
Bijou Gets Undressed
6 works

Sian Walking 3, 2013
Continuous computer animation, computer and 55" LCD screen
50 x 29 in 127 x 73.7 cm
Edition of 4
This work presents a solitary female figure in perpetual motion, rendered in Opie's signature minimalist visual language. The continuous animation loops seamlessly on a large-scale LCD screen, showing the subject walking in profile against a plain background. Executed with bold black outlines and flat areas of color, the piece reduces human form to its essential geometric components while maintaining remarkable recognizability. The digital medium allows for fluid movement that traditional static portraiture cannot achieve, creating a mesmerizing rhythm as the figure cycles endlessly through her stride. Opie has established himself as a leading figure in contemporary digital portraiture, bridging classical representation with cutting-edge technology. His works are held in major international collections including the Tate, MoMA, and the British Museum. This piece exemplifies his ongoing exploration of perception and identity in the digital age, offering collectors a sophisticated example of new media art that challenges conventional boundaries between painting, sculpture, and moving image. Available for purchase — enquire for price and availability.
Price on Application

Sian Walking; Jeremy Walking in Coat; Verity Walking; and Kris Walking (C. 147-150) · Julian Opie · Phillips · 2023-04 · $146,050

Sian Walking; Jeremy Walking in Coat; Verity Walking; and Kris Walking (C. 147-150) · Julian Opie · Phillips · 2023-09 · $79,167

Sian Walking · Julian Opie · Christie's · 2025-07 · $52,920

Sian Walking · Julian Opie · Seoul Auction · 2025-09 · $19,556

Sian Walking · Julian Opie · Sotheby's · 2022-10 · $18,900


Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.
Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.
In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.
His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.
Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.