
Basketball
10 works

Untitled (8) from 8 Pots
Etching in colors, with Chine-collé, on White Satin paper paper, with full margins
9 x 8 in 22.8 x 20.3 cm
This etching presents one of Wood's signature ceramic vessels, rendered with bold graphic sensibility and vibrant color. The composition centers on a decorative pot featuring abstract geometric patterns and organic forms that recall both traditional pottery design and contemporary painterly language. The Chine-collé technique adds subtle textural depth to the white satin paper, while the layered color printing creates rich tonal variations that bring dimensionality to the flattened surface. The full margins frame the image with classical restraint, allowing the pot's dynamic patterning to command attention. As part of the limited edition 8 Pots portfolio, this work exemplifies Wood's continued exploration of domestic objects as vehicles for formal experimentation. His ceramics series has become highly sought after by collectors for bridging representational and abstract impulses while maintaining an accessible, decorative appeal. The compact dimensions make it ideal for intimate viewing spaces, yet the bold compositional strength ensures visual impact in any setting. Available for purchase — enquire for price and availability.
Price on Application

Untitled (from 8 Pots) · Jonas Wood · Phillips · 2019-01 · $8,953

Untitled (from 8 Pots) · Jonas Wood · Phillips · 2019-09 · $6,165


Jonas Wood
B-ball
2008

Jonas Wood
Birdcage XVI
2011

Jonas Wood
Birdcage XX
2011

Jonas Wood
Computer Drawings
2008

Jonas Wood
Large Bromeliad
2011

Jonas Wood
Striped Orchid
2013

Jonas Wood
Untitled (Basketball Wallpaper)
2013

Jonas Wood
Untitled (Basketball)
2015

Jonas Wood
Untitled (black and grey)
2009

Jonas Wood
Untitled (Pot)
2010

Jonas Wood
Untitled (xerox)
2009

Jonas Wood
Wood Pot
2015

Jonas Wood (b. 1977, Boston, Massachusetts) is one of the most commercially significant and critically engaged American painters working today, an artist whose deceptively cheerful canvases of domestic interiors, exotic plants, sports imagery, and portraiture carry a genuine formal intelligence beneath their beguiling surfaces. Wood studied at the University of Washington, where he received his BFA, before completing his MFA at the School of the Museum of Fine Arts in Boston in collaboration with Tufts University. He has been based in Los Angeles for much of his career, and that city's particular quality of light, its collector culture, and its deep engagement with design and architecture all permeate his work.
Wood paints what he knows and what he loves: the interior of his own home, the ceramics and vessels his wife Shio Kusaka makes, the sprawling sports venues he grew up attending, the exuberant botanical forms of houseplants scaled to monumental proportions. His signature approach — flat planes of high-keyed colour, graphic patterning, compressed pictorial space, motifs nested within motifs — draws knowingly on a range of sources: Matisse's decorative ambitions, Hockney's Los Angeles interiors, the spatial logic of Japanese woodblock printing. The paintings are warm and inviting on first encounter, but their structural decisions repay close looking. The way a patterned textile disrupts the logic of a room, the way a painted reproduction of a work by Léger or Picasso crops and reframes within Wood's own canvas — these are paintings that think as well as enchant.
Among his most sought-after works are the art-within-art interiors: large-format canvases in which recognisable works from art history appear framed on the walls of his domestic spaces, folded into the patchwork of pattern and colour that defines his compositional method. His works on paper in gouache — equally resolved and chromatically rich — have developed a strong and dedicated following. His print and edition output, though more limited in scale than some of his contemporaries, is actively traded. Auction results have confirmed his position at the top tier of his generation: Large Landscape Pot achieved $6,204,750 at Sotheby's in May 2022, while Interior with Fernand Léger realised $4,896,250 at Christie's in November 2020 — figures that reflect sustained demand from a global collector base.
Wood is represented by some of the most prestigious galleries in the world and his institutional profile continues to grow. His work is held in permanent collections at the Museum of Modern Art, the Whitney Museum of American Art, and LACMA, among other significant institutions. He is among that rare group of mid-career painters whose primary market strength and secondary auction performance are equally robust.
Guy Hepner has developed real expertise in the Jonas Wood market, with experience and inventory spanning paintings, works on paper, and editions. Our gallery at 177 Tenth Avenue, New York is well positioned to advise collectors on acquiring Wood's work or to provide free, confidential valuations for those looking to sell. We work with collectors at all levels and maintain active relationships with buyers across the global market for his work.