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Julian Opie Small Birds Swamp Hen For Sale

Julian Opie
Julian Opie - Small Birds Swamp Hen, 2020, wall mounted acrylic relief

Small Birds Swamp Hen, 2020

wall mounted acrylic relief

14 3/8 x 21 1/2 x 1 5/8 in 36.6 x 54.7 x 4 cm

Edition

Edition of 20

About this work

Small Birds Swamp Hen (2020) is a wall-mounted acrylic relief by Julian Opie, measuring 14 3/8 x 21 1/2 x 1 5/8 inches (36.6 x 54.7 x 4 cm), produced in a limited edition of 20. The work belongs to Opie's extensive series of bird studies — a body of work in which he applies his signature visual language of simplified outlines and flat color to the observation of avian subjects, translating the natural world through the same graphic economy he brings to his celebrated depictions of human figures in motion. The Swamp Hen is rendered in Opie's characteristically reductive style: bold contours, flat planes of color, no unnecessary detail. The acrylic relief format introduces a subtle physical presence to the image, the cut and layered acrylic giving the depicted bird a shallow three-dimensionality that lifts it gently from the wall — somewhere between painting, sculpture, and sign. The intimate scale invites close contemplation, rewarding the viewer's attention with the precision and care of Opie's graphic language. Opie's engagement with birds reflects a long tradition in art of combining careful natural observation with formal rigor. His approach, however, strips away naturalistic detail in favor of a graphic precision that owes as much to contemporary design as to scientific illustration. The result is a work of quiet wit and formal elegance — one that translates the vivid particularity of an individual bird species into the universal visual language for which Opie is internationally celebrated.

Price on Application

Edition & Provenance

Year
2020
Medium
wall mounted acrylic relief
Edition
Edition of 20

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Small Birds Swamp Hen

About Julian Opie

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.

Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.

In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.

His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.

Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.

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