheim Museum; the Centre Georges Pompidou, Paris; and the Albright-Knox Art Gallery, Buffalo. He has received numerous awards and fellowships and his work has been the subject of major retrospectives in North America and Europe.
Guy Hepner has been one of New York's leading dealers of Robert Longo editions for over 25 years. We maintain inventory across all major series and can source specific works on request. For those looking to sell, we provide discreet evaluation and access to our global collector network. Contact our New York gallery for pricing, availability, and condition reports.
