Guy Hepner Gallery

Julian Opie Small Birds Black Headed Gull For Sale

Julian Opie
Julian Opie - Small Birds Black Headed Gull, 2020, Wall mounted acrylic relief

Small Birds Black Headed Gull, 2020

Wall mounted acrylic relief

12 1/8 x 16 x 1 5/8 in 30.7 x 40.6 x 4 cm

Edition

Edition of 20

About this work

This wall-mounted acrylic relief captures a black-headed gull in flight through Opie's signature reductive style. The bird is rendered in bold black silhouette against a pristine white background, distilled to its most essential forms. Minimal lines define the wings, body, and distinctive head marking with remarkable clarity. The shallow relief construction adds subtle dimensionality, allowing the piece to hover just off the wall and cast delicate shadows that shift with changing light throughout the day. Created in 2020, this work exemplifies Opie's ongoing exploration of movement and nature through digital simplification. His ability to convey complex motion and character with such economy of form has established him as one of Britain's most recognizable contemporary artists. The compact scale makes this an ideal entry point for collectors new to Opie's work, while seasoned collectors will appreciate how it complements his larger installations and portrait series. The piece offers versatile display options for both residential and corporate settings. Available for purchase — enquire for price and availability.

Price on Application

Edition & Provenance

Year
2020
Medium
Wall mounted acrylic relief
Edition
Edition of 20

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Small Birds Black Headed Gull

About Julian Opie

Julian Opie (b. 1958, London) is one of the most recognisable and widely exhibited British artists of his generation, a painter, sculptor, and printmaker whose stripped-back figurative language has achieved both the commercial viability of design and the conceptual seriousness of fine art — a combination that few artists of any era have managed with equal confidence. Opie studied at Goldsmiths College under Michael Craig-Martin, graduating in 1982, and was representing by a major London gallery almost immediately. He has been a significant presence in the international art world for over four decades.

Opie's visual language is built from a small number of radical formal decisions: bold black outlines, flat unmodulated colour fields, the elimination of shadow, texture, and incidental detail, and a scale and graphic authority that draws openly on Egyptian hieroglyphics, Japanese woodblock printing, public signage, and the simplified conventions of digital interfaces. The result is a style of immediate recognisability — when you encounter a Julian Opie figure, you know it instantly — that nonetheless contains real formal thought about how images communicate, how representation functions, and what remains when almost everything is removed. His Walking Figures series, in which anonymous pedestrians in continuous motion are rendered in his signature distilled vocabulary and presented as both print editions and LED wall sculptures, has become one of the most compelling ongoing investigations in contemporary art into the relationship between the ancient idea of the frieze, the vernacular language of the public sign, and the aesthetic possibilities of the LED screen.

In 2000, Opie created the cover artwork for Blur's Best Of compilation — four simplified band portraits in his trademark style — bringing his visual language to an audience of millions and cementing his profile as an artist operating meaningfully across the boundary between fine art and popular culture. His portrait series, his landscape works, and his permanent public installations — including major commissions at Queen Elizabeth Olympic Park in London — extend the reach of his practice into civic and architectural contexts. At the major auction houses, significant Opie works have traded in the £200,000–£500,000 range at Christie's and Sotheby's, while his print editions range from thousands to tens of thousands of pounds, providing entry points across a wide spectrum of collector budgets. His work is held in the Tate Collection, among other public institutions.

His media range is notably broad: silkscreen prints, vinyl paintings, LED panels, lenticular works, and public sculptures are all produced with equal technical rigour and formal clarity.

Guy Hepner maintains strong inventory and expertise in Julian Opie's print editions and LED works. Our gallery at 177 Tenth Avenue, New York offers collectors expert guidance on acquisition and valuation. We provide free, confidential valuations for those looking to sell Opie works and active connections to buyers engaged with this market.

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